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    <loc>https://www.materialintelligencemag.org/acrylic-collection</loc>
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    <lastmod>2026-02-24</lastmod>
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  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-collection/acrylic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
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      <image:title>Acrylic Collection - Introduction - Make it stand out</image:title>
      <image:caption>Barbara Kasten, Intervention, 2018, Steel and fluorescent acrylic. Courtesy Bortolami Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/aa957991-2a7f-4119-a8d1-e5a407262b51/Acrylic_Intro.jpg</image:loc>
      <image:title>Acrylic Collection - Introduction - Make it stand out</image:title>
      <image:caption>Mill Roller in the production of the Swiss Artist acrylic manufacturer Lascaux Colours &amp; Restauro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e85d83fe-f5aa-4d0f-b993-7e90eaec7f40/_26_Acrylic-Tables-2CH48A3.jpg</image:loc>
      <image:title>Acrylic Collection - Introduction - Make it stand out</image:title>
      <image:caption>Plexiglass screens on metal stands for social distancing in Trastevere, Rome, Italy, September 12, 2020. Daniele Cossu / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-collection/acrylic-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044884912-F3YE6PJ0HI8A72F7ZO2X/General-Motors-Pontiac-Ghost-Car.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - More than a substance, plastic is the very idea of its infinite transformation. –Roland Barthes</image:title>
      <image:caption>General Motors, the transparent Pontiac Ghost Car was unveiled at the 1939 World’s Fair in New York as part of General Motors’ Futurama exhibit, 1939. General Motors Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8dd141f0-6c64-4d08-ab4b-dfe364117e24/_2_Acrylic-Screenshot+2025-11-26+at+8.19.27%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>The Yurikamome Elevated Train passes behind a Plexiglas map of the Shiodome Sio-Site business complex, located in Minato Ward in central Tokyo, Japan, April 14, 2008. J. Lumiere / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5e49d758-40c8-42ff-8366-5e626677e35d/_3_Acrylic-Bedroom-PKCWAF.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Grosfeld House Plexiglas bedroom, 1942. From Decorative Art 1942 – The Studio Year Book, edited by C. G. Holme. [The Studio Ltd., London, 1942]. The Print Collector / Heritage Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/28c0ff50-be54-4b5d-8b17-3b8a27bf0aa5/_4_Acrylic-Screenshot+2025-11-26+at+8.22.03%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Telephone acrylic dome in the Palace Hotel, Stockholm, Sweden, 1950s. Photo Kristoffersson ref cb23-2 / Classic Picture Library / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044880703-6X5IF24UJ3NV52GDJ8M2/Boeing_XB-17_%28Model_299%29_nose_turret_with_gun.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4e4e614d-8b8e-4507-8949-e116a2433bde/Woman_polishing_Plexiglas_at_Rohm_and_Haas_facility_-_DPLA_-_4a8078850f37faa567345fd858258d65.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Rohm and Haas Company. “Woman Polishing Plexiglas at Rohm and Haas Facility,” 1940–1949. Rohm &amp; Haas Company Archives, Box 18 (Photographs), Folder 12. Science History Institute. Philadelphia. Science History Institute Digital Collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f3744848-97d3-4874-9e7c-3ea12474d2f9/_8_Acrylic-large_1980_0183__0002_.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f5eb191e-6542-46ed-9e07-16e1599934a0/_7_Acrylic-NMAH-AHB2019q016685-2.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57f2afdf-1bb3-44da-9146-250e6eb2aabc/_10_Acrylic-TV-2CR4MGX.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>A Farnsworth table model television receiver installed in a Lucite cabinet to show the operation of the components, 1949. rbm Vintage Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d13799f1-4020-47d1-88e5-da35a037b1a9/_9_Acrylic-Greenhouse-E0R05W.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Jane Rieger of Golders Green seen with the first all-plastic greenhouse at the First International British Plastics Exhibition, July 7, 1957. Keystone Pictures usa / zumapress / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1f467d36-a325-4448-bfac-8cb166603300/_12_Acrylic-McDonalds-2PJ80T6.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>A McDonald’s in Chicago, 2008. James Kirkikis / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7843b61b-e6f9-4143-b352-8ea38b4bcd65/_13_Acrylic-iStock-629275716-WP.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Ocular prosthesis. Evil Kahn / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/953f50f5-6b9b-489d-93c4-4170b0744b03/_14_Acrylic-DH5093.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Climate measuring devices, Mt Zugspitze summit station, Garmisch-Partenkirchen, Bavaria, Germany, Europe, November 10, 2011. Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57c07640-6311-4b5c-92dc-d5087d1515af/_15_Acrylic-Plexi+Pattern+2NANJ4R.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Color plastic acrylic shapes, Plexiglas, April 2, 2020. Opreanu Roberto Sorin / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/85cf6437-d63f-454e-b606-5e9a1a0a0476/_16_Acrylic-Crochet-2R9W3NR.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Red, green, blue, beige, aqua, brown, yellow and navy rows of a horizontal multi-colored crochet lines pattern, June 11, 2023. Dorin Puha / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9dac5062-d2ad-4b5e-a14d-2cdfb4c3470e/_17_Acrylic-Just+for+Kicks-2XCK8GK.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Orlon acrylic by DuPont, “Just for Kicks,” 1960. adsR / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7b047f59-7b73-4496-8289-c3dc22e88bac/_18_Acrylic-iStock-2218605510.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Heart-shaped sunglasses. William Dondyk / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/71dfa9a0-20ac-4966-a234-e9941a232437/_19_Acrylic-Hockey-Edit.png</image:loc>
      <image:title>Acrylic Collection - Gallery - The NHL theory of violence goes something like this: Hockey is by its nature a violent game. Played in an area confined by boards of unbreakable glass, by players carrying sticks travelling at speeds approaching thirty miles per hour, collisions occur.</image:title>
      <image:caption>Blurred view through protective glass. Hockey player on the ice surface of the stadium, February 13, 2023. Edophoto / Panther Media Global / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b45af5e1-4b05-4f30-9e37-1865ae95a8d3/_20_Acrylic-aeft_002.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Haruka Kojin, Contact Lens, 2011. Museum of Contemporary Art, Tokyo. Photo: daici ano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044849144-S503OOXCVAS3L49R3PYI/Lucite+handbag+V%26A+2017KE3721.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Unknown. Handbag, early 1950s. Engraved perspex. Given by Peggy Marchant, © Victoria and Albert Museum, London, 1996/2203.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044868215-T4QCLXNPNAD4YOFFUFXX/Safety+Glasses-M6TJP1-WP.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Pigeonholes full of safety glasses high school workshop in Western Australia, March 5, 2018. Chris de Blank / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/15cc9a16-0e9f-45f7-81a1-7cf33f9857f8/_23_Acrylic-Milling+Machine+CDC-2A9AME0.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Plexiglas milling on a CNC machine at a furniture factory, October 22, 2019. Marina Demkina / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0fffd1e2-51ef-46de-a983-e8e1526620ea/_24_Acrylic-2RE11W7.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Outdoor basketball backboard and hoop rim with chain net in urban residential district, Serbia, 2023. Igor Stevanovic / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fcc1994b-d9c1-430a-8d41-d437fc71c91a/_25_Acrylic-F05BCN.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Walkway, Centre Pompidou, Paris, France. Kate Hockenhull / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d301494b-6093-4a22-b188-664899a20b65/_27_Acrylic-Guardsmen-3BHXA20-compressed.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Your shield like a wing, protects your bulletproof heart from the wind, your right arm black in the cloth of your brothers. Full face visor. Baby gladiator. –Riot Police, Sun Yung Shin</image:title>
      <image:caption>National Guard members at the Metro Detention Center in Downtown Los Angeles on June 8th, 2025, amid protests against federal immigration raids, June 8, 2025. Jim Newberry / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/897aaaee-6e72-4cb9-bc47-1cb682ba797e/_29_Acrylic-Exit-2A59J5R.jpg</image:loc>
      <image:title>Acrylic Collection - Gallery - Make it stand out</image:title>
      <image:caption>Glowing red exit sign, Plexiglas, July 11, 2019. MirrorImages / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-collection/plexiglas-hits-the-road</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/38166459-8080-4e2a-bdbf-6dd05297b44c/Screenshot+2025-11-29+at+1.44.28%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Plexiglas hits the road - Make it stand out</image:title>
      <image:caption>Rohm &amp; Haas Company Plexiglas advertisement, 1960. adsR / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fae7b1f6-8bab-4cb0-b06e-bd43fbd41b8d/Screenshot+2025-11-29+at+1.44.59%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Plexiglas hits the road - Make it stand out</image:title>
      <image:caption>Detail, Mobil badge/logo/trademark on a filling station wall. Paul Shawcross / lgpl / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cd802049-9710-414e-945b-462470e8561c/Screenshot+2025-11-29+at+1.45.49%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Plexiglas hits the road - Make it stand out</image:title>
      <image:caption>Old Coca-Cola sign in the historic French Quarter of New Orleans, LA, USA, March 2, 2022. iStock/Ampuero Leonardo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ffb5d7ed-f2cb-464b-9589-57a6d530d7e8/Screenshot+2025-11-29+at+1.45.25%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Plexiglas hits the road - Make it stand out</image:title>
      <image:caption>Sunoco vintage print ad, Saturday Evening Post, May 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/33e655e7-ffa7-4c65-89d1-c0ab50d17f13/Screenshot+2025-11-29+at+1.46.19%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Plexiglas hits the road - Make it stand out</image:title>
      <image:caption>Sign with petrol prices at a Chevron gas station, USA. Nathaniel Noir / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-collection/plastic-goes-pop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e5e2be26-c727-4640-824c-2c764b9faa88/LOW+RES+WE+NEED+THIS+domuspipistrello.jpeg.foto.rmedium.jpeg</image:loc>
      <image:title>Acrylic Collection - Plastic goes pop - Make it stand out</image:title>
      <image:caption>Gae Aulenti, Pipistrello light, (originally produced for Olivetti’s Paris store in the late 1960s): 1965; (yellow-based pop version produced by Martinelli Luce): 2023. Stainless steel and acrylic. Martinelli Luce.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f32f260b-c64e-4753-96b7-e34242bf0603/frisbi-chrome-suspension-castiglioni-flos-02+%281%29.jpg</image:loc>
      <image:title>Acrylic Collection - Plastic goes pop - Make it stand out</image:title>
      <image:caption>Achille Castiglioni, produced by Flos, Frisbi lamp, 1978. polymethylmethacrylate, steel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2a829a42-0014-40e7-ae40-c3139e7cb8e2/Draga-Aurel_Flare+series+2023_ph+Todd+Merrill+%2813%29.jpg</image:loc>
      <image:title>Acrylic Collection - Plastic goes pop - Make it stand out</image:title>
      <image:caption>Flare coffee table I, Flare coffee table II, and Flare totems, designed by Draga &amp; Aurel exclusively for Todd Merrill Studio. Photo courtesy of Todd Merrill Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-collection/plastic-as-an-art-form</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0821e0f9-4c7a-4986-8dde-b7e4cc78a31e/Screenshot+2025-11-29+at+12.50.35%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Plastic as an art form - Make it stand out</image:title>
      <image:caption>Freda Koblick posing with her sculptures, date unknown. Archives of American Art, photograph by Robert Lackenbach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764438895136-HHIJQSU588WJ1G1EU8F6/Screenshot+2025-11-29+at+12.50.55%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Plastic as an art form - Make it stand out</image:title>
      <image:caption>Installation images of Rohm and Haas mural included in Rohm and Haas Reporter, 1966. Archives of American Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764438894102-BOKYF0NT5YO9OS9CJBQO/Screenshot+2025-11-29+at+12.51.08%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Plastic as an art form - Make it stand out</image:title>
      <image:caption>Freda Koblick, (title unknown), date unknown. Plexiglas subjected to dielectric currents. Archives of American Art, photograph by Stanford University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764438890733-WYQL7G3BKT0F8YISEP4H/Screenshot+2025-11-29+at+12.52.12%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Plastic as an art form - Make it stand out</image:title>
      <image:caption>Freda Koblick meeting with Rohm and Haas execs during installation of mural for Rohm and Haas, 1965. Archives of American Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764438891131-3FTF4KE50OXWSIHFB451/Screenshot+2025-11-29+at+12.51.57%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Collection - Plastic as an art form - Make it stand out</image:title>
      <image:caption>Installation photo of mural for Rohm and Haas, 1965. Archives of American Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-collection/layer-by-layer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d892f3d1-bc7c-438d-a3f1-a3754904ae4c/Untitled1958Large.jpg</image:loc>
      <image:title>Acrylic Collection - Layer by layer - Make it stand out</image:title>
      <image:caption>Al Held, Untitled, ca. 1958. Oil on canvas. 67 x 49 in. (170.2 x 124.5 cm). Courtesy of the Al Held Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b99fd934-043d-4f99-8c91-6dd8b40403e0/TaxiCabIV1959.jpg</image:loc>
      <image:title>Acrylic Collection - Layer by layer - Make it stand out</image:title>
      <image:caption>Al Held, Taxi Cab IV, 1959. Acrylic on paper over canvas, mounted on board. 108 x 276 in. (274.3 x 701 cm). Courtesy of the Al Held Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cf576fe4-dea6-4960-a97a-299a198293f8/IBeam1961.jpg</image:loc>
      <image:title>Acrylic Collection - Layer by layer - Make it stand out</image:title>
      <image:caption>Al Held, I Beam, 1961. Acrylic on canvas. 114 x 192 in. (289.6 x 487.7cm). Courtesy of the Al Held Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9a4ce98d-4296-47e8-86ed-b0f69533cf4e/EagleRockIV2004+Large.jpg</image:loc>
      <image:title>Acrylic Collection - Layer by layer - Make it stand out</image:title>
      <image:caption>Al Held, Eagle Rock IV, 2004. Acrylic on linen. 180 x 360 in. (457.2 x 914.4 cm). Courtesy of the Al Held Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-collection/infinity-on-our-fingertips</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3be005ee-039e-4ad5-8165-5de58e8d256f/IMG_2898.jpeg</image:loc>
      <image:title>Acrylic Collection - Infinity on our fingertips - Make it stand out</image:title>
      <image:caption>Acrylics worn by the artist Wavy Wednesday in her studio. Nails by Kamela Gissendanner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044892136-J6H1GMMOLO9FRHGRDI0H/2XRDX75.jpg</image:loc>
      <image:title>Acrylic Collection - Infinity on our fingertips - Make it stand out</image:title>
      <image:caption>Decorated nails of Sha’carri Richardson are seen after the Women’s 4 x 100m Relay final during the Paris 2024 Olympic Games at Stade de France in Paris (France), August 09, 2024. Team United States placed first, winning the gold medal, 2024. Insidefoto / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-collection/privacy-control</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0ac9ab11-e840-4bd2-b67c-6e9f27dd231a/04_PrivacyControl_four%2Bpanels.webp</image:loc>
      <image:title>Acrylic Collection - Privacy control - Make it stand out</image:title>
      <image:caption>Baseera Khan, Privacy Control, 2019. Installation at bric Arts Media, Brooklyn, ny. Acrylic two-way mirror, steel pipes, vinyl text. 16 x 8 ft. Installation view, bric Arts Media Brooklyn, NY. Curated by Elizabeth Ferrer. Photo: Benny Krwon. Image courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e3f6e66a-e1b3-4c21-b11a-964b5cf583f2/02_BK-Privacy-Control-000469733_20220720183912__Q0A2031.webp</image:loc>
      <image:title>Acrylic Collection - Privacy control - Make it stand out</image:title>
      <image:caption>Baseera Khan, Privacy Control, 2019. Installation at bric Arts Media, Brooklyn, ny. Acrylic two-way mirror, steel pipes, vinyl text. 16 x 8 ft. Installation view, bric Arts Media Brooklyn, NY. Curated by Elizabeth Ferrer. Photo: Benny Krwon. Image courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8a0bff51-610f-480c-8bcc-cd654b1ce33b/03_BK-Privacy-Control-installation-side%2Bedit.jpeg</image:loc>
      <image:title>Acrylic Collection - Privacy control - Make it stand out</image:title>
      <image:caption>Baseera Khan, Privacy Control, 2018. Acrylic two-way mirror, vinyl wall text, steel scaffolding mounts. 8 x 8 ft. Installation view, Simone Subal Gallery, ny (to the left: Planet Fitness, 2016, 20-minute running performance set to a custom soundtrack). Photo: Dario Lasagni. Image courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d313067f-43d1-4ebf-8709-a8607ec69745/01_BK-Privacy-Control-sculpture-IMG_8061.webp</image:loc>
      <image:title>Acrylic Collection - Privacy control - Make it stand out</image:title>
      <image:caption>Beseera Khan, The Liberator, from the series Busts of Canons, 2023. fdm (Fused Deposition Modeling), 3d-printed petroleum-based acrylic, artist’s hair, custom steel pedestal. Image courtesy the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-collection/support-structures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5edc50d2-fb3e-4922-b353-7466f7a86178/Gatsby+DNA+Starry+Skye+Light+Up+-+Group+-+Portrait+3.jpg</image:loc>
      <image:title>Acrylic Collection - Support structures - Make it stand out</image:title>
      <image:caption>Neo Walk, Gatsby DNA Starry Skye Light Up Walking Stick. Image courtesy of BravoMikeMedia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/97771f1c-aa66-4243-a757-a0d8e4efb7d4/Soft+Screw.jpeg</image:loc>
      <image:title>Acrylic Collection - Support structures - Make it stand out</image:title>
      <image:caption>Claes Oldenburg (American, b. Sweden 1929), Soft Screw [installation in the Chazen Museum of Art’s Objects Study Room], 1975, 121.3 x 37.2 cm (47 3/4 x 14 5/8 in.), cast elastomeric urethane with a mahogany base. Collection of the Chazen Museum of Art, Terese and Alvin S. Lane Collection. Accession No.2012.54.44.6. Photographer credit: Jonathan Prown.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-collection/the-joy-of-plastic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c15bdff3-51a1-4700-9f8b-c8ccfdb2250c/Moyer_Rosewater_and_Brimstone_2020_CM032.jpg</image:loc>
      <image:title>Acrylic Collection - The joy of plastic - Make it stand out</image:title>
      <image:caption>Carrie Moyer, Rosewater and Brimstone, 2020. Acrylic and glitter on canvas. 78 x 60 in (198.1 x 152.4 cm). Private Collection. Courtesy the artist and Alexander Gray Associates, New York. © 2025 Carrie Moyer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bfba086f-3d50-4730-8f19-a08fb28870cb/Moyer_Grassroots_Harmonic_2023_CM002.jpg</image:loc>
      <image:title>Acrylic Collection - The joy of plastic - Make it stand out</image:title>
      <image:caption>Carrie Moyer, Grassroots Harmonic, 2023. Acrylic, glitter, and pumice on canvas. 72 x 52 in (182.9 x 132.1 cm). Private Collection. Courtesy the artist and Alexander Gray Associates, New York. © 2025 Carrie Moyer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9d1e80fa-3291-4a81-b027-f2887f99e127/Moyer_Etna%27s_Folly_2024_CM105.jpg</image:loc>
      <image:title>Acrylic Collection - The joy of plastic - Make it stand out</image:title>
      <image:caption>Carrie Moyer, Etna’s Folly, 2024. Acrylic, pumice, glitter, ground garnet, and fiber paste on canvas. 72 x 50 in (182.9 x 127 cm). Courtesy the artist and Alexander Gray Associates, New York. © 2025 Carrie Moyer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal-collection/charcoal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1e13824a-556d-44d9-9fda-af26e8807632/Screenshot+2026-01-03+at+3.01.39%E2%80%AFPM.png</image:loc>
      <image:title>Charcoal Collection - Introduction - Make it stand out</image:title>
      <image:caption>Thomas Lenne, embers, 2014. Thomas Lenne / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/31aa6fb1-c993-4e42-9395-d687a8b28169/27_Screenshot+2026-01-11+at+6.39.22%E2%80%AFPM.png</image:loc>
      <image:title>Charcoal Collection - Introduction - Make it stand out</image:title>
      <image:caption>Florian Kopp. Stove, firewood, logging, charcoal production, Chaco, Sentiago del Estaero Province, Argentina, South America. Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3c36a5fc-1830-4424-a911-2356954c74fd/19_TateImages_T07539_HighRes.jpg</image:loc>
      <image:title>Charcoal Collection - Introduction - Make it stand out</image:title>
      <image:caption>From Pyramid, Sphere, Cube, Pyramid, 1997-8, David Nash. Charcoal on canvas. Tate, Presented by the Trustees of the Chantrey Bequest 1999. © David Nash. Photo: © Tate.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal-collection/charcoal-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/08b681a1-ad26-47bc-a3eb-eb1cbac98003/1_Screenshot+2026-01-11+at+6.11.44%E2%80%AFPM.png</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Detail. Occonomie rustique, Carbon de Bois, PI. II, Plate 25, Charcoal II Vol. 1., ca. 1762-77. Source: Charles C. Gillispie, editor, A Diderot Pictoral Encyclopedia of Trades and Industry, Dover, 1993 reprint of 1954 original.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bbe7ba65-8456-4373-8cda-31b87bcbebe8/3_MG_6432.jpeg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Heather Hansen, Charcoal drawing from Emptied Gestures, 2013. Photo courtesy the artist and Bryan Tarnowski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0040f29c-65e5-4879-b913-e84cf5b881f0/4_Screenshot+2026-01-11+at+6.13.02%E2%80%AFPM.png</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Imaginechina, Chinese villagers walk through burning charcoal as they participate in the traditional ritual Lianhuo, "fire walking", in Pan'an county, Jinhua city, east China's Zhejiang province. Imaginechina Limited / Alamy Stock Photo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2c2aba9e-b672-4e29-82b3-55dfb1368509/5_38b19d65-7fdc-4b5e-bb1b-dd1a4c06ae2e_7404.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Rosa Bonheur (French, 1822-1899), Charcoal burners (Les charbonniers), 1880-1890s. Charcoal and white chalk, stumping and lifting, on gray-green wove paper. (unframed): 19 1/2 x 25 5/16 in. The J. Paul Getty Museum, Los Angeles, Gift of Daniel and Sophie Thierry in honor of Lee Hendrix, 2016.106, Public Domain, CCO 1.0 Universal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/27d3d4e2-130d-41cc-aeac-bb28dd73094c/6_master-pnp-trmk-1t10000-1t19000-1t19900-1t19957u.jpeg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Trademark registration by L. T. Greenfield for Charcoal Mints brand Pellets for Headache, Heartburn, Flatulence, and Indigestion, 1891. Digital file from original. From Library of Congress, U.S. Patent Office trademarks. https://hdl.loc.gov/loc.pnp/trmk.1t19957 (accessed June 19, 2025)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d53c4ef6-3f2d-4e37-8ca0-c2710bed2045/7_Screenshot+2026-01-11+at+6.23.04%E2%80%AFPM.png</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>FotoHelin, activated charcoal capsule, 2019. FotoHelin / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9ecc077b-d7de-4b74-b805-2130456e749d/8_D2MWGR.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Mike Goldwater, Nampula, Mozambique, May 2010: Delivering charcoal door to door, 2010. Mike Goldwater / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f897fa5c-3169-4e1b-b723-01d30789525c/9_Screenshot+2026-01-11+at+6.24.19%E2%80%AFPM.png</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Edgar Degas (French, Paris 1834-1917), Madame Lisle, ca. 1866-70. Charcoal and pastel with red, black, and white chalk on beige wove paper. (sheet): 8 9/16 x 10 1/4 in. The Metropolitan Museum of Art, Rogers Fund, 1918, 19.51.5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3b687629-e3c3-4da7-aa02-37897a431f5c/10_DP138449.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Totoya Hokkei (Japanese, 1780-1850), Lobster on a Piece of Charcoal, Edo period (1615-1868). Woodblock print (surimono); ink and color on paper. 8 3/16 x 7 1/4 in. The Metropolitan Museum of Art, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929, JP2219.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7b433f57-3905-4cff-80f1-831667a864fa/11_THF263555.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Ford Motor Company, Ford Charcoal Briquets and Picnic Kit Display in a Hardware Store, 1938. Gelatin silver print. 7 3/4 x 10 in. From the Collections of The Henry Ford. Gift of Ford Motor Company, 64.167.833.P.70167.A.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/649c8161-f965-48c6-ba5b-92d208730d5e/12_GettyImages-1233860771.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Charcoal burner Eduardo Alfonso, 58. Photograph: Adalberto Roque/AFP via Getty Images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/af4743db-d827-4255-8d54-bee04fac3be9/13_AdobeStock_469186050.jpeg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>An antique charcoal iron. Anneke.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9713999f-923f-4a61-89ff-a619c5144a7f/14_2G8X4E1.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>MehmetO, a chef grills meat the traditional way in Bishkek, Kyrgyzstan, 2018. MehmetO / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a640c103-292e-4837-91dd-5b655022c497/15_LC-25_215_35-004.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Japanese, Charcoal Basket, 19th century. Bamboo. 4 x 11 in. (diam.). The Metropolitan Museum of Art, Fletcher Fund, 1925, 25.215.35.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5533bb92-d596-4af9-b5b8-b901116917d7/16_AdobeStock_1209946550.jpeg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Interior View of the Ward Charcoal Ovens in Nevada. Michael / Adobe Stock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ec97e878-c52b-450e-8a67-61278263eaad/17_Screenshot+2026-01-11+at+6.28.47%E2%80%AFPM.png</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Lararium in the shape of a Corinthian temple, from the House of the Black Hall, Ist century AD. 39 3/8 x 39 3/8 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/183740d5-1c98-4034-9b2b-33da9b2672ae/18_Screenshot+2026-01-11+at+6.29.01%E2%80%AFPM.png</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Traumrune, Lascaux IV, Montignac, Dordogne, France, 2017. The photograph shows the Atelier. © Traumrune / Wikimedia Commons/cc BY-SA 3.0</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0a1632e9-b581-4bc5-93ab-deccc7121cf5/20_AR9476402.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Georgia O'Keeffe (American, 1887-1986), No. 8 - Special (Drawing No. 8), 1916. (sheet: (irregular)): 24 1/2 X 18 7/8in. (62.2 X 47.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Mr. and Mrs. Arthur G. Altschul Purchase Fund, 85.52. © Georgia O'Keeffe Museum / Artists Rights Society (ARS), New York. Digital image © Whitney Museum of American Art / Licensed by Scala/ Art Resource, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/949dba1f-1974-4cc2-9aa6-e89810e5e302/21_1970.390_CDP-pub.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Dante Gabriel Rossetti (English, 1828-1882), Study of a Young Woman [Mrs. Eaton], ca. 1863-1865. Black chalk and charcoal, with stumping on paper. 18 5/16 x 12 3/8 in. Iris &amp; B. Gerald Cantor Center for Visual Arts at Stanford University; Museum Purchase Fund, 1970.390.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d94ff3d7-c4b7-49fd-bd20-f8d5dc04b4c6/22_ycba_25ce4bc5-1ec1-4ee8-bc8c-743d16faa171.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Richard Purcell (active 1746-1766), Night. Boy blowing Charcoal, undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Yale Center for British Art, Paul Mellon Fund, B1970.3.1115.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9cda8c15-7f2e-488b-a068-c6efa43ae406/23_PAR10097.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Robert Capa (American, b. Hungary 1913-1954), Henri Matisse draveing with bamboo pole tipped with charcoal in his studio, Nice, France, 1949. Photo-negative-black &amp; white. The Robert Capa and Cornell Capa Archive, Gift of Cornell and Edith Capa, 2010. Accession No. CAR1950.7.6. Courtesy International Center of Photography / Magnum Photos.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4787b25a-e8b0-4793-85ce-efccfbb4fa09/24_Screenshot+2026-01-11+at+6.37.11%E2%80%AFPM.png</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Duncan Astbury, burnt bark, 2015. Duncan Astbury / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bfa8e06b-efe1-491c-8e79-a81ab0064d79/25_default.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>J. Le Blond (engraver, French, ca. circa 1635-1709), Jean Robert, a charcoal-burner. Etching with engraving. Welcome Collection. Source: Welcome Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1fe8acfb-2cde-4bef-b784-af7683eebf1e/26_index.jpg</image:loc>
      <image:title>Charcoal Collection - Gallery - Make it stand out</image:title>
      <image:caption>Mactavish &amp; Co. Ltd. (Publisher). Charcoal stoves for warming hands and feet (winter time), Shanghai, ca. 1922. Rotogravures. [9 x 14 cm]. The New York Public Library, The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal-collection/kohle-kunst-kulter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a5e6dd00-b9a6-4963-95ba-bb0bd3fde118/Wick_1.jpeg</image:loc>
      <image:title>Charcoal Collection - Kohle, Kunst, Kultur - Make it stand out</image:title>
      <image:caption>Diagram of a charcoal burning pile. Image courtesy of Doris Wicki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/732ee8d9-8994-4041-bcee-98e4e645703b/Wicki_2.jpeg</image:loc>
      <image:title>Charcoal Collection - Kohle, Kunst, Kultur - Make it stand out</image:title>
      <image:caption>Image courtesy of Doris Wicki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/68ad38ed-d0cb-405b-82f6-a7e91b20a910/Wicki_4.jpg</image:loc>
      <image:title>Charcoal Collection - Kohle, Kunst, Kultur - Make it stand out</image:title>
      <image:caption>Image courtesy of Doris Wicki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b5194578-ec0c-4384-aba3-f84342fd7d10/Wicki_3.jpg</image:loc>
      <image:title>Charcoal Collection - Kohle, Kunst, Kultur - Make it stand out</image:title>
      <image:caption>Image courtesy of Doris Wicki.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal-collection/the-ecological-medium</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e1c382a4-a773-48d5-8c93-c258f7068bea/Cao_1.jpg</image:loc>
      <image:title>Charcoal Collection - The ecological medium - Make it stand out</image:title>
      <image:caption>William Trost Richards (American, 1833-1905), Forest Scene with Rocky Brook, ca. 1864-67. Charcoal on cream, moderately thick, slightly textured wove paper mounted to paper. (Sheet): 22 13/16 x 17 13/16 in. (57.9 x 45.2 cm). Brooklyn Museum, Gift of Edith Ballinger Price, 72.32.2.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a26b78cc-9783-4f3a-bd5d-e3641be3144a/Cao_2.jpg</image:loc>
      <image:title>Charcoal Collection - The ecological medium - Make it stand out</image:title>
      <image:caption>Auguste Allongé (French, 1833-1898), A Pond in the Forest of Fontainebleau, 1870-98. Charcoal. (sheet): 27 9/16 x 39 3/8 in. The Metropolitan Museum of Art, Purchase, Friends of Drawings and Prints Gifts, 2023, 2023.381.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ff1a0cb8-28aa-46b6-b9a8-45b6e96d2a1f/Cao_3.jpg</image:loc>
      <image:title>Charcoal Collection - The ecological medium - Make it stand out</image:title>
      <image:caption>Adolphe Appian (French, 1818-1898), A Pond with a Fisherman along the River Ain, 1868-70. Charcoal with stumping and scratching out. 21 5/8 x 38 1/4 in. The Metropolitan Museum of Art, Purchase, Gift of Mrs. Gardner Cassatt, by exchange, 1998, 1998.359.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal-collection/on-the-right-track</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6df3126e-4a38-41de-92a0-8e71a15fee89/Inglesby_1.jpg</image:loc>
      <image:title>Charcoal Collection - On the right track - Make it stand out</image:title>
      <image:caption>Raffaellino del Garbo (also known as Raffaelle de Capponi and Raffaelle de Carli) (Italian, San Lorenzo a Vigliano, ca. 1470-after 1527). The Angel of the Annunciation (Cartoon for an Embroidery), 1466-1524. Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk on paper washed brown; outlines of design and framing outlines pricked and with traces of rubbed black pouncing dust. 3 13/16 in. (diam.). The Metropolitan Museum of Art, Rogers Fund, 1912, 12.56.5a.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/23fcf3a1-5b08-4b5a-905a-ea541826d58a/Inglesby_2a.jpg</image:loc>
      <image:title>Charcoal Collection - On the right track - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8b355306-4b28-401d-9bdf-de5968e936ff/Inglesby_2b.jpg</image:loc>
      <image:title>Charcoal Collection - On the right track - Make it stand out</image:title>
      <image:caption>A.W.N. Pugin (designer). Eclesiastical design, 19th century-20th century. Pen and ink and watercolor on laid paper. 22 1/4 x 17 1/4 in. Given by the Community of St. John Baptist, E.1162-2012. © Victoria and Albert Museum, London. [back and front]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/747b0707-1891-41fc-a0c5-c100f33d0ac1/Inglesby_3.JPG</image:loc>
      <image:title>Charcoal Collection - On the right track - Make it stand out</image:title>
      <image:caption>An artisan at work for the Sunny Sign Co, founded by Jake Tyler and Hana Sunny Whaler.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal-collection/the-wood-that-turned-the-stones-to-water</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8dc6184b-e7a7-4188-ba8a-e9da0bc85280/Walsdorf_1_Managed_Sal_in_Dheradun_1.jpg</image:loc>
      <image:title>Charcoal Collection - The wood that turned the stones to water - Make it stand out</image:title>
      <image:caption>Anand.osuri. Sal forest near Dehradun, India, 2018. Anand.osuri. ShareAlike 4.0 International, CC BY-SA 4.0.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4239a622-d26d-4fe0-81fb-c18a755144a3/Walsdorf_3.png</image:loc>
      <image:title>Charcoal Collection - The wood that turned the stones to water - Make it stand out</image:title>
      <image:caption>Elwin, Verrier. 1942. The Agaria. [London]: H. Milford, Oxford University Press, "Agaria burning charcoal," Plate 22.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/09c24c3a-c2c4-4cc8-9699-5bc0f5c1107b/Walsdorf_2.jpeg</image:loc>
      <image:title>Charcoal Collection - The wood that turned the stones to water - Make it stand out</image:title>
      <image:caption>Elwin, Verrier. 1942. The Agaria. [London]: H. Milford, Oxford University Press, "Party of Agaria from Bhoira, Mandla District, returning from the jungle with ore and charcoal," Plate 21.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/04de059c-35a0-47ca-af04-03afb0f440a1/Walsdorf_4_Complejo_de_Qutb-Delhi-India072.JPG</image:loc>
      <image:title>Charcoal Collection - The wood that turned the stones to water - Make it stand out</image:title>
      <image:caption>Diego Delso. Iron Column at Delhi, 2009. Diego Delso, delso.photo, License CC BY-SA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7efb8f35-0431-4962-a648-e98395428d81/Walsdorf_5_Holy_Prayer.jpg</image:loc>
      <image:title>Charcoal Collection - The wood that turned the stones to water - Make it stand out</image:title>
      <image:caption>Gurpreet Singh Ranchi. People worshiping under the Sal tree during the celebration of Sarhul in Jharkhand by Gurpreet Singh Ranchi, 2017. ShareAlike 4.0 International CC BY-SA 4.0.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal-collection/where-theres-smoke</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ded99107-48bf-48cb-821b-65415e8213d6/Miller_1_16113535435_29401f3753_o.jpg</image:loc>
      <image:title>Charcoal Collection - Where there’s smoke… - Make it stand out</image:title>
      <image:caption>Shreveport-Bossier Convention and Tourist Bureau, Real BBQ and More in Shreveport. Shared under a Creative Commons Attribution.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e4f938e0-f26c-4e03-8cf6-bc96be6c43f9/Miller_2_15926237040_b667249a0e_o.jpg</image:loc>
      <image:title>Charcoal Collection - Where there’s smoke… - Make it stand out</image:title>
      <image:caption>Shreveport-Bossier Convention and Tourist Bureau, Real BBQ and More in Shreveport. Shared under a Creative Commons Attribution.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/690d5661-9e5e-485a-8b67-1e59f8a40534/Miller_3_15927760557_c676588718_o.jpg</image:loc>
      <image:title>Charcoal Collection - Where there’s smoke… - Make it stand out</image:title>
      <image:caption>Diego Delso. Iron Column at Delhi, 2009. Diego Delso, delso.photo, License CC BY-SA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal-collection/etching-with-fire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4a17a5bd-e529-42f1-bc63-753457c43378/Muscato_1_Base10_00062.jpg</image:loc>
      <image:title>Charcoal Collection - Etching with fire - Make it stand out</image:title>
      <image:caption>Base 10 (Lindsey Muscato and Joshua Friedman), process photograph. Photo by Brian Guido.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ad35080b-a70f-46a2-928c-ad780e0df757/Muscato_2_2024-02-13-MARTA-297.jpg</image:loc>
      <image:title>Charcoal Collection - Etching with fire - Make it stand out</image:title>
      <image:caption>Base 10 (Lindsey Muscato and Joshua Friedman), Soma Chair, from the Offcuts series, 2024. Photo by Erik Benjamins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c775b4ba-6198-4f2b-a590-7236b0486a23/Muscato_3_Base10_00703.jpg</image:loc>
      <image:title>Charcoal Collection - Etching with fire - Make it stand out</image:title>
      <image:caption>Base 10 (Lindsey Muscato and Joshua Friedman), process photograph. Photo by Brian Guido.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/afe38998-623f-462d-a9b1-519045c73981/Muscato_4_Base10_00807.jpg</image:loc>
      <image:title>Charcoal Collection - Etching with fire - Make it stand out</image:title>
      <image:caption>Base 10 (Lindsey Muscato and Joshua Friedman), process photograph. Photo by Brian Guido.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal-collection/paintings-out-of-dust</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/12b372f5-9a64-4bc3-b5bd-9b822d3b34ba/Murtha_1_Kline.jpeg</image:loc>
      <image:title>Charcoal Collection - Paintings out of dust - Make it stand out</image:title>
      <image:caption>Robert Longo, Detail of Untitled (After Kline, New York, NX, 1953), 2014. © Robert Longo / Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/29fe125e-b19f-41be-9408-13aeb2561dd5/Murtha_2_RL3487-After+Kline.jpeg</image:loc>
      <image:title>Charcoal Collection - Paintings out of dust - Make it stand out</image:title>
      <image:caption>Robert Longo, Untitled (After Kline, New York, NY, 1953), 2014. Charcoal on mounted paper, 109 1/4 x 70 inches (277.5 x 177.8 cm). © Robert Longo / Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5bcddfa7-02a4-4219-98d3-15e0ab9df333/Murtha_3_Pollock+in+progress.jpeg</image:loc>
      <image:title>Charcoal Collection - Paintings out of dust - Make it stand out</image:title>
      <image:caption>Robert Longo, Untitled (After Pollock, Autumn Rhythm: Number 30, 1951) in progress. © Robert Longo / Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/182c043f-1dd3-4c4e-82e5-d9e50dd2c3a9/Murtha_4_Pollock+detail.jpeg</image:loc>
      <image:title>Charcoal Collection - Paintings out of dust - Make it stand out</image:title>
      <image:caption>Robert Longo, Detail of Untitled (After Pollock, Autumn Rhythm: Number 30, 1951), 2014. © Robert Longo / Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ab821085-2db7-4e67-8304-0596c23645c4/Murtha_5_RL3479-After+Pollock.jpeg</image:loc>
      <image:title>Charcoal Collection - Paintings out of dust - Make it stand out</image:title>
      <image:caption>Robert Longo, Untitled (After Pollock, Autumn Rhythm: Number 30, 1951), 2014. Charcoal on mounted paper, 91 1/4 x 180 inches (231.8 x 457.2 cm). © Robert Longo / Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/copper-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/copper-collection/copper</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/03321c1a-bff8-4eae-b2ae-74a07649ebb1/_Penny+Loafers+%282%29+Large.jpeg</image:loc>
      <image:title>Copper Collection - Introduction - Make it stand out</image:title>
      <image:caption>Penny Loafers by Sonya Clark, 2010, Copper and pennies. Courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a845f647-ad03-4b6c-a29d-94fb0bead291/BGD_MN_22_83_SRC_alt1_2K+Large.jpeg</image:loc>
      <image:title>Copper Collection - Introduction - Make it stand out</image:title>
      <image:caption>Mines #22, Kennecott Copper Mine, Bingham Valley, Utah, 1983. Photograph by Edward Burtynsky.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/copper-collection/copper-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f564bf55-680b-4cb4-8f03-074db5a1de8c/MN_AUS_SLO_01_07_SRC_2K+Large.jpeg</image:loc>
      <image:title>Copper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Mines #22, Kennecott Copper Mine, Bingham Valley, Utah, 1983. Photograph by Edward Burtynsky.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8b4004c3-2310-450e-a97a-2203bcb3a76e/Screenshot+2026-01-17+at+9.37.56%E2%80%AFAM+Large.jpeg</image:loc>
      <image:title>Copper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Suspended by Egeværk, 2020, boiled oak and copper thread. Private Collection. Images courtesy of Egeværk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/620ea096-c76b-4a65-8f98-a20903cd9e28/Screenshot+2026-01-17+at+9.38.13%E2%80%AFAM+Large.jpeg</image:loc>
      <image:title>Copper Collection - Gallery - Make it stand out</image:title>
      <image:caption>The Great Bartholdi Statue, Liberty Enlightening the World: The Gift of France to the American People. Published by Currier &amp; Ives., ca. 1885, chromolithograph print. Library of Congress Prints and Photographs Division.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4096650a-d013-48d8-846a-b1fbccb55fd1/Screenshot+2026-01-17+at+9.39.38%E2%80%AFAM+Large.jpeg</image:loc>
      <image:title>Copper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Copper and brass processing, Photographed by Alfred T. Palmer, February 1942. Chase Brass and Copper Company, Euclid, Ohio. Farm Security Administration/Office of War Information Photograph Collection, Library of Congress Prints and Photographs Division.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9778414f-1bfa-4f37-ae83-1503ad85669b/RWS2011-03603+Large.jpeg</image:loc>
      <image:title>Copper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Elecrotyped copper negative disc of a sound recording deposited at SI in October 1881 in sealed tin box. Content: Tone; voice saying. “One, two, three, four, five, six”. Photograph: Rich Strauss, Smithsonian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/095949a8-76b3-4eec-9831-d0ad08ffed24/Myra+Mimlitsch+Gray%2C+Food+Plinth%2C+2000%2C+22+x+3+Large.jpeg</image:loc>
      <image:title>Copper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Food Plinth by Myra Mimlitsch-Gray, ca. 2000, copper, depth x diam.: 3 x 22 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d50613d9-03d9-4584-badf-8a41f98cc80d/ba-obj-55706-0001-pub+Large.jpeg</image:loc>
      <image:title>Copper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Jo (canceled plate) by James McNeill Whistler, 1861, Copper plate, Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943, B2014.22.21</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7f159555-b526-4f86-99c1-214beb1bcef4/Screenshot+2026-01-17+at+9.40.07%E2%80%AFAM+Large.jpeg</image:loc>
      <image:title>Copper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Jo by James McNeill Whistler, 1861. Etching and drypoint print, with drypoint cancellation. lma / aw / Alamy Stock Photo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/copper-collection/the-conductor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7053438d-09a6-4e52-b943-7d9f181b06fd/service-afc-afc2016035-afc2016035_03522-afc2016035_03522_ph-afc2016035_03522_ph05+Large.jpeg</image:loc>
      <image:title>Copper Collection - The conductor - Make it stand out</image:title>
      <image:caption>Deck job by Paul Vance (February 2012) from the Paul Vance interview conducted by Setare S. Arashloo and Barrie Cline and Jaime Lopez, 2016-11-17. Illuminating History: Union Electricians in New York City, Archie Green Fellows Project, 2016-2017 (afc 2016/035), American Folklife Center, Library of Congress.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/95543e5b-dbac-40a6-ac64-aed343557e5c/service-afc-afc2016035-afc2016035_03522-afc2016035_03522_ph-afc2016035_03522_ph16+Large.jpeg</image:loc>
      <image:title>Copper Collection - The conductor - Make it stand out</image:title>
      <image:caption>Wire cart (December 2012) from the Paul Vance interview conducted by Setare S. Arashloo and Barrie Cline and Jaime Lopez, 2016-11-17. Illuminating History: Union Electricians in New York City, Archie Green Fellows Project, 2016-2017 (afc 2016/035), American Folklife Center, Library of Congress.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/copper-collection/copper-culture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4f85aa1f-23b0-41de-bfd0-441504cfe8a6/Charger+by+Laurin+Hovey+Martin%2C+ca.1900%2C+copper%2C+Yale+University+Art+Gallery%2C+1998.56.1+Large.jpeg</image:loc>
      <image:title>Copper Collection - Copper culture - Make it stand out</image:title>
      <image:caption>Charger by Laurin Hovey Martin, ca.1900, copper. Gift of Matthew Robinson, Yale University Art Gallery, 1998.56.1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/258da728-8624-48b3-9fc2-92353ea1135d/Tambat+%28coppersmith%29+hammering+the+top+of+a+bumba+%28hot+water+heater%29%2C+Pune%2C+India%2C+2016_Photo+by+Edward+Cooke.jpg</image:loc>
      <image:title>Copper Collection - Copper culture - Make it stand out</image:title>
      <image:caption>Tambat (coppersmith) hammering the top of a bumba (hot water heater), Pune, India, 2016. Photo by author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/copper-collection/good-copper</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f95acde3-3682-4009-9d8f-98ba4097dbdc/Craftsmen+and+the+metal+sinking+process+in+Souq+Alsaffar%2C+Photographer%2C+Mathais+Deaprdon_6+Large.jpeg</image:loc>
      <image:title>Copper Collection - Good copper - Make it stand out</image:title>
      <image:caption>Craftsmen and the metal sinking process in Souq Alsaffafeer. Photographer, Mathais Deaprdon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2beafe1a-667e-489e-96fe-50d57eb42968/Craftsmen+and+the+metal+sinking+process+in+Souq+Alsaffar%2C+Photographer%2C+Mathais+Deaprdon_3+Large.jpeg</image:loc>
      <image:title>Copper Collection - Good copper - Make it stand out</image:title>
      <image:caption>Craftsmen and the metal sinking process in Souq Alsaffafeer. Photographer, Mathais Deaprdon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c0181fb6-12b5-4e19-ac2d-2d9328a192ca/Dual+Bowls+in+process+in+Alwafi+Foundry%2C+Photographer%2C+Mohamad+Chehimi_3+Large.jpeg</image:loc>
      <image:title>Copper Collection - Good copper - Make it stand out</image:title>
      <image:caption>Dual Bowls in process in Alwafi Foundry. Photographer, Mohamad Chehimi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7fe2636e-199a-42dd-a5fe-7192e0a614b7/Pentu+and+Haneef+pouring+brass+and+zinc%2C+Photographer%2C+Mohamad+Chehimi+Large.jpeg</image:loc>
      <image:title>Copper Collection - Good copper - Make it stand out</image:title>
      <image:caption>Pentu and Haneef pouring brass and zinc. Photographer, Mohamad Chehimi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fda75134-5aed-4dca-8b10-139ca0372693/Craftsmen+and+the+metal+sinking+process+in+Souq+Alsaffar%2C+Photographer%2C+Mathais+Deaprdon_1+Large.jpeg</image:loc>
      <image:title>Copper Collection - Good copper - Make it stand out</image:title>
      <image:caption>Craftsmen and the metal sinking process in Souq Alsaffafeer. Photographer, Mathais Deaprdon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/846f441f-374f-4f84-a894-d3422788d32f/Dual+Bowls%2C+9+materials+and+methods%2C+Photographer%2C+Mohamad+Chehimi_3+Large.jpeg</image:loc>
      <image:title>Copper Collection - Good copper - Make it stand out</image:title>
      <image:caption>Dual Bowls, 9 materials and methods. Photographer, Mohamad Chehimi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0003a334-e568-478c-95c0-ec61c3eaa0b1/Craftsmen+and+the+metal+sinking+process+in+Souq+Alsaffar%2C+Photographer%2C+Mathais+Deaprdon_4+Large.jpeg</image:loc>
      <image:title>Copper Collection - Good copper - Make it stand out</image:title>
      <image:caption>Craftsmen and the metal sinking process in Souq Alsaffafeer. Photographer, Mathais Deaprdon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/copper-collection/frank-rebajes-the-copper-king</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/27d1803e-90d9-45ce-a6ff-de9f75ef166f/Rebajes-NY-decada-de-los-40-archivo-Peri-Shaw-768x614.jpg</image:loc>
      <image:title>Copper Collection - The copper king - Make it stand out</image:title>
      <image:caption>Francisco Rebajes pictured working in his workshop, c. 1940s. Peri Shaw Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/16d86d6e-1b7a-4cf5-ac25-432aa706d7ea/2017-59-3+Large.jpeg</image:loc>
      <image:title>Copper Collection - The copper king - Make it stand out</image:title>
      <image:caption>Bull Brooch by Francisco Rebajes, ca. 1940s. Hammer and cut copper. Gift of Linda Lichtenberg Kaplan; Cooper Hewitt, Smithsonian Design Museum, 2017-59-3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/dfdf70b9-7e29-46ed-a7f2-942ee32a1438/2017-59-22-ac+Large.jpeg</image:loc>
      <image:title>Copper Collection - The copper king - Make it stand out</image:title>
      <image:caption>Gears Tie Clip and Cufflinks by Francisco Rebajes, ca. 1940s. Copper plate and gears. Gift of Linda Lichtenberg Kaplan; Cooper Hewitt, Smithsonian Design Museum, 2017-59-22-a/c.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/dd854726-27b0-4299-a473-af296439dfce/1992-138-1.jpg</image:loc>
      <image:title>Copper Collection - The copper king - Make it stand out</image:title>
      <image:caption>Bracelet by Francisco Rebajes, ca. 1940-1950. Copper. Gift of Dorothy Hoberman; Cooper Hewitt, Smithsonian Design Museum, 1992-138-1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/473ba311-deec-4b19-9657-4eb47c0a5b21/1990-108-8.jpg</image:loc>
      <image:title>Copper Collection - The copper king - Make it stand out</image:title>
      <image:caption>Brooch by Francisco Rebajes, ca. 1945. Copper. Gift of Eitel and Frances Groeschke in memory of Pauline and Frank Rebajes; Cooper Hewitt, Smithsonian Design Museum, 1990-108-8.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/befb3e00-e92a-40d3-a3a2-08cadb73f8b0/1990-108-7.jpg</image:loc>
      <image:title>Copper Collection - The copper king - Make it stand out</image:title>
      <image:caption>Brooch by Frank Rebajes, ca. 1950. Copper. Gift of Eitel and Frances Groeschke in memory of Pauline and Frank Rebajes; Cooper Hewitt, Smithsonian Design Museum, 1990-108-7.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/copper-collection/the-copper-iud</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a020a68d-e46e-4e01-bef8-72ef9f3d3115/2004-020-PosterD+Large.jpg</image:loc>
      <image:title>Copper Collection - The copper IUD - Make it stand out</image:title>
      <image:caption>Poster, The Ortho i.u.d. Collection. Dittrick Medical History Center, Case Western Reserve University. 20004.020-PosterD.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/343dce66-c84a-4bf5-92dd-7c6c38b519a1/C0KM30.jpg</image:loc>
      <image:title>Copper Collection - The copper IUD - Make it stand out</image:title>
      <image:caption>A midwife talks about an intrauterine device with a patient at a reproductive health clinic in Yaounde, Cameroon, West Africa. Jake Lyell, Alamy Stock Photo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/copper-collection/material-intelligence-in-orbit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/53ee8dd0-580d-44b9-a4ce-2db04224780e/LAGEOS-1_NASA.jpeg</image:loc>
      <image:title>Copper Collection - Material intelligence in orbit - Make it stand out</image:title>
      <image:caption>Laser Geodynamics Satellite (lageos). NASA Image and Video Library, 7667283.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/dd4ad217-f52c-4c5d-ab11-89f6e396c3ad/Screenshot+2026-01-12+at+10.45.07%E2%80%AFAM.png</image:loc>
      <image:title>Copper Collection - Material intelligence in orbit - Make it stand out</image:title>
      <image:caption>Still from “Laser Geodynamics Satellite (lageos),” NASA’s Marshall Space Flight Center, YouTube.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d7c469ba-c9bf-43b6-8202-bc81aeb93b60/45453+%C2%A9+History+of+Science+Museum%2C+University+of+Oxford.jpg</image:loc>
      <image:title>Copper Collection - Material intelligence in orbit - Make it stand out</image:title>
      <image:caption>Armillary Sphere by Carlo Plato, 1588. © History of Science Museum, University of Oxford, inv. 45453.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0f156624-55fe-47cc-9cc6-eba6d979a825/LAGEOS-1+Plaque%2C+by+Carl+Sagan%2C+NASA.jpg</image:loc>
      <image:title>Copper Collection - Material intelligence in orbit - Make it stand out</image:title>
      <image:caption>Detail of stainless steel plaque designed by Carl Sagan for lageos. NASA’s Goddard Space Flight Center.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/hair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/47818fee-4f11-4cff-a37a-8373ded98314/Tognina.jpg</image:loc>
      <image:title>Hair Collection - Hair - Make it stand out</image:title>
      <image:caption>Lavinia Fontana, Portrait of Antonietta Gonsalvus, Daughter of Predro Gonsalvus ("The Hairy Man"), ca. 1593. Oil on canvas. Musée des Beaux-Arts de Blois, 997.1.1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/802b56a3-0b37-499a-8736-5c13cd61bf86/WigMaking-MHJAC1.jpg</image:loc>
      <image:title>Hair Collection - Hair - Make it stand out</image:title>
      <image:caption>Wig manufacturer in West Bengal, Kolkata, India, 1 May, 2018. Credit: Saikat Paul / Pacific Press / Alamy Live News.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0e6f1273-9f03-499d-a480-02ffbeb2a385/hair-implant2MWYTK6.jpg</image:loc>
      <image:title>Hair Collection - Hair - Make it stand out</image:title>
      <image:caption>Close-up shot of hair transplantation procedure, 2021. Gokhan Uzunalan / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/223fd4de-cdc4-4d5e-89cf-5ee23cb3d81b/mb13+pinning+a.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Melanie Bilenker, Pinning Series: Comb, Gather, Pin, Smooth, 2013. Hair on paper, gold, mineral crystal 1 3/4 × 1 1/8 × 1/8 in. each. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/355a1c76-95b3-4a44-9c7d-4a49c5f68c92/Band+guys+2H9F5PN.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Nestor Ramljak (Nonpalidece), Juanchi Baleirón (Los Pericos). Movistar Fri Music Festival, Centro Cultural Konex, Buenos Aires, Argentina, 2021. Mariano Garcia / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/dfe6be15-a1ff-4bb6-a943-9c29e3bbf745/AC0651-0000001+Large.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>John H. Breck, Inc., Possibly Eileen McKenna getting her hair washed, ca. 1965. Silver gelatin print on paper, 10 x 8 in. Breck Girls Collection, ca. 1936-1995, Archives Center, National Museum of American History, Archives Center, National Museum of American History, nmah.ac.0651.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a4983d24-d8c7-4623-a3ed-9bf7f9e30c37/l1je86w2s5c61.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Portrait Bust of a Flavian Woman (Fonseca Bust), early second century AD. Marble. Rome, Capitoline Museums, Palazzo Nuovo, Hall of the Emperors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5c0ec621-0cc0-4bad-8e54-22905c67b2b0/DP808227.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Anonymous, British, 18th century; ascribed to Miss Heel, British, 18th century; after Mr. Perwig, British, 18th century. Top and Tail, 1777. Hand-colored etching with stipple. (plate): 12 11/16 x 7 13/16 in.; (sheet): 14 1/16 x 8 9/16 in. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959, 59.533.5.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/86679fdd-a8ec-456d-aeb2-b4076c28327a/2017.9_full+Large.jpeg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Untitled (Case with portraits of a man and woman and hair ornaments), ca. 1870s. Photographs on enamel, framed in copper alloy metal frames, with hair, and leather and velvet case. (image): 3.5 x 3 cm (1 3/8 x 1 3/16 in.); (case): 9 x 5 x 1 cm (3 9/16 x 1 15/16 x 3/8 in.). The Cleveland Museum of Art, John Cook Memorial Fund 2017.9.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2116c7ae-8ba4-40dc-9e5b-398f74413b97/Longest+Beard+2H7D268.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Hans Langseth photo portrait by Nils C Jorgenson—was a Norwegian-American who held the record for the world’s longest beard. Photo-fox / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/44e84812-3b07-4b46-b6e2-419d08404386/JCA604.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Human male beard hair super close-up view. Magnification about 100 times, 2017. Perov Stanislav / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/18fd6e92-bdac-4a37-93ba-101bcab55635/Screenshot+2025-07-23+at+9.26.59%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>George Gerrard, Two Coach Horses with a Coachman, 1791. Oil on canvas. © University of Manchester, The Tabley House Collection. Picture credit: Tabley House Trust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/868d89aa-0c12-4bdb-88bf-6b01a2975e70/CelloAndBowiStock-2188280128.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Hand of a cello player with bow. Photo, Torche O. Istock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/dc713a67-0449-48ca-8760-d511745ea176/Screenshot+2026-01-17+at+7.50.31%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Rod Stewart Promotional photo of English rock musician about 1980. Pictorial Press Ltd / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/201b5075-ef61-48b1-882e-5d2997e62271/Screenshot+2026-01-17+at+7.50.51%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>The Three Stooges, Larry Fine, Moe Howard, and Curly Howard [American vaudeville and screen comedy act in the early to mid-20th century], 2011. GR Collection / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/75ef9c74-5bf4-4354-b613-5c8075f4b4df/Screenshot+2026-01-17+at+7.59.49%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Drag queen, television host, singer, producer, writer, and actor RuPaul Andre Charles is shown performing on stage during a concert appearance, 1994. John Atashian / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8d343bbf-a829-49b5-97f3-47aa5e818d5c/Screenshot+2026-01-17+at+8.00.22%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Angela Davis in 1975. Courtesy: CSU Archives / Everett Collection / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/09182c42-ba98-4a85-a8fe-b90042d2a6ad/Screenshot+2026-01-17+at+8.02.57%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Chewbacca. Photo, Yuri Turkov. Shutterstock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c6f11e48-255e-47ad-89af-3f17647409cb/Screenshot+2026-01-17+at+8.03.44%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Bette Davis Hair Test, from the film Now, Voyager, 1942. Directed by Irving Rapper. Entertainment Pictures / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2c4b2eaf-19cd-4ad6-a0ca-79cbdbc051df/DP-35243-001.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>British, Viscount Admiral Lord Nelson, ca. 1805. Bust: gold wire, glass paste; anchor and border: glass, half-pearls, human hair; frame: gold wire, silk, copper-gilt. Overall (with bail): 2 1/4 × 1 1/2 in. The Metropolitan Museum of Art, New York. The Glenn Tilley Morse Collection, Bequest of Glenn Tilley Morse, 1950, 50.187.3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/850f716c-4e41-4f00-bcdf-1a608c95fbf4/SIA-2000-4600-12-000002.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>John Varden, Hair Locks of the Presidents, Washington, D.C., 1855. Wood, hair, green cord. (overall): 18 1/2 in x 13 in. National Museum of American History, Smithsonian Institution, nmah_524091.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f2db8629-177d-45db-b439-4c68e01c4d04/Miniature_poodle-wiki-WP.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Miniature Poodle, 2022. Boxerista96. Creative Commons Attribution 4.0 International .</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3ba4e6da-c8ba-44cf-a2e9-7f25aa594d75/Buddhist-Boys-RDJH8Y.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Young Buddhist monks shaving each other’s heads in preparation for a holy festival event, 2011. Luang Prabang, Laos. Laszlo Mates / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d28562a5-c310-4f5a-9e66-dbd0649bc7f3/R-20150707-0016_XBD.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Graciela Iturbide, La niña del peine, Juchitán, México (Girl with Hair Comb, Juchitán, Mexico), 1980, printed 1990. Gelatin silver print. (image): 22.25 × 15 cm (8 3/4 × 5 7/8 in.); (sheet): 25.4 × 20.32 cm (10 × 8 in.). National Gallery of Art, Corcoran Collection (Gift of Kyle Roberts), 2015.19.4668.2.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/471cde3e-1778-4fe8-a6a6-98a3ce267ef3/HimbaWoman-JX21KX.jpg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Hair style of Himba women, tribespeople living in northern Namibia, 2017. Konstantin Kalishko / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8bdfa216-c88c-437f-b2ef-78327490252c/1968.23_full+Large.jpeg</image:loc>
      <image:title>Hair Collection - Gallery - Make it stand out</image:title>
      <image:caption>Gerrit van Honthorst, Samson and Delilah, oil on canvas, c. 1616. (Dutch, 1590–1656). 50 13/16 x 37 in. Courtesy, The Cleveland Museum of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/the-ties-that-bind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/dc63014f-6264-4acd-a26e-c3757b85d4ad/H-4183_C0060307.jpg</image:loc>
      <image:title>Hair Collection - The ties that bind - Make it stand out</image:title>
      <image:caption>Tarudate Higashitani (square seal), Edo period, 19th century. Ivory, mulberry, and ebony. Tokyo National Museum, Donation by Mr. Senosuke Go, h-4183. National Agency for Cultural Properties Integrated Search System, ColBase.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e76b92d4-bbe1-48ec-9299-17e8f16dded4/1930.216_full+Large.jpeg</image:loc>
      <image:title>Hair Collection - The ties that bind - Make it stand out</image:title>
      <image:caption>Cleaning Combs, color woodblock print, c. late 1790s. Kitagawa Utamaro, (Japanese, c. 1754–1806). Courtesy, Clevland Museum of Art. 1930.216.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4d285eb3-eb4e-400c-a765-53e89202f105/J1123_55414.jpg</image:loc>
      <image:title>Hair Collection - The ties that bind - Make it stand out</image:title>
      <image:caption>Detail. Handscroll painting, Leisurely activities by the waterside, painted in ink and colours on silk by Miyagawa Cho¯ shun in the early 18th century, Japan. Nihon-e Miyagawa Cho¯ shun zu. 13 x 108 in. Courtesy, Chester Beatty</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/splitting-hairs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/145a89be-ec0d-4fc5-8c14-123591927eb2/Fig.2.jpeg</image:loc>
      <image:title>Hair Collection - Splitting hairs - Make it stand out</image:title>
      <image:caption>Detail, Guan Daosheng, Guanyin, 1309. Hair and silk embroidery. 41 5/16 x 19 11/16 in. Nanjing Museum Collection. Photo, Yuhang Li.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8b27d034-9b16-4865-8804-70771a3efe8c/Fig.1.jpeg</image:loc>
      <image:title>Hair Collection - Splitting hairs - Make it stand out</image:title>
      <image:caption>Guan Daosheng, Guanyin, 1309. Hair and silk embroidery. 41 5/16 x 19 11/16 in. Nanjing Museum Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cd511682-611b-4289-909e-f23db9d83271/Fig.3.jpeg</image:loc>
      <image:title>Hair Collection - Splitting hairs - Make it stand out</image:title>
      <image:caption>Detail, Li Feng, Guanyin, 1691. Hair embroidery on silk. 26 3/4 x 13 3/4 in. Beijing Palace Museum Collection. Image courtesy of Shan Guoqiang, Zhixiu shuhua, Shanghai: Shanghai kexue jishu chubanshe; Xianggang: Shangwu yinshuguan, 2005, P.71.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c519a7d1-6bc5-4ff1-bb84-c2459f48c71f/Fig.4.jpeg</image:loc>
      <image:title>Hair Collection - Splitting hairs - Make it stand out</image:title>
      <image:caption>Buddhist Priest Zongxian, Huayan jing (Avatamsaka Sutra), Qing dynasty, (1644-1911). Human blood on paper. 13 3/8 x 5 1/8 in. Wenshu Monastery Collection. Image courtesy of Zongxing and et al., eds., Zhongguo Chengdu fojiao wenhua zhencang shiji dazhan, zhanpin xuanji, Publisher unknown. 2005, P. 44.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/a-living-trace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cd4ce213-1f4e-499c-8d77-e1eb1ec246d9/Screenshot+2026-01-17+at+6.58.50%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - A living trace - Make it stand out</image:title>
      <image:caption>Manjot Kaur, [artist drawing], undated. Photo by Manjot Kaur. Image courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f48f1e89-0e39-4308-9aee-87d8ccf45a88/DSC01004+copy.jpg</image:loc>
      <image:title>Hair Collection - A living trace - Make it stand out</image:title>
      <image:caption>Manjot Kaur, The Convocation of Eagles, from the series Chthonic Beings, 2025. Gouache and watercolor on paper. 22 13/16 x 31 1/2 inches. Courtesy of the artist Manjot Kaur and mor charpentier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/95761f77-d431-4f1c-b9b1-748281fc4289/8367296.jpeg</image:loc>
      <image:title>Hair Collection - A living trace - Make it stand out</image:title>
      <image:caption>Indian, “A Nayika and Her Lover: Page from a Dispersed Rasamanjari Series (Blossom Cluster of Delight),” ca. 1660-1670. Manuscript folio. Harvard Art Museums/Arthur M. Sackler Museum, Gift of John Kenneth Galbraith, 1972.74. Photo © President and Fellows of Harvard College. Harvard Art Museums collections online, Nov 03, 2025.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/horse-tales</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a02fc751-8d47-49db-9832-35f3465cb3ff/DP254170.jpg</image:loc>
      <image:title>Hair Collection - Horse tales - Make it stand out</image:title>
      <image:caption>Attributed to the workshop of Duncan Phyfe, Sofa, New York, 180515. Mahogany with modern striped horsehair upholstery. Metropolitan Museum of Art, New York. Gift of Mrs. Harry Horton Benkard, 1942, 42.16.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f83b05dd-38df-4fbc-91f0-bc903a7404e3/WC_Tapissier_default.jpg</image:loc>
      <image:title>Hair Collection - Horse tales - Make it stand out</image:title>
      <image:caption>Engraving by R. Benard after Radel. Plate VIII: Tapestry work: First and second preparation [stages] in the making of armchairs, from “Tapissier,” Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, vol. 9 (plates) (Paris, 1765). Wellcome Collection. Source: Wellcome Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/70f5530e-bd5f-45ef-ae21-e88ce0a307d4/Screenshot+2025-07-23+at+9.26.32%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - Horse tales - Make it stand out</image:title>
      <image:caption>J.M. Szymanski, Horsehair Chair No. 1, Production ongoing. Blackened steel, wax finish, and horsehair textile. 29 x 20 x 28 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/hair-on-credit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e0595bac-fec1-420a-b4f8-1dc383bdd27d/OBJ_digitool_59485_Friendship+album+Large.jpeg</image:loc>
      <image:title>Hair Collection - Hair on credit - Make it stand out</image:title>
      <image:caption>Margaret Williams, Friendship album, 1839. Album with locks of hair sewn onto the pages in loops of stylized flowers with colored drawings of f lowers. (closed): 7 x 4 in. Library Company of Philadelphia, obj 846.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/47c6ce3a-4b62-4646-be45-f92a90547638/Screenshot+2026-01-17+at+4.44.43%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - Hair on credit - Make it stand out</image:title>
      <image:caption>Yale Joel (American, 1919–2006). Woman Having Her Hair Styled at Hair Salon at Saks Fifth Avenue. Photograph in LIFE, December 1962. LIFE © Time Inc.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/24b7128d-3397-4581-9260-4621bf9cece2/NPG-NPG_81_M2462+Large.jpeg</image:loc>
      <image:title>Hair Collection - Hair on credit - Make it stand out</image:title>
      <image:caption>Detail, Attributed to Mathew Brady Studio (American, active 1844–1894). Alice Dunning (possibly). Glass plate collodion negative, ca. 1860–70. National Portrait Gallery, Smithsonian Institution, Washington, DC, Frederick Hill Meserve Collection (npg.81.m2462.2). cc0.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0b3cfe96-33a6-4b69-825b-a87a2a0c23fd/Dennis+Lanni+Large.jpg</image:loc>
      <image:title>Hair Collection - Hair on credit - Make it stand out</image:title>
      <image:caption>Dennis Lanni, Anachronistic Tendencies, 2025. Polaroid photograph. Hairstyle and photograph by Dennis Lanni.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/tender-loving-care</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/86d80fcf-e2b2-45f6-b857-5778c094bc65/loving_care2.jpeg</image:loc>
      <image:title>Hair Collection - Tender loving care - Make it stand out</image:title>
      <image:caption>Janine Antoni, Loving Care, 1992-1996. Performance with Loving Care hair dye, Natural Black. Photographed by Jordi Calafell at Fudació Antoni Tàpies, Barcelona, Spain in 1995. Courtesy of the artist and Luhring Augustine, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d0a18e07-3f02-4476-918c-820cc6ccba03/lovingcare1_%2822a%29.jpeg</image:loc>
      <image:title>Hair Collection - Tender loving care - Make it stand out</image:title>
      <image:caption>Janine Antoni, Loving Care, 1993. Performance with Loving Care hair dye, Natural Black. Dimensions variable. Photographed by Prudence Cumming Associates, Anthony d’Offay Gallery, London, 1993. Courtesy of the artist and Luhring Augustine, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/799381c0-68d4-465e-8a26-7b0551995cc3/Janine-Antoni-Loving-Care_21.jpeg</image:loc>
      <image:title>Hair Collection - Tender loving care - Make it stand out</image:title>
      <image:caption>Janine Antoni, Loving Care, 1992-1996. Performance with Loving Care hair dye, Natural Black. Photographed by Prudence Cumming Associates at the Anthony d’Offay Gallery, London, England in 1993. Courtesy of the artist and Luhring Augustine, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/31e30519-acb9-4f5f-9d2e-e71ab296aec6/Janine-Antoni-Loving-Care_13.jpeg</image:loc>
      <image:title>Hair Collection - Tender loving care - Make it stand out</image:title>
      <image:caption>Janine Antoni, Loving Care, 1992-1996. Performance with Loving Care hair dye, Natural Black. Photographed by Prudence Cumming Associates at the Anthony d’Offay Gallery, London, England in 1993. Courtesy of the artist and Luhring Augustine, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/urban-fabric</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/437187df-4d94-4ca9-9e09-c9264f0726cb/60920033-by-Sana-Badri+Large.jpeg</image:loc>
      <image:title>Hair Collection - Urban fabric - Make it stand out</image:title>
      <image:caption>Sana Badri, [Hair cutting at one of the donating hair salons in Earls Court, London, UK, as part of Sanne’s [Visser] residency at the Design Museum in 2022], 2022. Photography credit: Sana Badri.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1cfd9ffa-00e0-491c-b293-43db20f9dbcd/06_Sanne+Visser-The+New+age+of+Trichology-Image+credit-Studio-Sanne-Visser+Large.jpeg</image:loc>
      <image:title>Hair Collection - Urban fabric - Make it stand out</image:title>
      <image:caption>Sanne Visser, from The New Age of Trichology. Photography credit: Sanne Visser. Human hair waste at salon floor captured during Sanne’s earliest hair collections in 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b7d2323d-7bb2-4399-94fc-c53cb1f19fa0/SANNE-VISSER-HairCycle-Material-Matters_photoby_Rocio-Chacon_-69+Large.jpeg</image:loc>
      <image:title>Hair Collection - Urban fabric - Make it stand out</image:title>
      <image:caption>Rocio Chacon, [A close up image of the spinning process of human hair using a traditional spinning wheel. Once the hair is carded, the hair is spun into a 2-ply yarn], 2024. Photography credit: Rocio Chacon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/701eaa35-bc0a-43a4-965f-5709205880e2/03_Sanne+Visser-The+New+age+of+Trichology-photography+credit+Tom+Mannion+Large.jpeg</image:loc>
      <image:title>Hair Collection - Urban fabric - Make it stand out</image:title>
      <image:caption>Sanne Visser, from The New Age of Trichology. Photography credit: Tom Mannion. The black netted bag—made from 100% human hair—was one of the first products made as part of Sanne’s final year Masters project The New Age of Trichology, using hand spinning, ropemaking and knotting techniques.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ca093d96-fd7e-4c97-a5b0-76743b8b07be/HairCycle_2025-Felt-making_0148-photoby-Angela-Tozzi_lo-res+Large.jpeg</image:loc>
      <image:title>Hair Collection - Urban fabric - Make it stand out</image:title>
      <image:caption>Angela Tozzi, [Young community members taking part in a ‘tug-ofwar’ with a rope made from 100% human hair, following a day of hairbased felt making in the R-Urban community garden during a HairCycle workshop], 2024. Photography credit: Angela Tozzi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/keeper-of-secrets</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7974e781-f952-432d-9d36-89725c5fe2c0/Faisal-Abdu%27Allah-Eric-Baillies_The-Buzzer_2020-2022_Tintype_30-20in.jpg</image:loc>
      <image:title>Hair Collection - Keeper of secrets - Make it stand out</image:title>
      <image:caption>Faisal Abdu’Allah and Eric Baillies, The Buzzer, from the series In the Hands of the Duppy, 2020-2022. Tintype. 30 x 20 in. © Faisal Abdu’Allah and Eric Baillies. Photograph courtesy of Eric Baillies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6c2b34d5-1594-4935-84fd-86a6902d239a/Faisal-Abdu%27Allah_Def-Cuts_1990-2022_Installation-21-acrylic-on-cardboard-album-covers_Dimensions-variable.jpg</image:loc>
      <image:title>Hair Collection - Keeper of secrets - Make it stand out</image:title>
      <image:caption>Faisal Abdu’Allah, Def Cuts, 1990/2022. Installation of 21 acrylic on cardboard album covers. Dimensions variable. © Faisal Abdu’Allah. Co- published by the Artist and Magnolia Editions. Photograph by mmoca.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7f4cd1b0-a8a1-4bb9-b040-a2e151d25e44/Faisal-Abdu%27Allah_Hairtrait-Jamarion-from-the-series-Hairtraits_2022_Hair-and-acrylic-on-birch-veneer-plywood_40-50in.jpg</image:loc>
      <image:title>Hair Collection - Keeper of secrets - Make it stand out</image:title>
      <image:caption>Faisal Abdu’Allah, Hairtrait Jamarion, from the series Hairtraits, 2022. Hair and acrylic on birch veneer plywood. 40 x 50 in. © Faisal Abdu’Allah. Co-published by the Artist and Magnolia Editions. Photograph courtesy of Magnolia Editions.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/hair-art-care</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f56b469f-efb5-4494-83d4-33e486fbd129/Screenshot+2026-01-17+at+3.17.39%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - Hair, art, care - Make it stand out</image:title>
      <image:caption>Emilia Clark, Game of Thrones, 2011. Cinematic Collection / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f859fd49-d09d-4293-812f-6f2dcdabbc5e/Screenshot+2026-01-17+at+3.17.21%E2%80%AFPM.png</image:loc>
      <image:title>Hair Collection - Hair, art, care - Make it stand out</image:title>
      <image:caption>Emilia Clarke, Kit Harington, “Game of Thrones” Season 8 (2019) Episode 6. Photo , Helen Sloan hbo / The Hollywood Archive / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/11aea58e-d3fb-470d-9fb0-5a54b6f6a5e7/fingerwave+saint.jpg</image:loc>
      <image:title>Hair Collection - Hair, art, care - Make it stand out</image:title>
      <image:caption>Shani Crowe, FINGERWAVE SAINT, 2016. Archival Ink on Hahn- emuhle German Etching Paper. 44 x 44 in. Photo credit: Shani Crowe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d129314e-c07c-4e94-bb0f-edde4d3b9569/TheBreadthWeAllShare.jpeg</image:loc>
      <image:title>Hair Collection - Hair, art, care - Make it stand out</image:title>
      <image:caption>Shani Crow, THE BREADTH WE ALL SHARE, 2016. Archival Ink on Hahnemuhle German Etching Paper. 44 x 96 in. Photo credit: Shani Crowe.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/hair-collection/memento-mori</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/39df7bb2-4437-46f1-b75d-f5a47471eb09/ba-orb-11971997-0001-pub+Large.jpeg</image:loc>
      <image:title>Hair Collection - Memento mori - Make it stand out</image:title>
      <image:caption>Memento mori ring. originally fabricated as a ribbon slide to commem- orate the death of “F.E.” England, 1689. Gold, glass, ivory, gold wire, and hair. Courtesy, Yale Center for British Art, Gift of Susan M. Yecies.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/wax-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-10</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/wax-collection/wax</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/193de95b-7211-4457-a182-d69b6d9e7872/NMAAHC-REF_2014_273_1_001+Large.jpeg</image:loc>
      <image:title>Wax Collection - Introduction - Make it stand out</image:title>
      <image:caption>Wax jack owned by the Dennis Family, early 19th century. Britannia metal, silver, beeswax, and cotton.      6 3/4" × 5 1/8". Collection of the Smithsonian National Museum of African American History and Culture, Gift of M. Denise Dennis, in honor of the Dennis Family, 2014.273.1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a53ac38b-1ae0-4344-afb5-dd19f9462cce/RP-F-2001-17-71-%282%29+Large.jpg</image:loc>
      <image:title>Wax Collection - Introduction - Make it stand out</image:title>
      <image:caption>Possibly Kassian Cephas (Javanese, 1845–1912), Three Javanese Women Drawing Batik Designs on Cloth. Ca. 1867-1910. Albumen print on pasteboard. 6 3/16" x 8 9/16". Rijks Museum, Gift of J.H. Marmelstein, 2005. rp-f-2001-17-71.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7049a2d1-5d38-4c42-8dea-020f558c9fd1/large_a99821__0005_+%281%29.jpg</image:loc>
      <image:title>Wax Collection - Introduction - Make it stand out</image:title>
      <image:caption>Science Museum Group, Wax vanitas (wax model of a female head depicting life and death), Europe, 1701–1800. Science Museum Group Collection, © The Board of Trustees of the Science Museum, A99821. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (cc by-nc-sa 4.0) license.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/wax-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/75c633ce-c117-4202-8a03-80d46b3832e9/BeeHiveGG73AB.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Natural honeycombs, honey, and beeswax in an empty box, 2016. Photo: Imagic Elements / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/229c4085-972c-482d-bf07-bba85adab6e7/Baugniet-EEJ9E3.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Detail, Charles-Louis Baugniet (1814–1886), The Letter, ca. 1870. Photo: 916 collection / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/44e2b555-b71e-498c-bf67-c8631b29894f/DE4WP0.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Master of Herculaneum (1st century), A young woman with book and stylus (so-called Sappho), ca. 50. Found in the collection of the Museo Archeologico Nazionale di Napoli. Photo: © Fine Art Images / Heritage Images, Heritage Image Partnership Ltd / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a44c2eac-8558-4716-b7d7-7d2427542852/Egypt-hyroglypic+wall+carving+2AJGYRT.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>UNESCO World Heritage, Thebes in Egypt, Assassif (part of the Valley of the Nobles), Tomb of Pabasa. A rare scene of beekeeping: pouring milk, 2015. Photo: Alain Guilleux / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/85ef4fe7-3941-4709-80e7-955b1c15febf/66.4411+%281%29.jpeg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Medardo Ross, Behold the Boy (Ecce Puer), 1906 / cast ca. 1958–1959. Beeswax over plaster. 17 1/4" x 13 3/4" x 10 3/8". Gift of Joseph H. Hirshhorn, 1966.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7ed19b54-89a5-467c-b7c5-93c43faae341/CD-21071997+Large.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Ray Leighton (Australian, 1917–2002), Surf Sirens, Manly Beach, New South Wales, ca. 1940. Gelatin silver and selenium toned print on archival paper. National Library of Australia, pic Drawer pm 3491 #pic/p2092/4.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/caeb994e-36b8-4c40-88a5-6c9d710b18f6/Screenshot+2026-01-18+at+12.24.31%E2%80%AFPM.png</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>A waxwork mould of an equestrian statue section, before casting. Moule en cire d’une portion de statue équestre avant coulée, 2007. Photo: Emmanuel lattes / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/37dfda4e-cd6b-4af5-b2ca-6f2a1afe2f9a/BAL_68936.JPG</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>German School (19th century), Death mask of Ludwig van Beethoven, 1827. Wax. Bridgeman Images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fccb46f7-ecad-47f0-aa22-62ddf7cc71b5/large_a600051_0002.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Viennese, Set of nine wax plaques showing fetal development and female anatomy, 1801–1830. Wax. Science Museum Group Collection, © The Board of Trustees of the Science Museum, a600051 pt2. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (cc by-nc-sa 4.0) license. https://collection.sciencemuseumgroup.org.uk/objects/co96249/wax-plaque-showing-foetus-in-thewomb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f00fabcc-ef27-45cd-8770-15313f89cb2d/36990001.jpeg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Magical disc, 16th century. Wax. 9 1/8" (diam.). Wax disc engraved with magical figures and names; used by Doctor Dee when consulting “shew stones” or magic mirror. © The Trustees of the British Museum, 1838, 1232.90.a. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (cc by-nc-sa 4.0) license.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6c12e3a3-1943-4fcd-a6da-da21f5a0784e/large_1960_0213_0003__0002_.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>James Usher, Royal wax seal for Usher’s steam plough model, 1849. Wax. Science Museum Group, © The Board of Trustees of the Science Museum, 1960-213/3. Credit: J. H. Shackle. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (cc by-nc-sa 4.0) license. https://collection.sciencemuseumgroup.org. uk/objects/co8640070/royal-wax-seal-for-ushers-steam-plough-model.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7716d17a-25f0-4f27-afc2-634505a466fb/Egg-wax-pattern-HTX9F5.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Ukrainian, The Easter egg is decorated with a pattern using a wax-resist method and bleaching, 2017. Photo: OlegMit / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7586c35b-ab0b-47a0-8198-62c75237ef1f/Eggs+Colored+DXFWTD.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Mix of eggs with traditional designs, 2013. Photo: Miroslava Lipa / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4e7307da-81b1-4dbc-863d-b5198aa68926/master-pnp-cwpbh-03400-03436a+Large.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>L.C. Handy Studio, Hendley, John. Wax worker, Agriculture Dept. (His art died with him), published between 1890 and 1910. Digital file from original wet collodion glass negative. Brady-Handy photograph collection, Library of Congress, Prints and Photographs Division. Purchase; Alice H. Cox and Mary H. Evans; 1954, lc-bh833- 44 [P&amp;P].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/34a0400f-2f52-4801-8fc6-eee748228d64/A_pound_of_flesh_for_50p_The_Melting_House_15617759019+Large.jpeg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Aurelien Guichard (London, United Kingdom), “A pound of flesh for 50p (The Melting House)” by Alex Chinneck, Merge Festival, 2014; image taken 2014. Digital image of paraffin wax, terracotta, and roofing materials. Photo: Aurelien Guichard. cc by-sa 2.0, https://commons. wikimedia.org/w/index.php?curid=63445375</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c4a1a57e-36e2-4375-834e-cfeca1a7dd6d/Yellow+Lava+Lamp+2RT7C71.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Yellow lava lamp, 2019. Photo: Dennis Pommes / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a9e0bb63-5a7c-431e-8dd2-f8d7b7fd213d/Cheese-Alamy-2T8DPG7.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Cheeses piled high on a shelf in a market in Amsterdam, Netherlands, 2010. Photo: Yehoshua Halevi / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/29ced340-13e1-45d6-b8ae-2cb426915bc5/bees+wax-sculpture+Thailand+Swan-CX035B.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Thanapol Kuptanisakorn, Swan, showing texture from Thai carving candle festival, 2012. Photo: Thanapol Kuptanisakorn / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3a19c5be-2980-4c4d-9a6d-dbdf90a274be/Waxed+thread+GWKN6B.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Thread for leather craft, 2013. Photo: leungchopan, ay Media as / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f4855450-ee0f-46a2-b1a5-7128e2cd1cce/large_smg00053482.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Edison Record phonograph cylinder in cardboard tube, ‘Secret Love Gavotte’ performed by Albert Benzler, by the National Phonograph Co., 1900–1902. Cylindrical phonograph record, one of ten. Science Museum Group, © The Board of Trustees of the Science Museum, 1973-324/9. Mrs. M. Elliott. Shared under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International (cc by-nc-sa 4.0) license.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d3e7f9e2-7364-408c-81a2-5435ab53a5c6/Fredrick-III-1839954_4206507.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Andreas Roth, Picture of Frederick III. or Frederick I, end of 17th century. Wax and glass. Staatliche Museen zu Berlin, Skulpturensammlung and Museum of Byzantine Art / Antje Voigt cc by-sa 4.0.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/90e6ee06-afa0-430f-8b90-0cf6d80b9e75/JOHNR59474-web-hires.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Rashid Johnson, Cosmic Slop “Prospect Park,” 2013. Black soap, wax. 247.7 x 308.6 x 8.3 cm / 97 1/2 x 121 1/2 x 3 1/4 inches. Los Angeles County Museum of Art. Gift of Amoli Foundation Ltd (M.2021.86). © Rashid Johnson. Courtesy the artist and Hauser &amp; Wirth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/447be162-fb6d-4701-ad94-095bbe5bd6f9/BAL_3515792.JPG</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Pierre Imans (French, 20th century), Bust, ca.1910. Wax, painted, residual hair, silk ribbon, cotton net, and resin. Credit: Fashion Museum Bath. © Fashion Museum Bath / Bridgeman Images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/768defba-4340-435d-a9c9-a3098929b91b/Patrick-Fete_2023_World-Championship.jpeg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Tim Kramer, 5x World Champion, Patrick Fete and his perfect English mustache, after getting a perfect score from the judges at the 2023 World Beard and Mustache Championship in Burghausen, Germany, 2023. Image courtesy of Tim Kramer and Death Grip Wax.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/91994d8c-1ab4-48a6-a2d8-dc41a626c1a2/batick+wax+BN8WK3.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Local batik workshop, artist demonstration on how to paint cloth with hot wax on copper, Banjul, Gambia, 2010. Photos: Cindy Hopkins / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3573c357-8238-4c0c-bb39-6a837f894a3b/Batik+brush+BN8W28+%281%29.jpg</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Local batik workshop, artist demonstration on how to paint cloth with hot wax on copper, Banjul, Gambia, 2010. Photos: Cindy Hopkins / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ed4f48d6-32b8-42f9-be8b-4ef281b67a69/Screenshot+2026-01-18+at+1.07.33%E2%80%AFPM.png</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Wax paper, 2025. Image courtesy: Wynne Patterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a3a6cf8f-6e5a-417c-afe6-97d72d466278/Wasatch+Mountain+Miner.png</image:loc>
      <image:title>Wax Collection - Gallery - Make it stand out</image:title>
      <image:caption>Miner, Little Cottonwood Canyon, Wasatch Mountains, Utah. Photo, private collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/wax-collection/liquid-sculpture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b0b7521e-4e6a-44ff-bf0e-132ce8d4cb5a/20-505832.jpg</image:loc>
      <image:title>Wax Collection - Liquid sculpture - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/17356dad-2609-4ef8-a473-29657f7a1eb8/20-505833_back.jpg</image:loc>
      <image:title>Wax Collection - Liquid sculpture - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/dafd1d94-bbd4-4d76-9b67-f5a8eef18411/RF+MO+S+2015+1+%281%29.jpg</image:loc>
      <image:title>Wax Collection - Liquid sculpture - Make it stand out</image:title>
      <image:caption>Henry Cros (French, 1840–1907), The Beautiful Viola, 1874. Painted and gilded wax relief on slate. 10 1/4 in. (diam). Purchase, 2015 © Orsay Museum, Dist. rmn-Grand Palais / Patrice Schmidt. (The Chipstone Foundation made best efforts to contact the Orsay Museum. Failing to do so, we have posted this image in accordance with the Fair Use doctrine.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2bea1a18-36b5-4b1a-a780-6c9c5b6e3820/study_in_the_nude_of_little_dancer_aged_fourteen_%28nude_little_dancer%29_1985.64.46+%281%29.jpeg</image:loc>
      <image:title>Wax Collection - Liquid sculpture - Make it stand out</image:title>
      <image:caption>Edgar Degas (French, 1834-1928), Study in the Nude of Little Dancer Aged Fourteen (Nude Little Dancer), ca. 1878-1881. Pigmented beeswax, plaster core, metal and wood armatures, on plaster and wooden bases. (overall, without base): 27 3/8" x 11 9/16" x 11 15/16". Courtesy National Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon, 1985.64.46.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/wax-collection/season-of-the-wick</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/22c38eb9-9bbf-42a7-b50a-25e16a4ee1b9/Petrus_van_Schendel_Lektu%CC%88re_bei_Kerzenlicht.jpeg</image:loc>
      <image:title>Wax Collection - Season of the wick - Make it stand out</image:title>
      <image:caption>Petrus van Schendel (Dutch, 1806–1870), Reading by Candlelight, date unknown [ca. 1840s–1850s]. Oil on wood. 10 5/8" x 8 7/8". Hampel Kunstauktionen/Wikimedia Commons/Public Domain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/edcbc278-89a8-4163-9104-f3baee4427ce/default.jpg</image:loc>
      <image:title>Wax Collection - Season of the wick - Make it stand out</image:title>
      <image:caption>English, Various Stages in the Process of Candle Making and Machinery Used, 1700–1799. Engraving. (image): 7 1/16" x 8 11/16". Wellcome Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/841d50c0-2948-4986-881d-e91bc230acff/Birthday+Candles+2C8FEB4.jpg</image:loc>
      <image:title>Wax Collection - Season of the wick - Make it stand out</image:title>
      <image:caption>Birthday candles that have just been blown out with smoke on black background, March 19, 2015. Photo: Constantinos Zorbas / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/wax-collection/the-wax-whisperers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2eb9a4fe-e5e0-437a-b160-751e79eeea02/429916031.jpg</image:loc>
      <image:title>Wax Collection - The wax whisperers - Make it stand out</image:title>
      <image:caption>Szeptucha Artemiuk Paraskiewa. Parczew, 2010. Szeptucha Artemiuk Paraskiewa zamawia choroby. Modli sie i pali len. 0429916031 - Andrzej Sidor / Forum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f2c4bfde-6f8f-47c8-b89b-a3cac4c4b95f/458059334.jpg</image:loc>
      <image:title>Wax Collection - The wax whisperers - Make it stand out</image:title>
      <image:caption>Warszawa, 1976. Andrzejki w klubie, lanie wosku. (Warsaw, 1976. St. Andrew’s Day in the club, pouring wax). 0458059334 - Jacek Barcz / Forum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/192a8461-87cf-4361-b15e-1edadc48fce0/AdobeStock_700264928.jpeg</image:loc>
      <image:title>Wax Collection - The wax whisperers - Make it stand out</image:title>
      <image:caption>Wró˙zby Andrzejkowe (St. Andrew’s Day fortune telling). © rozentuzjazmowany / Adobe Stock.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/wax-collection/the-day-of-the-crayons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/27b30bd2-b545-4569-957d-6aa1ae3a3bd6/Largest-NMAH-AHB2011q40810-Background+Large.jpeg</image:loc>
      <image:title>Wax Collection - The day of the crayons - Make it stand out</image:title>
      <image:caption>Binney and Smith, Box of Crayons (open), 1903–1909. Division of Home and Community Life, National Museum of American History, Smithsonian Institution, Washington, DC, 1998.0068.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e55db3a0-b713-41a6-8e23-9580b481417e/Kids-Alamy-CMR99E.jpg</image:loc>
      <image:title>Wax Collection - The day of the crayons - Make it stand out</image:title>
      <image:caption>H. Armstrong Roberts, 1940s, Two Children Coloring in Book, 1945. Archival photograph. Photo: H. Armstrong Roberts / ClassicStock / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a964f7f3-3b0d-4419-8485-130f17f19257/Alamy-A3THRH.jpg</image:loc>
      <image:title>Wax Collection - The day of the crayons - Make it stand out</image:title>
      <image:caption>Inspecting Crayons At Binney &amp; Smith (Crayola Crayons), Easton, Pennsylvania (Northampton County), USA. Photo: H. Mark Weidman Photography / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/wax-collection/grip-and-glide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/67ac8928-45a2-4e5a-99dd-dda790cd47bb/Staff+and+skis-460640355-platinum.jpg</image:loc>
      <image:title>Wax Collection - Grip and glide - Make it stand out</image:title>
      <image:caption>Portrait of adult skier using equipment from 1950’s or earlier. Location: Julian Alps, Slovenia, Europe. Platinum toned.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d3aa5d7b-76a5-438b-81d9-08b658635f35/JessieDigginsAlamy-2WT82WF.jpg</image:loc>
      <image:title>Wax Collection - Grip and glide - Make it stand out</image:title>
      <image:caption>Jessie Diggins, USA, in action during the Women’s 10 km classic fis World Cup skiing competition in Falun, Sweden March 16, 2024, 2024. Photo: Anders Wiklund / tt News Agency / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/81880b85-a2c7-4787-8ea6-380c9146133f/Klammer_Franz_049.jpg</image:loc>
      <image:title>Wax Collection - Grip and glide - Make it stand out</image:title>
      <image:caption>Franz Klammer, Mens Downhill World Cup Tour Competition, St Anton, Austria, February 1983, 2015. Image courtesy: Hans Bézard. Creative Commons Attribution</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/467b3f5a-2a24-45db-b790-5ec3ef48bf8d/Screenshot+2026-01-18+at+11.00.09%E2%80%AFAM.png</image:loc>
      <image:title>Wax Collection - Grip and glide - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ae2fbbe7-2828-4b89-a20a-1d3daf1755ac/Screenshot+2026-01-18+at+11.00.35%E2%80%AFAM.png</image:loc>
      <image:title>Wax Collection - Grip and glide - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a265d202-c8b8-472a-a44a-467f6b49c944/Screenshot+2026-01-18+at+11.00.53%E2%80%AFAM.png</image:loc>
      <image:title>Wax Collection - Grip and glide - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/wax-collection/preserving-the-old-perfecting-the-new</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/85517b64-2b8e-402d-b9a1-126f81f0cf40/IMG_8870.jpeg</image:loc>
      <image:title>Wax Collection - Preserving the old, perfecting the new - Make it stand out</image:title>
      <image:caption>A historic ceiling restored with hand-applied wax, Miami, FL. Image courtesy: Austin Kerr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/941b3e84-4907-44ac-9260-0e21196c7c65/IMG_1119.jpg</image:loc>
      <image:title>Wax Collection - Preserving the old, perfecting the new - Make it stand out</image:title>
      <image:caption>Image courtesy: Austin Kerr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/aa5ebf8a-c192-41d0-a4e8-62c174dedf95/Wax+-+Austin+Kerr+Large.jpeg</image:loc>
      <image:title>Wax Collection - Preserving the old, perfecting the new - Make it stand out</image:title>
      <image:caption>Unwaxed and Waxed Mahogany, 2025. Image courtesy: Jon Prown.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/wax-collection/waxing-incorruptible</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bb596252-e8af-4cfb-985e-72dfeb0ce076/Frier-st+victoria-iStock-957404558.jpg</image:loc>
      <image:title>Wax Collection - Waxing incorruptible - Make it stand out</image:title>
      <image:caption>Santa Maria della Vittoria Church, Rome, Italy. December 26, 2017: The wax effigy and relics of St. Victoria. iStock / Runoman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/74863584-ab67-4fec-8b4e-0f3f7178ebb2/BAL_757804.JPG</image:loc>
      <image:title>Wax Collection - Waxing incorruptible - Make it stand out</image:title>
      <image:caption>Stefano Maderno (1570–1636), St. Cecilia, 1600. Marble sculpture, main altar, Church of St Cecilia in Trastevere, Rome, Lazio, Italy. © NPL - DeA Picture Library / G. Nimatallah / Bridgeman Images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b86acee5-4921-4a63-8a36-55d2230dd129/Screenshot+2026-01-18+at+10.33.30%E2%80%AFAM.png</image:loc>
      <image:title>Wax Collection - Waxing incorruptible - Make it stand out</image:title>
      <image:caption>Isabelle Albuquerque, Orgy For Ten People In One Body: Two, 20202022. Plaster, beeswax, mattress, and flame. (figure): 26" x 23" x 32".; (plinth): 16" x 38" x 74". Ed. of 3, 2 AP’s. Photo by Genevieve Hanson. Courtesy of the artist and Jeffrey Deitch Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fec86457-67f1-468a-9569-f3c100479447/Screenshot+2026-01-18+at+10.33.53%E2%80%AFAM.png</image:loc>
      <image:title>Wax Collection - Waxing incorruptible - Make it stand out</image:title>
      <image:caption>Isabelle Albuquerque, Orgy For Ten People In One Body: Ten, 2022. Beeswax, human hair, gold wedding ring, rope, and walnut tree. 28" x 42" x 95". Photo by Genevieve Hanson. Courtesy of the artist and Jeffrey Deitch Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/feathers-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/feathers-collection/feathers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/23ddc6f6-4e38-4b6c-a0bb-ff2cac5718a3/3082026.jpg</image:loc>
      <image:title>Feathers Collection - Introduction - Make it stand out</image:title>
      <image:caption>Adolphe Philippe Millot (French, 1857–1921), Illustration of Feathers and Birds, ca.1923. Lithograph. Credit: Private Collection Prismatic Pictures / Bridgeman Images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d71478da-1412-4703-ad4b-e4d08305c438/Roosters-2B459YN.jpg</image:loc>
      <image:title>Feathers Collection - Introduction - Make it stand out</image:title>
      <image:caption>Wild roosters standing off in Austrailia. Photo: Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/feathers-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5a91512f-b3c2-4564-9239-28d83ef22b1b/loveparrots+bird-4887736.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Macaws. Pixabay. Photo, Amy Irizarry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ee7e0659-80cf-4eec-8165-d1570b11505e/217637_207b41e62faabaf9_x.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Katagami, Feathers; Japan; mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu). Smithsonian Design Museum, Cooper Hewitt, Gift of Helen Snyder; 1976-103-27.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/616c92a0-0172-4b85-afa9-f1d61ca61a46/NAZ0003-2.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Nazca Culture, Complete Feather Tunic, ca. 600 AD. Camelid fibres with applied feathers. 65 7/8" x 43 5/16". (naz0003). Paul Hughes Fine Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c3b2c02f-b7b8-4f9b-96c3-193310f4829a/90894.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Unknown artist, Feather fan, 20th–21st century. Feathers, leather, beads. The Director’s Discretionary Purchase Fund, 2004.74.1. Photo courtesy, Minneapolis Institute of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0dd960fc-49e9-44ad-b8cd-9a9795f5ff59/Albertina_4840+%281%29.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Albrecht Dürer (German, 1471–1528), Left Wing of a Blue Roller, ca. 1500 or 1512. Watercolor and gouache on vellum, heightened with white. 7 3/4" x 7 7/8". (Albertina, Vienna).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ff5846bf-3dd0-47ee-90e1-6b9019a76bc5/ba-obj-1001-0004-pub.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Ramsay Richard Reinagle, (British, 1775–1862). An Ornithologist, Possibly John Latham, 1802. Oil on canvas, Yale Center for British Art, Paul Mellon Collection, b1981.25.517.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0202ce3c-65d7-43a8-846a-e41ba3349f18/microscopic+barbules+on+tail+feathers4.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>R.C. McKellar, Microscopic barbules on tail feathers, most likely of a non-avian theropod; a group of dinosaurs including velociraptors and tyrannosaurs. Image courtesy, R. McKellar, Royal Saskatchewan Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d0d0e97a-c260-4cf1-a436-da56d9dbb697/NO+SOCIAL+1969-56-3+Matt+Flynn+%281%29+Large.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Harvey Smith (American, 1906–1994), manufactured by Piazza Prints Inc., New York, NY, (founded 1946), Peacock Feathers, 19651968. Wallcoverings, screen printed on vinyl. 71 7/8" x 29 15/16". Gift of Piazza Prints, Inc. 1969-56-3, Cooper Hewitt, Smithsonian Design Museum. Image © Cooper Hewitt, Smithsonian Design Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bfca76b7-9eaf-421f-ae59-ec4ebdce64f4/1961-0321_detail_back.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Detail, Samuel Gragg (American, 1772–1855). Side chair, Boston, Massachusetts, 1808–1812. Birch, white oak, and beech. 34 3/8" x 18 1/8", 25 3/8" (diam.). Winterthur Museum; Museum purchase (1961.0321), Courtesy Winterthur Museum, Garden &amp; Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e75d7222-14cf-4e13-9b5e-71f44777e1e8/plate-366-iceland-or-jer-falcon.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Robert Havell after John James Audubon, Iceland or Jer Falcon, 1873, from the series Birds of America, Plate No. 366. Hand-colored engraving and aquatint on paper. Image courtesy of the John James Audubon Center at Mill Grove in Audubon, Pennsylvania; the Montgomery County Audubon Collection; and Zebra Publishing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/284cea4a-19fc-4331-b566-2ffdae5f4044/DP827940-WP.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>David Claypoole Johnston (American, Philadelphia, Pennsylvania 1799–1865 Dorchester, Massachusetts), A New Method of Macarony Making, as Practised at Boston, 1830. Lithograph. (image): 12 1/16" x 10"; (sheet): 14 1/8" x 11". The Metropolitan Museum of Art, New York, Bequest of Charles Allen Munn, 1924, 24.90.1393.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3e4e3de3-713a-4953-bdde-5d24dbb167f2/Screenshot+2026-01-19+at+8.45.35%E2%80%AFPM.png</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>The 1-2-3 Sesame Street float heads down the parade route during The 97th Macy’s Thanksgiving Day Parade in New York, Thursday, Nov. 23, 2023. In 2023, Sesame Street is celebrating its 47th appearance in the Parade, November 23, 2023. Photo: Gordon Donovan / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6aaad982-aa24-40a3-b66a-d4b3ab80b38b/Firebird_%28big%29.jpeg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Ivan Yakovlevich Bilibin, “Prince Ivan and the Firebird,” illustration for Russian Fairy Story, The Firebird, published in Saint Petersburg, 1901. Faithful photographic reproduction of color lithograph {{pd-Art}}.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0db4aadf-dc0e-4aa8-854a-359888dc83db/1190113001.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Genty (publisher), A Cheyère (printed by), L’Epouse veut, l’Epoux se tait, November 1826, hand-colored lithograph, sheet: 11 1/2" x 9 1/4". © The Trustees of the British Museum, 2011,7070.2. Shared under a Creative Commons Attribution, Non-Commercial-Share Alike 4.0 International (cc by-nc-sa 4.0) license.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ba7819c8-7f5e-48b7-841e-a74535f9d202/NO+SOCIAL-Marlene-HR-E71CWB.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Marlene Dietrich in Stage Fright, Director Alfred Hitchcock, 1950. Photo: cineclassico / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c767229c-c536-400a-b11c-ffc6019101aa/Screenshot+2026-01-19+at+9.00.30%E2%80%AFPM.png</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>At bmw’s Leipzig factory, the mini Countryman moves through the paintshop process. Before the bodywork is painted, emu feathers are used to gently remove any remaining dust or contaminants from the surface, ensuring a flawless finish. Emu feathers have the perfect properties for dusting cars; no other material, man-made or natural, does the job as well. The feathers are picked up after being shed by the emus and last for 15 years on the production line. Credit: Alastair Philip Wiper.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/904639ce-8dae-4d44-83fb-990276dcc19f/Screenshot+2026-01-19+at+9.00.42%E2%80%AFPM.png</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Emu (Dromaius novaehollandiae), on the feed, Australia, Wilsons Promontory National Park. Photo: blickwinkel / D. u. M. Sheldon / Alamy.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1ab74d49-c70d-425f-bb0a-5fbe0ea05fb1/WP-Feather+flight-ba-obj-neutral-41790-0001-pub.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Unknown artist, 18th century, after John Collet, ca. 1725–1780. The Feathered Fair in a Fright, undated. Mezzotint on medium, smooth, cream wove paper. Yale Center for British Art, Paul Mellon Collection, b1978.43.204.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c03124f1-621d-4588-ac05-99405525db81/sho000197-WP.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Donn Arden, Photograph of dancers marching in striped costumes with top hats, Paris, France, ca. 1950s. Donn Arden Papers, 1910s–1990s. ms-00425. Special Collections and Archives, University Libraries, University of Nevada, Las Vegas. Las Vegas, Nevada.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8b97bd74-ca42-43c5-b52c-52a8668a248e/Hidy+H-22+March+Brown++Wynne+Lo+2.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Fished fly. Tied by Vernon S. “Pete” Hidy, 1938–41. Hook length 1/2" from the bend to the tip of the eye. Photo: Lance Hidy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a4178ac7-7fa2-477f-a0cb-4dadf1173f5f/1707117.jpg</image:loc>
      <image:title>Feathers Collection - Gallery - Make it stand out</image:title>
      <image:caption>Artist Unknown, Audrey Hepburn in Breakfast at Tiffany’s, 1961. Photograph film still. © Paramount Pictures / Bridgeman Images.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/feathers-collection/in-living-color</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/08ac01c9-4c76-4ee4-9632-613cceada6f3/DSC_0018.png</image:loc>
      <image:title>Feathers Collection - In living color - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5e3c6b10-d0e2-487e-8c5d-a6165825312d/Screenshot+2026-01-19+at+1.23.20%E2%80%AFPM.png</image:loc>
      <image:title>Feathers Collection - In living color - Make it stand out</image:title>
      <image:caption>Detail, from Huichol (Wixaritari), Mexico. Hat (top). © Photo courtesy of the Fowler Museum at ucla, x66.2858. Photograph by Don Cole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4f8f2895-712f-40d3-a450-1f8f49b95f8d/Screenshot+2026-01-19+at+1.23.33%E2%80%AFPM.png</image:loc>
      <image:title>Feathers Collection - In living color - Make it stand out</image:title>
      <image:caption>Hupa regalia made from feathers from the Red-shafted Flicker Feather woodpecker. Image courtesy, Bradley Marshall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5e182461-61f6-4138-9c27-03539d7c398b/ICCD12581585_557106.jpg</image:loc>
      <image:title>Feathers Collection - In living color - Make it stand out</image:title>
      <image:caption>Mexican Manufactory (sec. xvi), Bishop’s miter with feathered mosaic decoration. Fabric and paper support covered with small paper regions with adhered feathers. 15 15/16" x 11 7/16". Museo degli Argenti, Florence, ase 185. Image courtesy, Yosi Pozeilov.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2118bd34-6740-404b-9d97-d9a1580987c3/alamitre_25x_mc37.jpg</image:loc>
      <image:title>Feathers Collection - In living color - Make it stand out</image:title>
      <image:caption>Bishop’s miter with feathered mosaic decoration. Fabric and paper support covered with small paper regions with adhered feathers. Detail at 25x magnification showing design constructed from black and white feathers. Museo dell Argenti, Florence. Image courtesy, Ellen Pearlstein.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/feathers-collection/in-constant-motion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fd621929-a167-44b2-8509-a1a452b1182d/The_Dowry.jpg</image:loc>
      <image:title>Feathers Collection - In constant motion - Make it stand out</image:title>
      <image:caption>Grace Hudson, The Dowry, 1906. Oil on canvas. Collection of the Grace Hudson Museum &amp; Sun House, Ukiah, CA 2019.11.1. Pictures a young bride holding a feather basket and surrounded by particularly valuable baskets gifted at her marriage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7d3efb42-aec2-4a7b-b008-2e1be268653a/1942_414_2.jpeg</image:loc>
      <image:title>Feathers Collection - In constant motion - Make it stand out</image:title>
      <image:caption>Suzanne Holder, Pomo feathered basket, woven, ca. 1950. Meadowlark and Mallard feathers, Washington clam shell money beads, abalone shell dangles, and quail top knot feathers. Elsie Allen Collection, Santa Rosa Junior College Multicultural Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/39e054dc-6e93-4b6b-ab26-379ada371a27/103.086-2023+%283%29.png</image:loc>
      <image:title>Feathers Collection - In constant motion - Make it stand out</image:title>
      <image:caption>Annie Boone (Pomo), Plaque, early 1900s. Plant fiber, feathers, abalone, and clams shell. 3/4" x 10 5/8" (diam.). Denver Art Museum: Gift of R. B. Bernard, 1942.414. Photograph © Denver Art Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/feathers-collection/pen-and-ink-and-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e3bc55b0-ff35-455e-8b44-cf089e29aa0d/DP145929.jpg</image:loc>
      <image:title>Feathers Collection - Pen and ink, and . . . - Make it stand out</image:title>
      <image:caption>Pieter Claesz (Dutch, 1596/97–1660), Still Life with a Skull and a Writing Quill, 1628. Oil on wood. 9 1/2" x 14 1/8". The Metropolitan Museum of Art, New York, Rogers Fund, 1949, 49.107.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/db03b2e6-d720-4348-bca8-8f4dd9d04fef/CHECK-SOCIAL-The-Leiden-collection-GD-104-Gerrit_Dou-A_Scholar_Sharpening_his_Quill.png</image:loc>
      <image:title>Feathers Collection - Pen and ink, and . . . - Make it stand out</image:title>
      <image:caption>Gerrit Dou, Scholar Sharpening His Quill, ca. 1632-35, oil on oval panel, 10 5/16" x 8 5/16". Image courtesy of The Leiden Collection, New York. Gerrit Dou (Leiden, Netherlands, 1613–1675), Scholar Sharpening His Quill, ca. 1632–35. Oil on oval panel, 10 3/8" x 8 3/8". Image courtesy of The Leiden Collection, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ca912c41-6fe3-4ab8-95a8-51786dced666/Screenshot-2026-01-19-at-12.54.09%E2%80%AFPM.png</image:loc>
      <image:title>Feathers Collection - Pen and ink, and . . . - Make it stand out</image:title>
      <image:caption>Phillis Wheatley (American, ca. 1753–1784), Poems on Various Subjects, Religious and Moral, illustrated by Scipio Moorhead, published by Archibald Bell, 1773. First edition, brown leather cover. Collection of the Smithsonian National Museum of African American History and Culture, 2012.46.46. CC0.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2ca0f8ec-6c5b-48ff-bc3a-578553a85b16/Screenshot+2026-01-19+at+12.38.29%E2%80%AFPM.png</image:loc>
      <image:title>Feathers Collection - Pen and ink, and . . . - Make it stand out</image:title>
      <image:caption>Catharine Macaulay (1731–1791), later Catharine Graham. British political writer and historian. Portrait by Robert Edge Pine (c. 1730–1788). Macaulay is shown dressed as a Roman matron to indicate her republican sentiments and belief in democracy, wearing the distinctive purple sash of an elected Roman Senator. Oil on canvas. 54" x 41 1/4". ca. 1774. National Portrait Gallery. London, England, United Kingdom. Photo: prisma archivo / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8861ff82-216a-4a9a-a161-0b4d319858b9/DP-19709-001.jpg</image:loc>
      <image:title>Feathers Collection - Pen and ink, and . . . - Make it stand out</image:title>
      <image:caption>Jacques Louis David (French, Paris 1748–1825 Brussels), Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne 89Pierrette Paulze, 1758–1836), 1788. Oil on canvas, 102 1/4" x 76 5/8". The Metropolitan Museum of Art, New York, Purchase, Mr. and Mrs. Charles Wrightsman Gift, in honor of Everett Fahy, 1977, 1977.10.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/feathers-collection/in-bed-with-feathers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f1b39a9f-83ec-4b4d-873e-8d8b0e14ff5a/Edmund_Dulac_-_Princess_and_pea.jpg</image:loc>
      <image:title>Feathers Collection - In bed with feathers - Make it stand out</image:title>
      <image:caption>Edmund Dulac, The Princess and the Pea, 1911, originally published in Stories from Hans Andersen, with illustrations by Edmund Dulac, London, Hodder &amp; Stoughton, Ltd., 1911. pd-us-1923-abroad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f475db4c-8338-454a-8ff7-f71dbfca5aaa/stuffing+a+tick.jpg</image:loc>
      <image:title>Feathers Collection - In bed with feathers - Make it stand out</image:title>
      <image:caption>John Collier (American 1913 –1992), [Untitled photo, possibly related to: Bridgeton, New Jersey. FSA (Farm Security Administration) agricultural workers’ camp. Filling mattress ticks with straw], 1942. Photographic negative. Library of Congress, Prints &amp; Photographs Division, fsa/owi Collection, lc-usf34-083101-c (b&amp;w film neg.).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9e133e53-2763-4e82-99ab-f07b70654035/1997_007_0774_princess+feather.jpg</image:loc>
      <image:title>Feathers Collection - In bed with feathers - Make it stand out</image:title>
      <image:caption>M. Gingrich (Dauphin County, Pennsylvania), Princess Feather (pattern), 1854. Cotton muslin. 86" x 84 1/2". International Quilt Museum, 1997.007.0774.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/af2d0976-1935-406e-95d0-c76333a20838/88-18393+Large.jpg</image:loc>
      <image:title>Feathers Collection - In bed with feathers - Make it stand out</image:title>
      <image:caption>Susan Theresa Holbert or Emily Holbert, Original feather design, ca. 1850–1860. Cotton. (overall): 92" x 85". Smithsonian National Museum. of American History, Gift of Mr. and Mrs. John Beard Ecker 1988.0245.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/feathers-collection/a-spiral-path</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/055dba10-8b16-4332-803d-78205f7728a3/icon30306_074.jpg</image:loc>
      <image:title>Feathers Collection - A spiral path - Make it stand out</image:title>
      <image:caption>Carlos Julião, “Black King Festival,” last quarter of the 18th century (Brazil), watercolor on paper, in Riscos illuminados de figurinhos de brancos e negros dos uzos do Rio de Janeiro e Serro do Frio (Fundação Biblioteca Nacional, Rio de Janeiro, c.i.2.8).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b12561b2-3227-4a13-bc3a-900c772690d8/Missione+in+prattica-guywith+feather+page-23-WP+Large.jpg</image:loc>
      <image:title>Feathers Collection - A spiral path - Make it stand out</image:title>
      <image:caption>Bernardino d’Asti, The Missionary Gives his Blessing to the Local Ruler during Sangamento, ca. 1750, watercolor on paper, 7 5/8" x 11". (Biblioteca Civica Centrale, Turin, ms 457, folio 12 recto).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/13067ca9-342a-4f1b-861e-1bf5e628c1bd/NMAfA-D20000573.jpeg</image:loc>
      <image:title>Feathers Collection - A spiral path - Make it stand out</image:title>
      <image:caption>Detail, Kongo artist (Loango Coast, Kongo Central Province, Democratic Republic of the Congo, Cabinda Province, Angola). Ivory tusk, ca. 1860. Ivory. 28 1/2" x 5 3/4" x 2 3/8" (diam.). Smithsonian National Museum of African Art Collection, Museum purchase, 96-28-1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b7db098f-ec22-4c26-943a-4d7743c0d1de/plate_89.jpg</image:loc>
      <image:title>Feathers Collection - A spiral path - Make it stand out</image:title>
      <image:caption>Unknown Capuchin artist. Republic of Congo. The Parma Watercolors (pw089), late seventeenth century. Watercolor paint on watercolor paper. 9 1/2" x 13 1/3". Virgili Collection (Bilioteca Estense Universitaria). Center for the Study of Material &amp; Visual Cultures of Religion, Yale University. Photographs by Cécile Fromont.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1e82c3a8-366b-4da4-9ea8-577e3ced7d0b/f8468c7a-a344-44f7-87c9-aacd22574c39.jpg</image:loc>
      <image:title>Feathers Collection - A spiral path - Make it stand out</image:title>
      <image:caption>Unknown; Jaspar Beckx (earlier ascribed to); Albert Eckhout (earlier ascribed to), Dom Miguel de Castro, Ambassador of the Lord of Sonho, Emissary of Congo, 1641–1645. Painting on wood. Statens Museum for Kunst, kms7.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/feathers-collection/the-plume-boom</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/101049f8-ee3b-4add-ad1c-f10ccc342a5f/index.php.jpeg</image:loc>
      <image:title>Feathers Collection - The plume boom - Make it stand out</image:title>
      <image:caption>Mme. Esperi, “Chapeau Wanda.,” in Le Moniteur de la Mode: Journal du Grande Monde (Paris: Imprimeries Réunies, 1895). The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection, The New York Public Library, b17215479. The hat is identified as “Modèle de Mme. Coder (26, rue du Quatre-Septembre).” Colorized.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e6ada4f6-2740-4b10-a556-b1d052c47996/p15324coll12_6469_full-WP.jpg</image:loc>
      <image:title>Feathers Collection - The plume boom - Make it stand out</image:title>
      <image:caption>Mme. Esperi, “Chapeau Wanda.,” in Le Moniteur de la Mode: Journal du Grande Monde (Paris: Imprimeries Réunies, 1895). The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection, The New York Public Library, b17215479. The hat is identified as “Modèle de Mme. Coder (26, rue du Quatre-Septembre).” Colorized.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/049ab58e-c2b6-4830-acbe-51baafe1b0d3/48.60_front_CP4.jpg</image:loc>
      <image:title>Feathers Collection - The plume boom - Make it stand out</image:title>
      <image:caption>Brazilian, Fixed Fan, 1865–1875. Ivory, feathers, and beetles. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, New York, Gift of the Brooklyn Museum, 2009; Gift of Lucie and Mary Stevenson, 1948, 2009.300.3087.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/353d0f21-c37c-47f7-940f-0efa4b0542db/816432u+Large.jpg</image:loc>
      <image:title>Feathers Collection - The plume boom - Make it stand out</image:title>
      <image:caption>“Silk Hand Embroidered Lace Coat and Princess Lace Robe,” in The Lace and Embroidery Review (New York: Clifford Lawton, January 1909). Wallach Division Picture Collection, The New York Public Library, b17122176. The coat and robe are identified as “Imported by Cobden &amp; Co., 7 West Twenty-second Street.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d0ddea8b-ccec-42c1-9e10-940b7d16ff14/DP-31714-001.jpg</image:loc>
      <image:title>Feathers Collection - The plume boom - Make it stand out</image:title>
      <image:caption>Robert Seymour (British, 1798–1836), “Enough to Make an Angel Swear or—Real Birds Plucking the Sham.” Hand-colored etching signed “Shortshanks fecit” (London: Thomas McLean, ca. 1828). The Metropolitan Museum of Art, New York, Gift of Jill Spalding, 2022, 2022.309.29.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/feathers-collection/first-class-curlers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6e049163-15c9-48d4-b24e-0773fcafecab/1-Cawston+feather+factory+postcard.jpg</image:loc>
      <image:title>Feathers Collection - First-class curlers - Make it stand out</image:title>
      <image:caption>Edward H. Mitchell (Publisher), Feather Factory, Cawston Ostrich Farm, South Pasadena, California. Cawston is the only Breeder of Ostriches in America who manufactures his own product, published 1910-1915. Postcard. banc pic 2017.021: dh3-s:nn (carton 3, box 2). The Bancroft Library, The Berkeley Library University of California Digital Collections, University of California, Berkeley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a80e33bb-a6c3-4683-95c0-94b5387ce76d/4-Curling+Knife.jpg</image:loc>
      <image:title>Feathers Collection - First-class curlers - Make it stand out</image:title>
      <image:caption>Feather curling knife, Hyde Manufacturing Co.: Cutlery (Southbridge, ma: Hyde Manufacturing, 1914), 19.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1ef54c42-fc93-44ec-9d9c-d8ba474d6a9a/2-Cawston+feather+workers-LP0617-SPPL.jpg</image:loc>
      <image:title>Feathers Collection - First-class curlers - Make it stand out</image:title>
      <image:caption>Feather workers in the Cawston Ostrich Farm factory, ca. 1905, Courtesy of the South Pasadena Public Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1d653d42-d227-4503-b347-7ca1ef666242/jon-fan+Large.jpeg</image:loc>
      <image:title>Feathers Collection - First-class curlers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/feathers-collection/to-fall-together</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f9c3a5a7-9ca3-47eb-9565-83acb3c2f374/_MG_1175.jpg</image:loc>
      <image:title>Feathers Collection - To fall together - Make it stand out</image:title>
      <image:caption>Rebecca Horn, Parrot Circle, 2011. Brass, parrot feathers, motor, electronics. Photographer: Mathias Schormann. Image courtesy of Galerie Thomas Schulte. © 2024 Artists Rights Society (ars), New York / vg Bild-Kunst, Bonn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b1bddd0b-6f8d-4646-9e9c-56220c5342f2/01_ParadiseWidow.jpg</image:loc>
      <image:title>Feathers Collection - To fall together - Make it stand out</image:title>
      <image:caption>Rebecca Horn, Paradieswitwe (Paradise Widow), 1975. Installation. Photographer: Rebecca Horn. © 2024 Artists Rights Society (ars), New York / vg Bild-Kunst, Bonn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/edf94916-96ec-4b15-ad89-c1385a89e2b5/02_Pfaunmaschine.jpg</image:loc>
      <image:title>Feathers Collection - To fall together - Make it stand out</image:title>
      <image:caption>Rebecca Horn / Germany 1944–2024 / La Ferdinanda: Sonate für eine Medici-Villa (from ‘Rebecca Horn Films’ 2003) 1981 / 35mm transferred to dvd: 85 minutes, colour, sound / Purchased 2012. Queensland Art Gallery / Collection: Queensland Art Gallery | Gallery of Modern Art. © 2024 Artists Rights Society (ars), New York / vg Bild-Kunst, Bonn.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/leather-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-24</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/leather-collection/leather</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/61931c5f-3f11-4677-8193-a18cd7ecc4b3/X-Sueded+Carp+Fish+Leather.jpg</image:loc>
      <image:title>Leather Collection - Introduction - Make it stand out</image:title>
      <image:caption>Sea Leather Wear, Sueded Carp Fish Leather. University of Pennsylvania Fisher Fine Arts Library Material Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3d438f0e-36ed-4eef-8b70-ef2445482a28/Gloves.jpeg</image:loc>
      <image:title>Leather Collection - Introduction - Make it stand out</image:title>
      <image:caption>Gloves, 1824, France, Leather, Metropolitan Museum of Art, C.I.46.59.15a, b.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/62e5150b-20f4-4da0-b3c3-e65579ce6b3d/Leather+Tanning.jpg</image:loc>
      <image:title>Leather Collection - Introduction - Make it stand out</image:title>
      <image:caption>Suzy Bennett (British), Leather tannery, Fez, Morocco, 2015.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/leather-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/54b9ac24-bf4b-488f-802b-71898c1cad8a/Lindow+Man.jpg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Lindow II (Lindow Man), Iron Age, Romano-British, Human tissue, human hair, human skin, human bone, fur, animal tissue, The British Museum, 1984,1002.1, © The Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bd32bb80-5c33-4bf3-9cb0-c776647cb35a/Drum.jpeg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Thunder Elk (Sioux), Frame Drum, ca. 1887 (made), 1904 (painted), Dakotas, United States, Wood, leather, sinew (buffalo or deer); metal wire; pigment, Metropolitan Museum of Art, 89.4.3326a, b.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/152d1c9b-d107-40bd-9b35-74e5eab2717e/Pair+of+Archer%27s+Gloves.jpg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Pair of Archer's Gloves, 19th century, Japan, Chamois leather, Cleveland Museum of Art, 1921.401.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d7f96725-8554-4c2b-a7e7-04b48312b903/Muhammad+Ali+Gloves.jpeg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Training boxing gloves used and signed by Cassius Clay (Muhammad Ali), Post Manufacturing Co., 1960, New York, United States, Leather, cloth, thread, Collection of the Smithsonian National Museum of African American History and Culture, 2012.173.3ab.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/883c1aca-ac64-4720-8f4d-e7a7ae685ef7/Plains+Indian+Painted+Hide.jpeg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Cadzi Cody (Wind River Shoshone, 1866-1912), Scenes of Plains Indian Life, ca. 1880, United States, Elkhide, pigments, Minneapolis Institute of Art, 85.92.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/eed52ec8-44ea-4194-88f3-ef99378ac2e3/Screenshot+2026-02-07+at+11.32.19%E2%80%AFAM.png</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Trunk, ca. 1750, New York, New York, United States, Sweet or red gum with leather, nails, wrought iron hardware, and paper lining, The Chipstone Foundation, 1997.17, Photo credit: Gavin Ashworth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b7f7cf3e-a998-4509-9093-f6f3f3045446/Sheath.jpeg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Sheath, 1900s, Central Africa, Democratic Republic of the Congo, Mangbetu, 20th century, Gift of the Gilpin Players of Karamu House 1929.335.b, The Cleveland Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/420b17e3-13bd-45e3-8e85-96eecaddf8f9/Fire+Bucket.png</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>John Masury (American), Fire bucket, 1820, Salem, Massachussetts, United States, Painted leather and metal, Sotheby's.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7b87a583-956f-4833-8589-46a9e016771f/Fireman%27s+parade+leather+coat.jpeg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Fireman's parade leather coat (kawabaori) with family crest, 19th century, Japan, Deerskin; smoked resist, Minneapolis Institute of Art, 2019.20.122.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/154f09ae-6488-4603-a465-c97782cd2d21/Bonnie+Cashin+Jumpsuit+Large.jpeg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Bonnie Cashin (American, 1915-2000), Jumpsuit, 1963, United States, Leather and machine-knit mohair with elastic waist and metal snaps, RISD Museum, 80.171.8, Courtesy of the RISD Museum, Providence, RI.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/56f7731e-fff1-41ec-8d33-d029919e62bf/2006.27.115.1+Large.jpg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Shadow puppet of the monkey hero Hanuman in the guise of Ravana's heir; from the Thai version of the epic of Rama, 1850-1900, Thailand, Hide with pigments, bamboo, Asian Art Museum, 2006.27.115.1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e418a3f5-7b61-4020-8bf8-e2484b23bbe3/Lucha+Libre+Masks.jpeg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Jonathan McIntosh (American), Lucha libre máscaras, 2012, San Francisco, California, United States.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7a824694-f634-4e37-a4ab-156d9c95a3c3/Byzantine+Leather+Shoe.jpeg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Leather Shoe with Gilded Decoration, 4th–7th century, Egypt, Akhmim (former Panopolis), Gilded leather, Metropolitan Museum of Art, 90.5.34a.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cbd7fc42-2115-4a88-ade6-2ad22beca48f/Telescope.jpeg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Jesse Ramsden (British, 1735–1800), Gregorian reflecting telescope, ca. 1790, London, England, brass tube covered with green shagreen on brass folding tripod, Science Museum Group Collection, 1925-139, © The Board of Trustees of the Science Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c88ea774-7a82-46fc-af0f-6e85e679d134/Campeachy+Chair.jpg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Campeachy chair, 1800-1825, Mexican or Central American, Mahogany and tooled leather, The Chipstone Foundation, 2018.104, Photo credit: Gavin Ashworth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4cc2bcde-f92d-4937-96f7-c9a7bd3844eb/Screenshot+2026-02-07+at+11.48.17%E2%80%AFAM.png</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Illustration of Susan B. Anthony’s alligator purse, Wynne Patterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8b5383bb-ec81-4b65-819f-0ff48fba4e2e/Mirror+Mirror+LR-200.jpg</image:loc>
      <image:title>Leather Collection - Gallery - Make it stand out</image:title>
      <image:caption>Jay Sae Jung Oh (Korean, 1982-), Chatsworth Chair, 2022, Seattle, Washington, United States, Various plastics, leather cord and plywood, Courtesy of the artist and Salon 94.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/leather-collection/golden-leather</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/396d110a-f5d5-4ced-9880-30dca3543dbe/Shahnama+%28Book+of+Kings%29+of+Firdausi.jpeg</image:loc>
      <image:title>Leather Collection - Golden leather - Make it stand out</image:title>
      <image:caption>Shahnama (Book of Kings) of Firdausi, 1475–1675, Iran, Leather; tooled and gilded; ink on paper, Metropolitan Museum of Art, 13.228.14.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fe90e6a7-a7e9-4403-baff-e01d5b3fa65b/Qur%27an+Bookbinding.jpeg</image:loc>
      <image:title>Leather Collection - Golden leather - Make it stand out</image:title>
      <image:caption>Qur'an Bookbinding Inset with Turquoise,16th Century, Iran, Leather; stamped, painted, gilded, and inset with turquoise, Metropolitan Museum of Art, 56.222.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/47c1b9eb-00e5-4afd-973b-76db9d9c588b/NT+Image.jpg</image:loc>
      <image:title>Leather Collection - Golden leather - Make it stand out</image:title>
      <image:caption>Leather panel, 1675, Gilded chamois, Ham House © National Trust Photo Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/154942b3-2375-4f71-a79a-c6d0fdb90458/Leather+Panel.jpg</image:loc>
      <image:title>Leather Collection - Golden leather - Make it stand out</image:title>
      <image:caption>Martinus Van Den Heuvel (The Younger) (Dutch), Leather panel, ca. 1670, Amsterdam, Netherlands, Gilded, embossed, and painted leather, Victoria and Albert Museum, W.67-1911, © Victoria and Albert Museum, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/leather-collection/the-indigenous-origins-of-russia-leather</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/51e3857f-f724-432f-88e4-952dc4a5a6c0/1996_171_002+Large.jpeg</image:loc>
      <image:title>Leather Collection - The indigenous origins of Russia leather - Make it stand out</image:title>
      <image:caption>Unknown Nenet Maker, Hide, ca. 1780, Russia, Leather, The Chipstone Foundation, 1996.171, Photo credit: Gavin Ashworth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9ca83543-50e7-4068-98b9-9e35fb9a7008/Reindeer+Herder.jpg</image:loc>
      <image:title>Leather Collection - The indigenous origins of Russia leather - Make it stand out</image:title>
      <image:caption>Sue Flood (British), Nenets reindeer herders at camp, Yamal-Nenets Autonomous Region, Yamal peninsula, n.d.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3f232970-ed6a-4bda-9e01-67322fc36aa9/Samojeedse+Man+Large.jpg</image:loc>
      <image:title>Leather Collection - The indigenous origins of Russia leather - Make it stand out</image:title>
      <image:caption>Cornelis de Bruyn (Dutch, 1652-1727), Samojeedse Man, 1714, Amsterdam, Netherlands, Copperplate print on laid paper, Rare Books Division, The New York Public Library, b11544489.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/leather-collection/in-front-of-the-hide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/32a2689e-eb7c-4217-b4e8-5c7c3204c0c1/Melissa+Shaving+Moose+Hide+2022.jpg</image:loc>
      <image:title>Leather Collection - In front of the hide - Make it stand out</image:title>
      <image:caption>Melissa Shaginoff shaving moose hide, 2022, Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8c75caa4-569e-4ec1-8a42-47af06f337b7/Moose+Love+Poems+with+Aunt+Kari+Shaginoff+2022.jpg</image:loc>
      <image:title>Leather Collection - In front of the hide - Make it stand out</image:title>
      <image:caption>Melissa Shaginoff and Aunt Kari Shaginoff performing Moose Love Poems, 2022, Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fc310082-6727-4320-b452-4f8bf3805f13/Mary+Shaginoff+%26+Son+Paul+Goodlataw+1934.jpg</image:loc>
      <image:title>Leather Collection - In front of the hide - Make it stand out</image:title>
      <image:caption>Mary Shaginoff and son Paul Goodlataw, 1934, Courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/leather-collection/a-bangwato-kaross</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e167d542-24d6-4c66-9023-b24dce6e6543/Screenshot+2026-02-05+at+10.20.08%E2%80%AFPM.png</image:loc>
      <image:title>Leather Collection - A bangwato kaross - Make it stand out</image:title>
      <image:caption>The author wrapped in one style of historic Southern African wear, the Kalahari.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/af38da73-52e0-4b7f-80fb-6fe7fb231db2/Picture2.jpg</image:loc>
      <image:title>Leather Collection - A bangwato kaross - Make it stand out</image:title>
      <image:caption>Unknown Bangwato maker, Kaross (or kobo), pre-1899, Botswana, Southern Africa, Hartebeest hide and sinew, Royal Pavilion &amp; Museums Trust, Brighton and Hove Museums, R4007/7.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/leather-collection/boil-fold-lounge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e6e6be4b-7a77-45af-bd72-48db17a8c25c/Screenshot+2026-02-05+at+10.10.38%E2%80%AFPM.png</image:loc>
      <image:title>Leather Collection - Boil, fold, lounge - Make it stand out</image:title>
      <image:caption>Simon Hasan (British), Twist Bench, ca. 2010, London, England, Vegetable-tanned leather, steel, Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6ae798c0-3cdd-4525-b4c3-d1a083db2c1b/Screenshot+2026-02-05+at+10.10.07%E2%80%AFPM.png</image:loc>
      <image:title>Leather Collection - Boil, fold, lounge - Make it stand out</image:title>
      <image:caption>Simon Hasan (British), Fold Chair, ca. 2010, London, England, Vegetable-tanned leather, steel, Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/42eaac4f-db2d-4332-8226-21b6f0189ea2/High+Res_Interior+Shot.jpg</image:loc>
      <image:title>Leather Collection - Boil, fold, lounge - Make it stand out</image:title>
      <image:caption>© Anthony Cotsifas / Art Partner Inc.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/leather-collection/full-leather-jacket</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/334324ec-0069-4b54-a984-ccf38327cdd6/Screenshot+2026-02-05+at+10.00.00%E2%80%AFPM.png</image:loc>
      <image:title>Leather Collection - Full leather jacket - Make it stand out</image:title>
      <image:caption>William A. Wellman (American, 1896-1975), Wings, 1927, Paramount Famous Lasky Corporation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9db74901-277f-45af-bbdb-9d19c1e636f2/Screenshot+2026-02-05+at+10.00.20%E2%80%AFPM.png</image:loc>
      <image:title>Leather Collection - Full leather jacket - Make it stand out</image:title>
      <image:caption>László Benedek (Hungarian, 1905-1992), The Wild One, 1953, Columbia Pictures / Stanley Kramer Pictures Corp.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d5795ad2-2b03-4631-bc51-712a1db81e14/Harrison+Ford.jpg</image:loc>
      <image:title>Leather Collection - Full leather jacket - Make it stand out</image:title>
      <image:caption>Steven Spielberg (American, 1946-), Indiana Jones And The Raiders Of The Lost Ark, 1981, FlixPix / Lucasfilm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6038ac90-785a-4648-8b61-48a762ce88b5/MJ.jpg</image:loc>
      <image:title>Leather Collection - Full leather jacket - Make it stand out</image:title>
      <image:caption>John Landis (American, 1950-) and Michael Jackson (American, 1958-2009), Thriller, 1983, Optimum Productions / Album.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/leather-collection/luxury-leather</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d983d0af-fe25-4424-898f-9a88c8b909aa/thumbnail_oobineme_chicagotribune_yohancelacour_20201020-4201.jpeg</image:loc>
      <image:title>Leather Collection - Luxury leather - Make it stand out</image:title>
      <image:caption>Yohance Joseph Lacour (American), Florence Flask Pack - Dark Knight, 2023, Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/909b84ea-f3a0-4497-a5a8-f437d04e99b4/202209_nest-x-hermes_0016.jpeg</image:loc>
      <image:title>Leather Collection - Luxury leather - Make it stand out</image:title>
      <image:caption>Yohance Joseph Lacour (American), Sorbet Low - Autumn (Scarlet/Acorn), 2023, Grain and full aniline leather, Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/226bfc6f-6c8e-4bbf-9df3-9e3eca9019bb/thumbnail_202209_Nest-x-Hermes_0055.jpeg</image:loc>
      <image:title>Leather Collection - Luxury leather - Make it stand out</image:title>
      <image:caption>Yohance Joseph Lacour (American), Bespoke bag, 2023, Mixed leathers, Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6f7df9c8-360e-41b0-b691-5762501ec3b3/thumbnail_BAG6-1.jpeg</image:loc>
      <image:title>Leather Collection - Luxury leather - Make it stand out</image:title>
      <image:caption>Yohance Joseph Lacour (American), Bespoke bag, 2023, Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/linen-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-31</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/linen-collection/linen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3c65fb42-879f-4c07-ac01-beaae8f3741b/Meindertsma_Flax_field_01+%281%29.jpg</image:loc>
      <image:title>Linen Collection - Introduction - Make it stand out</image:title>
      <image:caption>Christien Meindertsma, Flax Field, 2019. Robot tufted linen rug, made of flax that grew on plot Gz69 – West in the Dutch Flevopolder.  Grown by farmer Gert-Jan van Dongen. COMMISSIONED BY: CS Rugs/Richard Hutten as part of the Freedom Collection PHOTO CREDITS: Daniel Kukla (Courtesy of Friedman Benda), Christien Meindertsma</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/linen-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4bdc2096-92f8-4c2e-a6d2-e9b04d6b9248/Screenshot+2026-02-09+at+11.12.18%E2%80%AFAM.png</image:loc>
      <image:title>Linen Collection - Gallery - Make it stand out</image:title>
      <image:caption>“La Toile de Penelope—Penelope at Her Loom, 1731” by Bernard Picart. Private Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/185267e4-7873-4d4b-8f5c-81e1629285dd/Screenshot+2026-02-09+at+11.17.15%E2%80%AFAM.png</image:loc>
      <image:title>Linen Collection - Gallery - Make it stand out</image:title>
      <image:caption>Flax Field, Debb Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9ed27095-8abb-45c1-acae-94fd5de7331f/6396_36_1_A_B+Large.jpeg</image:loc>
      <image:title>Linen Collection - Gallery - Make it stand out</image:title>
      <image:caption>Linen day dress, ca.1901–1902. Made by Sarah Leonard and Minnie Leonard, Minnesota Historical Society, 6396.36.1A-B.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c7b4549f-78e2-4530-b05f-cfcf1b49546e/Screenshot+2026-02-09+at+11.20.15%E2%80%AFAM.png</image:loc>
      <image:title>Linen Collection - Gallery - Make it stand out</image:title>
      <image:caption>Stays, ca. 1730–1750, England, linen and cane, Noel Paton Collection, National Museums Scotland. A-1905.983.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ff225c9c-f924-4e31-8cf7-91f93d808b60/Screenshot+2026-02-09+at+11.25.50%E2%80%AFAM.png</image:loc>
      <image:title>Linen Collection - Gallery - Make it stand out</image:title>
      <image:caption>William Hincks, 1752–1797, Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax, 1791, Stipple engraving. Courtesy, Yale Center for British Art, Paul Mellon Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c35635dd-0e55-48f4-8ee9-057d54bed5e7/Screenshot+2026-02-09+at+11.33.33%E2%80%AFAM.png</image:loc>
      <image:title>Linen Collection - Gallery - Make it stand out</image:title>
      <image:caption>Woman Worker And Various Styles Of Arrow Collars, United States. Photographed by Geo R. Lawrence Co., 1906, Wallach Division Picture Collection, The New York Public Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c6bf074b-84fd-4535-9aae-9991d4151c27/Ovals+textile%2C+Joel+Robinson+%281951%29.jpg</image:loc>
      <image:title>Linen Collection - Gallery - Make it stand out</image:title>
      <image:caption>Joel Robinson (1915-2012). Ovals textile, ca. 1951. Manufacturer: L. Anton Maix Fabrics, New York, n.y. Screenprinted linen. 34 x 50". Committee on Architecture and Design Funds. The Museum of Modern Art, New York, ny, u.s.a. Digital Image © The Museum of Modern Art/Licensed by scala / Art Resource, ny.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/95376634-29f7-430f-b3ba-05ba5fb79d81/Screenshot+2026-02-09+at+11.37.42%E2%80%AFAM.png</image:loc>
      <image:title>Linen Collection - Gallery - Make it stand out</image:title>
      <image:caption>Common Flax (Linum usitaissimum), Bulgaria, Europe. Alamy Stock Photo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9d9754d0-7cda-4c2b-853e-cccb28245688/Screenshot+2026-02-09+at+11.38.02%E2%80%AFAM.png</image:loc>
      <image:title>Linen Collection - Gallery - Make it stand out</image:title>
      <image:caption>The monuments of Egypt and Nubia designed by the Tuscan scientific-literary expedition in Egypt; distributed in order of subjects interpreted and illustrated by Doctor Ippolito Rosellini—Lasinio, Carlo, 1759–1838 is the engraver.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/linen-collection/leaving-the-fold</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/db2b32ca-10df-41c2-9668-98eccfaec8d7/Untitled-12_1973_gesso_thread-c_24x14.jpeg</image:loc>
      <image:title>Linen Collection - Leaving the fold - Make it stand out</image:title>
      <image:caption>Elaine Reichek, Untitled #12. 1973. Gesso, acrylic, thread and graphite on canvas. 24 x 14". Photograph by Tom DuBrock. Private Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d34ca1d9-17dc-434e-ba3d-aa5cd7b52516/Screenshot+2026-02-08+at+5.48.34%E2%80%AFPM.png</image:loc>
      <image:title>Linen Collection - Leaving the fold - Make it stand out</image:title>
      <image:caption>Elaine Reichek, Line Is Like the Thread, 2008, Hand embroidery on linen, 24.5 x 19". Photograph by Paul Kennedy, Collection of Ellen Susman, Houston, TX.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3beb35d3-82f4-45f6-9a0c-0ca2e48a9717/Screenshot+2026-02-08+at+5.47.48%E2%80%AFPM.png</image:loc>
      <image:title>Linen Collection - Leaving the fold - Make it stand out</image:title>
      <image:caption>Elaine Reichek, A Daughter (Brit Bennett), 2019, Hand embroidery on linen, 23 x 26". Photograph by Paul Kennedy, Private collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5f6193f1-2b58-45a5-9303-bd6748fe98d9/SmplrStartingOver96emb8.75x67.5_.jpg</image:loc>
      <image:title>Linen Collection - Leaving the fold - Make it stand out</image:title>
      <image:caption>Elaine Reichek, Sampler (Starting Over). 1996. Hand embroidery on linen. 8.75 x 67.5". Photograph by Adam Reich. Collection of the Museum of Modern Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e843fcb2-7bc1-44d4-b0f5-6c4bd948d3a9/SmplrStartingOver96detail_+%281%29.jpg</image:loc>
      <image:title>Linen Collection - Leaving the fold - Make it stand out</image:title>
      <image:caption>Elaine Reichek, Detail of Sampler (Starting Over). 1996. Hand embroidery on linen. 8.75 x 67.5". Photograph by Adam Reich. Collection of the Museum of Modern Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3a43bd3f-e8f9-4d4a-9daa-7f22ed20a596/Screenshot+2026-02-08+at+5.43.55%E2%80%AFPM.png</image:loc>
      <image:title>Linen Collection - Leaving the fold - Make it stand out</image:title>
      <image:caption>Elaine Reichek, Sampler (Ovid’s Weavers), 1996, Hand embroidery on linen, 19.25 x 35". Photograph by Adam Reich, Whitney Museum of American Art, New York; gift of the Estate of Melva Bucksbaum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/56159eec-d8bc-42a2-8f10-6b341943c7b4/Screenshot+2026-02-08+at+5.41.19%E2%80%AFPM.png</image:loc>
      <image:title>Linen Collection - Leaving the fold - Make it stand out</image:title>
      <image:caption>Elaine Reichek, Ariadne’s Lament, 2009. Digital embroidery on linen, 27.5 x 26.5".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cafffb59-b812-4b10-b430-037b3ce8935c/Screenshot+2026-02-08+at+5.42.38%E2%80%AFPM.png</image:loc>
      <image:title>Linen Collection - Leaving the fold - Make it stand out</image:title>
      <image:caption>Elaine Reichek, Sampler, (Scarlet Letter), 1996, Hand embroidery on linen 26.5 x 12". Photograph by Paul Kennedy. Museum of Fine Arts, Boston; The Hayden Collection—Charles Henry Hayden Fund.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/linen-collection/reconstructing-alexander-the-greats-armor-made-of-linen-and-glue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c67d8870-c2c7-48a7-80a5-ca2d11645197/WH9XC4.jpg</image:loc>
      <image:title>Linen Collection - Armor made of linen and glue - Make it stand out</image:title>
      <image:caption>Detail of Achilles on the Eponymous Attic Amphora of the Achilles Painter, copyright, Smith Archive / Alamy Stock Photo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e84d9e91-440d-4b65-9935-743ccd3aace9/aldrete.jpg</image:loc>
      <image:title>Linen Collection - Armor made of linen and glue - Make it stand out</image:title>
      <image:caption>Gregory S. Aldrete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2441ee7f-d300-42ec-82e0-ec309e25f02f/G3X8E2.jpg</image:loc>
      <image:title>Linen Collection - Armor made of linen and glue - Make it stand out</image:title>
      <image:caption>Detail of Alexander Mosaic, Museo Archeologico Nazionale di Napoli, photo copyright Adam Eastland / Alamy Stock Photo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/linen-collection/on-milkweed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d3a1f040-4d57-4c6b-83f8-5ad96a4ca4c6/Screenshot+2026-02-08+at+5.16.13%E2%80%AFPM.png</image:loc>
      <image:title>Linen Collection - On milkweed - Make it stand out</image:title>
      <image:caption>Milkweed, 2021. Andrew Hamilton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/91d2b07f-a7a6-47df-8e59-346d6e8ac928/AfterlightImage+%281%29.jpeg</image:loc>
      <image:title>Linen Collection - On milkweed - Make it stand out</image:title>
      <image:caption>Homegrown, hand-processed, handspun milkweed thread. Photo, Andrew Hamilton.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/linen-collection/the-most-trying-ordeal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2c194a87-d29d-475c-b3e0-fed58c5778b1/master-pnp-ppmsca-53000-53047u+Large.jpg</image:loc>
      <image:title>Linen Collection - The most trying ordeal - Make it stand out</image:title>
      <image:caption>African American boy, possibly a slave, holding two buckets, Isaac Haas, photographer &amp; dealer in stereoscopic views, Green Cove Springs, Fla. Courtesy, Library of Congress, prints and Photographs Division, [lc-dig-ppmsca-53047].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2af227d9-69b1-4edd-b032-010cff9efd42/Screenshot+2026-02-08+at+5.05.14%E2%80%AFPM.png</image:loc>
      <image:title>Linen Collection - The most trying ordeal - Make it stand out</image:title>
      <image:caption>George Washington’s Cook, attributed to Gilbert Stuart, ca. 1795–97. Copyright Museo Thyssen-Mornesmisza, Madrid. His name was Hercules.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/linen-collection/my-love-of-linen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/aca5fa4e-e72d-4d5f-8b09-ca5a3e60512d/Material+Intellignce+linen+grouping.jpg</image:loc>
      <image:title>Linen Collection - My love of linen - Make it stand out</image:title>
      <image:caption>From left to right: Heaviest Linen 1002, Moonlight 1000, Rainbow 1012, Moonbeam 1001, and Ottoman Ikat Velvet 1007, The Bodenner Collection. Photograph by Fabio Toblini.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/eb07fa8a-8ee1-42cc-9b27-7b917671759b/Scott+Bodenner+weaving+Mix+Tape+in+Greens-+photo+Graham+Friedman+longshot.jpg</image:loc>
      <image:title>Linen Collection - My love of linen - Make it stand out</image:title>
      <image:caption>Scott Bodenner weaving Mix Tape in Greens. Photograph by Graham Friedman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1c614796-b58c-4607-a664-1e11b4f89280/Rainbow+1012%2C+Bodenner+Collection%2C+fold+foto+Graham+Friedman.jpg</image:loc>
      <image:title>Linen Collection - My love of linen - Make it stand out</image:title>
      <image:caption>Detail of Rainbow 1012, The Bodenner Collection. Photograph by Graham Friedman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/linen-collection/when-linen-remembers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/01d719b0-0173-4bfe-af41-99fdc2aafc7d/shroud.jpeg</image:loc>
      <image:title>Linen Collection - When linen remembers - Make it stand out</image:title>
      <image:caption>Deborah Valoma, shroud, 2019, plain weave, unbleached linen, 3 x 10'. Photograph by M. Lee Fatherree, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/38b02abf-8e55-4739-9423-258be37ad5a7/B-35403-260909353711+%281%29.jpg</image:loc>
      <image:title>Linen Collection - When linen remembers - Make it stand out</image:title>
      <image:caption>Remains of a linen shroud with a knot above the right shoulder of the deceased, Ein Gedi, ca. 2nd–1st centuries bce, 13 x 9 cm. Photograph by Clara Amit, © Israel Antiquities Authority.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d3dff295-5c14-4aef-aff9-d949a8961625/Hatnofer+Chest.jpg</image:loc>
      <image:title>Linen Collection - When linen remembers - Make it stand out</image:title>
      <image:caption>Wooden chest filled with folded linen, tomb of Hatnofer, ca. 1492–1472 bce, height of chest 17 5/16". Metropolitan Museum of Art, Rogers Fund, New York. Photograph courtesy of Creative Commons.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/nylon-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/nylon-collection/nylon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f9f4b6ef-5d7a-4a55-9fef-9cbc9dcc79a1/Velcro_photomicrograph.jpeg</image:loc>
      <image:title>Nylon Collection - Introduction - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/009f5088-c316-49c2-9ccd-00c323385e90/Nylon+spools+Large.jpeg</image:loc>
      <image:title>Nylon Collection - Introduction - Make it stand out</image:title>
      <image:caption>Courtesy of the Hagley Museum &amp; Library</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0bb58963-c488-4248-9382-7c04b9de1960/Attracted+to+Light.jpg</image:loc>
      <image:title>Nylon Collection - Introduction - Make it stand out</image:title>
      <image:caption>Geoffrey Mann (British, born 1980), Attracted to Light, 2005, 3d printed nylon, © Sylvain Deleu</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/nylon-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/122e5b9d-288e-49d3-a5f0-f312f6259abc/Screenshot+2026-02-11+at+11.17.05%E2%80%AFAM.png</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>“Models at recent showing of Rase Marie Reid bathing suits wear wigs of colored “Tynex” made by Meyer Jacoby &amp; Son, New York,” DuPont Magazine 52, no. 6 (December 1958): 11.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1246e96a-b370-459c-bfc2-f2cf8f3c7c60/Crinkled+Sheer+Fabric.jpg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>Junichi Arai (Japanese, 1932–2017), Crinkled Sheer Fabric, ca. 1995, Polyester and nylon, Museum of Modern Art, Gift of the designer, 104.1996, Digital Image © The Museum of Modern Art/Licensed by scala / Art Resource, ny.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e80a7f05-cfe2-41c0-ad2a-212669823d7b/Sokol+space+suit.jpg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>jsc Research &amp; Development Production Enterprise Zvezda (Tomilino, Russia, founded 1952), Sokol-kv-2 rescue spacesuit worn by Helen Sharman, 1991, Rubberised polycaprolactam, nylon canvas, and anodised aluminium, Science Museum Group Collection, 2006-40/1, © The Board of Trustees of the Science Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2c168367-27f9-428c-859f-0df1f4c01fcb/Car+suspended+Large.jpeg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>E.I. du Pont de Nemours &amp; Company (Wilmington, Delaware, founded 1802), Car suspended in nylon, 1954, 1972341_1832, Series vii, Box 7, Folder 10, DuPont Company Product Information photographs (Accession 1972.341), Audiovisual Collections and Digital Initiatives Department, Hagley Museum and Library, Wilmington, de 19807.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/842c812d-eef4-4f8b-8272-0d330c8363b5/Hot+Air+Balloon.jpg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>Hummingbird hot air balloon, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cf2cc97e-c0a6-4398-b2ed-d81c8db0b314/First+Nylon+Knitted+Tubing.jpg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>E.I. du Pont de Nemours &amp; Company (Wilmington, Delaware, founded 1802), Sample of first nylon knitted tubing, 1935, Nylon, ScienceMuseum Group Collection, 1965–480, © The Board of Trustees of the Science Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4e67027d-0390-4ba0-8d7f-9f5e1a36b61d/Heart+in+ribcage.jpeg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>Dave Farnham (British), Heart in ribcage, Hodgkin lymphoma patient, 2013, 3d printed nylon, Wellcome Trust photograph by Ben Gilbert.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d16ed01c-13b8-4ea6-8014-639dd7c8f5c7/Rock+Climbing+Rope.jpeg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>Ed Dunens, Climbers, Mount Arapiles, Victoria, Australia, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e4f6e6d8-16ee-480e-9adf-07426d81cfba/Lariat+Version+2.jpg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>Double Diamond Halter Co., Inc. (Gallatin Gateway, Montana, founded 1985), nylon lariat, ca. 2017, Courtesy Double Diamond Halter Co., Inc.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/35ba4704-e897-4364-88e4-33cdb98b9bf9/Nylabone.jpg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>Dogue de Bordeaux puppy chewing on a Nylabone, ca. 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/204d7191-d807-431a-bdf6-1320787a5d80/Dr+West_s+_Miracle+Tuft_+toothbrush.jpg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>Weco Products Company (Chicago, Illinois), Dr West’s ‘Miracle Tuft’ toothbrush, ca. 1940, Nylon and plastic (unidentified), Science Museum Group Collection, 2007-77, © The Board of Trustees of the Science Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a921961e-1529-43f3-a682-c9955d50364d/Screenshot+2026-02-09+at+7.40.04%E2%80%AFPM.png</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>Velcro hair curler, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/edffe3cc-4bda-40d2-815b-9e6202ed2d37/Shoe.jpg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>Salvatore Ferragamo (Italian, 1898-1960) for Salvatore Ferragamo, Inc. (Italy, founded ca. 1920), Invisible Sandal, 1947, Sueded leather, leather, nylon thread, Los Angeles County Museum of Art, Gift of Salvatore Ferragamo, Inc., ac1992.246.1, © 2023 Museum Associates / lacma. Licensed by Art Resource, ny.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/75d26737-18ab-4692-8a94-e547e01ad0f2/Cord+Chair+Large.jpeg</image:loc>
      <image:title>Nylon Collection - Gallery - Make it stand out</image:title>
      <image:caption>Jacques Guillon (Designer, Canadian, 1922–2020), Modern Art of Canada, A.A. Sporting Goods Corporation (Manufacturer, Montreal, Quebec, Canada), Cord Chair, 1952, Laminated birch and walnut, nylon cord, Royal Ontario Museum, By transfer from Design Exchange, originally gift of Yabu Pushelberg, 2020.24.18, Courtesy of rom (Royal Ontario Museum), Toronto, Canada. ©rom.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/nylon-collection/ghost-nets</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/134c379b-b235-4eeb-af90-8377446e0196/Starfish+caught+in+net.jpg</image:loc>
      <image:title>Nylon Collection - Ghost nets - Make it stand out</image:title>
      <image:caption>Case Kassenberg (Dutch), Ghost Fishing, ca. 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fd57ea38-0fc4-48e2-84a6-94b4837ffa76/Hannah+Kim_Econyl_Sculpture.jpeg</image:loc>
      <image:title>Nylon Collection - Ghost nets - Make it stand out</image:title>
      <image:caption>Hannah Kim, Lighting Product, 2021, econyl® fiber, leds, infrared sensors.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/nylon-collection/what-women-want</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1f641f3a-db5d-438e-a7a2-d7049b345fbc/Screenshot+2026-02-10+at+10.38.11%E2%80%AFPM.png</image:loc>
      <image:title>Nylon Collection - What women want - Make it stand out</image:title>
      <image:caption>Erik Liljeroth (Swedish 1920–2009), A woman holds a stocking against the light to examine the quality, 1954, Nordiska Museet, nma.0028271.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/61d73d8d-b2af-46ad-a9d7-b6adb7f25ec3/NYLON-Vending1200x1568-W-Phas-tif-scan.jpg</image:loc>
      <image:title>Nylon Collection - What women want - Make it stand out</image:title>
      <image:caption>A woman buying a pair of nylons from a street vending machine, ca. 1950.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d3195f01-8b0c-4131-8209-1b8745607ce2/Screenshot+2026-02-10+at+10.37.56%E2%80%AFPM.png</image:loc>
      <image:title>Nylon Collection - What women want - Make it stand out</image:title>
      <image:caption>Manufacturing women’s stockings, 1938.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/nylon-collection/luxury-underfoot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/89dc2fbd-bdf7-414c-ae16-7129f1938fd6/NYLON-CarpetAd-Scan-72-dpiDeScrn.jpg</image:loc>
      <image:title>Nylon Collection - Luxury underfoot - Make it stand out</image:title>
      <image:caption>Magee Carpet Company (Bloomsburg, Pennsylvania, founded 1901), To enrich any home … traditional or modern … nothing beautifies like carpets and rugs by Magee, 1949.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cc32261a-1e1f-42a0-9735-75c12e387e38/Antron+Carpet+Ad+Large.jpg</image:loc>
      <image:title>Nylon Collection - Luxury underfoot - Make it stand out</image:title>
      <image:caption>E.I. du Pont de Nemours &amp; Company (Wilmington, Delaware, founded 1802), Meet Antron: The New Carpet Fiber for Enduring Elegance, 1967, dpads_1803_00680, Series I, Box 43, Folder 42, E.I. du Pont de Nemours &amp; Company Advertising Department records (Accession 1803), Manuscripts and Archives Department, Hagley Museum and Library, Wilmington, DE 19807.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/dc2cefb5-7477-4581-910d-1d1d2dc31928/DuPont+Carpet+Ad+Large.jpeg</image:loc>
      <image:title>Nylon Collection - Luxury underfoot - Make it stand out</image:title>
      <image:caption>E.I. du Pont de Nemours &amp; Company (Wilmington, Delaware, founded 1802), Those Five Tough DuPont Tests: DuPont 501, 1966, dpads_1803_00650, Series I, Box 43, Folder 41, E.I. du Pont de Nemours &amp; Company Advertising Department records (Accession 1803), Manuscripts and Archives Department, Hagley Museum and Library, Wilmington, de 19807.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/nylon-collection/the-edge-of-elasticity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/df18cedb-d043-4394-aaf3-6fe7112d0b04/Easter+parade+on+the+South+Side+of+Chicago+Large.jpg</image:loc>
      <image:title>Nylon Collection - The edge of elasticity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e623cdc4-8572-44e9-9838-e94fdba9bcd2/Idalia+Wilmoth.jpeg</image:loc>
      <image:title>Nylon Collection - The edge of elasticity - Make it stand out</image:title>
      <image:caption>Jacob Moran (American) for Aesthetic Artist Management, Sharon Justice, 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ae9448b1-750c-49ef-87ad-115b4a196cd3/Sharon+Justice.jpeg</image:loc>
      <image:title>Nylon Collection - The edge of elasticity - Make it stand out</image:title>
      <image:caption>Jacob Moran (American) for Aesthetic Artist Management, Idalia Wilmoth, 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/nylon-collection/better-guitar-through-chemistry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/55516cbb-8283-45cb-b1c7-1c30ba628798/Alexandre+Lagoya+%26+Ida+Presti.jpg</image:loc>
      <image:title>Nylon Collection - Better guitar through chemistry - Make it stand out</image:title>
      <image:caption>The virtuoso classical-guitar duo of Ida Presti (right) and husband Alexandre Lagoya (left) in 1964.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c299415d-90c5-4648-949f-23520c74316c/Segovia+Guitar.jpeg</image:loc>
      <image:title>Nylon Collection - Better guitar through chemistry - Make it stand out</image:title>
      <image:caption>A Spanish guitar used extensively by Andrés Segovia, from the workshop of Manuel Ramírez and attributed to luthier Santos Hernández. Manuel Ramírez (Spanish, Alhama de Aragon, 1864–1916) and Santos Hernández (Spanish, 1874–1943), Guitar, 1912, Spruce, rosewood, cedar, ebony, ivory or bone, Metropolitan Museum of Art, Gift of Emilita Segovia, Marquessa of Salobreña, 1986, 1986.353.2.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fa161f64-69c4-4a1f-8561-b19127dac9b0/Segovia+Playing+Guitar.jpg</image:loc>
      <image:title>Nylon Collection - Better guitar through chemistry - Make it stand out</image:title>
      <image:caption>Andres Segovia in 1947, photo by Peggy Duffy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/nylon-collection/bodies-bodies-bodies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/818db0ed-a0b7-48a2-8b1c-cf6bbca09925/Performance_Piece+Large.jpg</image:loc>
      <image:title>Nylon Collection - Bodies, bodies, bodies - Make it stand out</image:title>
      <image:caption>Senga Nengudi (American, born 1943), Performance Piece, 1978 (detail), Silver gelatin prints, triptych, © Senga Nengudi, 2023, Courtesy of Sprüth Magers and Thomas Erben Gallery, Photo by Harmon Outlaw.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7aad5d0d-1523-4aab-82b5-859db5444a6f/Scribe.jpg</image:loc>
      <image:title>Nylon Collection - Bodies, bodies, bodies - Make it stand out</image:title>
      <image:caption>Senga Nengudi (American, born 1943), R.S.V.P Reverie “Scribe”, 2014, Nylon mesh, sand and found metals, © Senga Nengudi, 2023, Courtesy of Todd Levin, New York, Photo by Timo Ohler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9fde1b2e-fb2b-46ac-926a-3d609470d954/Bunny.jpeg</image:loc>
      <image:title>Nylon Collection - Bodies, bodies, bodies - Make it stand out</image:title>
      <image:caption>Sarah Lucas (British, born 1962), Titty Bunny, 2018, Tights, fluff, wire, chair, 44⅞ x 20⅞ x 26⅜ in (114 x 53 x 67 cm), © Sarah Lucas. Courtesy Sadie Coles HQ, London. Photo: Robert Glowacki.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/nylon-collection/fashion-able</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/52215ad8-d8a0-4f25-83a9-28572f877674/Helen+Cookman+design+1958.jpg</image:loc>
      <image:title>Nylon Collection - Fashion-Able - Make it stand out</image:title>
      <image:caption>Helen Cookman and Muriel E. Zimmerman, Functional Fashions for the Physically Handicapped (New York: Institute for Physical Medicine and Rehabilitation, 1961), 31. Image courtesy of The Lillian and Clarence de la Chapelle Medical Archives at NYU.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/40822f6c-29e3-466a-8657-51f1071e0c74/IMG_1611+Large.jpg</image:loc>
      <image:title>Nylon Collection - Fashion-Able - Make it stand out</image:title>
      <image:caption>Majorie Mead, “Some uses of Velcro: [...] as a front fastener for bras,” Clothing for People with Physical Handicaps (Champaign: University of Illinois at Urbana-Champaign Cooperative Extension Service, 1980), 3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5b118ca1-325a-4d97-bbad-5331ac79c659/IMG_1620+Large.jpg</image:loc>
      <image:title>Nylon Collection - Fashion-Able - Make it stand out</image:title>
      <image:caption>Majorie Mead, “Some uses of Velcro: [...] under buttonholes, with buttons sewn on top of the buttonholes,” Clothing for People with Physical Handicaps (Champaign: University of Illinois at Urbana-Champaign Cooperative Extension Service, 1980), 3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/706aaeae-425a-421e-ab23-fe86891ffe67/IMG_1619+Large.jpg</image:loc>
      <image:title>Nylon Collection - Fashion-Able - Make it stand out</image:title>
      <image:caption>Majorie Mead, “Some uses of Velcro: [...] under buttonholes, with buttons sewn on top of the buttonholes,” Clothing for People with Physical Handicaps (Champaign: University of Illinois at Urbana-Champaign Cooperative Extension Service, 1980), 3.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/oak-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-10</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/oak-collection/introduction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1772072081815-MC3KRE6W5RGM5WL9SPUB/DSC01667.JPG</image:loc>
      <image:title>Oak Collection - Introduction - Make it stand out</image:title>
      <image:caption>Photography, Carolyn Herrera-Perez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1772830283141-D407UDMO5GXFJRFOEI80/unsplash-image-QW6x3p0uSIc.jpg</image:loc>
      <image:title>Oak Collection - Introduction - Make it stand out</image:title>
      <image:caption>Many wooden barrels. Photo by shawn kim / unsplash.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/eb4805e4-7251-4a07-8654-81412f20d727/Peter+Follansbee.jpg</image:loc>
      <image:title>Oak Collection - Introduction - Make it stand out</image:title>
      <image:caption>Peter Follansbee scribing a paneled chest in oak.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/oak-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/733f5f8c-cc07-4f8b-bad4-97519004c725/Screenshot+2026-02-25+at+9.18.15%E2%80%AFPM.png</image:loc>
      <image:title>Oak Collection - Gallery - Make it stand out</image:title>
      <image:caption>Acorn Woodpecker, Photograph © 2018 Bonnie Grzesiak</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c8207eff-7345-4dd4-83db-c084497d5a46/Screenshot+2026-02-25+at+9.20.51%E2%80%AFPM.png</image:loc>
      <image:title>Oak Collection - Gallery - Make it stand out</image:title>
      <image:caption>USS Constitution. Courtesy, United States Naval Institute.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2b9c6d99-9f1d-4d58-9eb4-dfd23e838741/Screenshot+2026-02-25+at+9.22.25%E2%80%AFPM.png</image:loc>
      <image:title>Oak Collection - Gallery - Make it stand out</image:title>
      <image:caption>The Oak and the Reed, Achille Etna Michallon (1796–1822) © The Fitzwilliam Museum; Supplied by The Public Catalogue Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/oak-collection/no-bad-wood</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f95e0e0b-be15-43f3-848a-86f091c9cd65/E3660CR-d1+Large.jpg</image:loc>
      <image:title>Oak Collection - No Bad Wood - Make it stand out</image:title>
      <image:caption>Wardrobe. 1989. Object Place: Lincoln, Rhode Island, United States Designer: Hank Gilpin, American, born in 1946. Figured white oak, wenge. 142.24 x 94.61 x 41.91 cm (56 x 37 ¼ x 16 ½ in.) Museum of Fine Arts, Boston. Bequest of Katherine Dexter McCormick, by exchange. 1991.450</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/686afdc3-516d-4f7d-be37-c03b4eba5332/IMG_1496+copy.JPG</image:loc>
      <image:title>Oak Collection - No Bad Wood - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/oak-collection/the-making-of-the-community-basket</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a647735f-4996-4748-931b-45d5bd095f9d/community+basket+2.jpg</image:loc>
      <image:title>Oak Collection - The Making of the Community Basket - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e6218221-6117-4ad5-b54f-cc469dd8f895/stephenburksmanmadebereacommunitybasketstephenandstudent.jpg</image:loc>
      <image:title>Oak Collection - The Making of the Community Basket - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ee7e8a79-b1be-42cc-98e1-7f0cb67ac658/stephenburksmanmadebereacommunitybasketlink.jpg</image:loc>
      <image:title>Oak Collection - The Making of the Community Basket - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/df1490cd-de09-4f64-8a50-5fccdf5384b2/community+basket3.jpg</image:loc>
      <image:title>Oak Collection - The Making of the Community Basket - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/oak-collection/hsavk-iceland</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7dbceadb-4acb-4d28-ae1d-f59f391907a0/Davits+for+schooner+Hildur+%C2%A9+Heimir+Har%C3%B0arson.jpg</image:loc>
      <image:title>Oak Collection - Húsavík, Iceland - Make it stand out</image:title>
      <image:caption>Davits for schooner Hildur. Photograph © Heimir Harðarson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1ec64f2d-f696-46ed-9e79-43e04692b336/Na%CC%81ttfari+whale+watching+%C2%A9+Heimir+Har%C3%B0arson.jpg</image:loc>
      <image:title>Oak Collection - Húsavík, Iceland - Make it stand out</image:title>
      <image:caption>Courtesy of North Sailing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/74e5a49e-e76e-49f9-b886-1d1fe002d472/Schooner+Hildur+sailing+in+Skja%CC%81lfandi+Bay+%C2%A9+Arngri%CC%81mur+Arnarson.jpg</image:loc>
      <image:title>Oak Collection - Húsavík, Iceland - Make it stand out</image:title>
      <image:caption>Courtesy of North Sailing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cb161caf-8291-4a5a-bb58-caf982fba2d9/The+fleet+03+%C2%A9+Heimir+Har%C3%B0arson.jpg</image:loc>
      <image:title>Oak Collection - Húsavík, Iceland - Make it stand out</image:title>
      <image:caption>Courtesy of North Sailing</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/oak-collection/wine-wood-whisky</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bd94c1b4-cd9b-4c08-9dc2-d411a293e213/TEVASA_0742_SPOTTORNO.jpg</image:loc>
      <image:title>Oak Collection - Wine Wood Whisky - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4181f89b-9f9c-4de2-8a52-ed77fd44d095/TEVASA_1003_SPOTTORNO.jpg</image:loc>
      <image:title>Oak Collection - Wine Wood Whisky - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7758e8df-5b95-47bb-bd6a-4ff0e742ea11/Screenshot+2026-02-25+at+7.46.30%E2%80%AFPM.png</image:loc>
      <image:title>Oak Collection - Wine Wood Whisky - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c476dbff-6c2b-4382-9444-03d523ab9ac1/TEVASA_1449_SPOTTORNO+Large.jpeg</image:loc>
      <image:title>Oak Collection - Wine Wood Whisky - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c5e1f154-300b-4362-a445-532801ecd241/TEVASA_1068_SPOTTORNO+Large.jpeg</image:loc>
      <image:title>Oak Collection - Wine Wood Whisky - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a1baaac7-7911-464d-ac82-c6d8ce134535/TEVASA_1124_SPOTTORNO.jpg</image:loc>
      <image:title>Oak Collection - Wine Wood Whisky - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/oak-collection/the-piestewa-tree</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9f702b1d-ef5f-4d17-b013-eeef9be6118a/20200927_180056.jpg</image:loc>
      <image:title>Oak Collection - The Piestewa Tree - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/65772533-4709-44ab-8e06-680fa7ef62e8/DSC01653.png</image:loc>
      <image:title>Oak Collection - The Piestewa Tree - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/beec09cf-3e2e-4072-9ba8-d5bbcad3f19b/DSC01635.JPG</image:loc>
      <image:title>Oak Collection - The Piestewa Tree - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/oak-collection/acorns-in-earthseed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fa78b6af-125a-4ab1-8d8f-b1b4372fc21f/Octavia-Butler-04-4000px+Large.jpeg</image:loc>
      <image:title>Oak Collection - Acorns in Earthseed - Make it stand out</image:title>
      <image:caption>Octavia Butler, Los Angeles 1999. Photograph © Alice Arnold</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/obsidian-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/obsidian-collection/introduction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ee8bb215-7966-4960-983c-6ce367c6124b/OBSIDIAN_01.jpg</image:loc>
      <image:title>Obsidian Collection - Introduction - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/754bb942-9891-4d70-b39a-a2aea9b50894/Screenshot+2026-02-28+at+11.09.38%E2%80%AFAM.png</image:loc>
      <image:title>Obsidian Collection - Introduction - Make it stand out</image:title>
      <image:caption>Codex Kingsborough, Petition of the Indians of Tepetlaoztoc. One of 72 leaves from Codex; illustrating Aztec mirrors c. 1550. © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/90eabf5f-f197-432f-90b5-37aa14a66625/Screenshot+2026-02-27+at+8.25.11%E2%80%AFPM.png</image:loc>
      <image:title>Obsidian Collection - Introduction - Make it stand out</image:title>
      <image:caption>Amulet, Egyptian, Late Period, Incised obsidian, The British Museum, EA59500, © The Trustees of the British Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/obsidian-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/574493a9-d9e2-4442-9777-32107bfb5842/Screenshot+2026-02-27+at+8.13.07%E2%80%AFPM.png</image:loc>
      <image:title>Obsidian Collection - Gallery - Make it stand out</image:title>
      <image:caption>The Obsidian Skerry, Sigmundur Andrésson (Icelandic), Hrafntinnusker, Iceland, 2011, courtesy, Sigmundur Andrésson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/129f5088-9118-40be-aeb1-6277bb6b1f81/Screenshot+2026-02-27+at+8.16.17%E2%80%AFPM.png</image:loc>
      <image:title>Obsidian Collection - Gallery - Make it stand out</image:title>
      <image:caption>Courtesy of Friedman Benda and Ini Archibong. Photography by Andreas Zimmermann.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f0d2d8f0-05d7-4414-aae3-419aa34bc114/Screenshot+2026-02-27+at+8.18.14%E2%80%AFPM.png</image:loc>
      <image:title>Obsidian Collection - Gallery - Make it stand out</image:title>
      <image:caption>Untitled, Isamu Noguchi (American, 1904–1988), 1981, Obsidian, The Noguchi Museum Archives, 02294 © The Isamu Noguchi Foundation and Garden Museum, New York / Artists Rights Society (ARS) New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d2498e38-b4bd-4212-a57e-44ff46e51c23/Screenshot+2026-02-27+at+8.18.52%E2%80%AFPM.png</image:loc>
      <image:title>Obsidian Collection - Gallery - Make it stand out</image:title>
      <image:caption>Eliot Porter (1901-1990); Fractured Obsidian, Landmannalaugar, Iceland, June 29, 1972; 1972; Dye imbibition print; Amon Carter Museum of American Art; Fort Worth, TX; Bequest of the artist; P1990.51.2741.1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9e395be1-abf2-4014-bb14-0498644fc674/Screenshot+2026-02-27+at+8.22.58%E2%80%AFPM.png</image:loc>
      <image:title>Obsidian Collection - Gallery - Make it stand out</image:title>
      <image:caption>Pepi I from Hierakonpolis, Egyptian, Sixth Dynasty, ca. 2,300 B.C., Copper, limestone, and obsidian, The Egyptian Museum, JE 33034, Scala / Art Resource, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1e81611f-959f-4c41-8a4c-ca360d235eed/Screenshot+2026-02-27+at+8.26.00%E2%80%AFPM.png</image:loc>
      <image:title>Obsidian Collection - Gallery - Make it stand out</image:title>
      <image:caption>Obsidian furniture attachment, Roman, Early Imperial, Augustan, ca. 25 BCE–10 CE, Obsidian, The Cesnola Collection, Purchased by subscription, 1874–76, The Metropolitan Museum of Art, 74.51.5871.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/90eabf5f-f197-432f-90b5-37aa14a66625/Screenshot+2026-02-27+at+8.25.11%E2%80%AFPM.png</image:loc>
      <image:title>Obsidian Collection - Gallery - Make it stand out</image:title>
      <image:caption>Amulet, Egyptian, Late Period, Incised obsidian, The British Museum, EA59500, © The Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0e09d727-9fc5-4c82-8ba6-9e9c503e67a7/Lola+Alvarez+Bravo.jpg</image:loc>
      <image:title>Obsidian Collection - Gallery - Make it stand out</image:title>
      <image:caption>Lola Alvarez Bravo, hands of Lola Alvarez Bravo with piece of obsidian, 1950s. Center for Creative Photography, University of Arizona Lola Alvarez Bravo Archive; 93.6.23. Artists Rights Society (ARS) New York. Photo, Art Resource, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2a154022-928f-46e5-86f4-d2aaf8d7b69a/Screenshot+2026-02-27+at+8.35.29%E2%80%AFPM.png</image:loc>
      <image:title>Obsidian Collection - Gallery - Make it stand out</image:title>
      <image:caption>Obsidian furniture attachment, Roman, Early Imperial, Augustan, ca. 25 BCE–10 CE, Obsidian, The Cesnola Collection, Purchased by subscription, 1874–76, The Metropolitan Museum of Art, 74.51.5871.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d1595e63-f152-471a-a2bd-288a30a80322/Christ+in+the+Garden+of+Olives.jpg</image:loc>
      <image:title>Obsidian Collection - Gallery - Make it stand out</image:title>
      <image:caption>Christ in the Garden of Olives, Bartolomé Esteban Murillo (Séville, 1617–1682), ca. 1670, Oil on obsidian, Louvre, INV 931, © RMN-Grand Palais / Art Resource, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/obsidian-collection/obsidian-the-ancient-stuff</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7962be7e-4f71-4f9a-8175-d4d5f6483064/pa037918.jpg</image:loc>
      <image:title>Obsidian Collection - Obsidian, the ancient stuff - Make it stand out</image:title>
      <image:caption>View of the Big Obsidian flow at Newberry Volcano, Oregon. Courtesy of the photographer, Adam Sawyer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/obsidian-collection/ancestral-toolstone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d98b17da-b6b2-436c-8561-85fb268f5851/Biface+Caches+fig.jpg</image:loc>
      <image:title>Obsidian Collection - Ancestral toolstone - Make it stand out</image:title>
      <image:caption>Examples of cached production bifaces; top rows: Obsidian Cliffs; Dittman cache, Willamette Valley; bottom rows: Paul’s Fire cache, Western Cascades. Courtesy of Thomas J. Connolly</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/obsidian-collection/obsidian-in-mesoamerica</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/422d39ea-e7f4-4f6f-8181-e4da6a5d6ca9/Mesoamerica_Obsidian_map+%281%29.jpg</image:loc>
      <image:title>Obsidian Collection - Obsidian in Mesoamerica - Make it stand out</image:title>
      <image:caption>Map of Mesoamerica with locations of major obsidian sources and sites.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e6c323a7-3f00-4e5a-98bd-a5eb699059f1/Navajas_mine_block+%281%29.jpg</image:loc>
      <image:title>Obsidian Collection - Obsidian in Mesoamerica - Make it stand out</image:title>
      <image:caption>Sierra de Las Navajas; left: prehispanic mine shaft; right: block of obsidian with characteristic green-golden hue. Photo by coauthor, Alejandro Pastrana.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/666ccd67-59da-4384-8a05-2905b65ece80/2.jpeg</image:loc>
      <image:title>Obsidian Collection - Obsidian in Mesoamerica - Make it stand out</image:title>
      <image:caption>Reproduction of an Aztec machuahuitl, a broadsword with obsidian blades inset into the sides of a wooden handle. Photo by coauthor, Alejandro Pastrana.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1624713d-33b3-4f4e-b2b0-d8579c551836/3.jpeg</image:loc>
      <image:title>Obsidian Collection - Obsidian in Mesoamerica - Make it stand out</image:title>
      <image:caption>Replica of an Aztec obsidian mirror. Photo by coauthor, Alejandro Pastrana.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/obsidian-collection/two-blades</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d2d0b0e9-51df-474f-8dc5-233a6484a493/John+Bradford+poses+with+obsidian+blades.jpg</image:loc>
      <image:title>Obsidian Collection - Two blades - Make it stand out</image:title>
      <image:caption>John Bradford with obsidian blades, ca. 1897; Siletz Reservation; Oregon Views Collection no. 17; Special Collections Division, University of Washington Libraries; negative number NA1510a.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/obsidian-collection/negro-como-mi-corazn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/05c0ac49-361a-4a7d-8e14-2210cb1757d0/IMG_6603.png</image:loc>
      <image:title>Obsidian Collection - Negro como mi corazón - Make it stand out</image:title>
      <image:caption>Mickey 90 by Taller de Obsidiana; Courtesy of the studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6c1ed491-ee70-436c-ad07-5e4998d659be/muro+casa+obsidiana+black.jpg</image:loc>
      <image:title>Obsidian Collection - Negro como mi corazón - Make it stand out</image:title>
      <image:caption>Interior of Casa Obsidiana, San Martín de las Pirámides, Teotihuacán, Mexico. Courtesy of Taller de Obsidiana.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/17e60b7c-d675-4fa3-b5f5-4848705e827c/IMG_0349.png</image:loc>
      <image:title>Obsidian Collection - Negro como mi corazón - Make it stand out</image:title>
      <image:caption>Courtesy of Taller de Obsidiana.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6937e269-8650-4e8a-9b6c-5830c53fd5b8/IMG_0380.png</image:loc>
      <image:title>Obsidian Collection - Negro como mi corazón - Make it stand out</image:title>
      <image:caption>Courtesy of Taller de Obsidiana.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0e83a0bb-ab49-4c1d-99b5-21aaf828cb48/Topacio+y+Gerardo+Cuevas.jpg</image:loc>
      <image:title>Obsidian Collection - Negro como mi corazón - Make it stand out</image:title>
      <image:caption>Topacio and Gerardo Cuevas. Courtesy of Taller de Obsidiana.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/obsidian-collection/holding-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d2752e3a-b4f4-4204-92f8-4470b334ae65/MONIQUE+PEAN_EASTER-ISLAND_0364_EDITED.jpg</image:loc>
      <image:title>Obsidian Collection - Holding time - Make it stand out</image:title>
      <image:caption>Courtesy of Monique Péan and Michael Morrison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f5b7d911-de33-4384-8f98-021863a08d0f/MONIQUE+PEAN_EASTER-ISLAND_0139-3.jpg</image:loc>
      <image:title>Obsidian Collection - Holding time - Make it stand out</image:title>
      <image:caption>Visiting the Rano Kau volcano crater, 2016. Courtesy of Monique Péan and Michael Morrison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bbd757bc-32da-4134-8d37-337b0105382a/0314.jpg</image:loc>
      <image:title>Obsidian Collection - Holding time - Make it stand out</image:title>
      <image:caption>Monique Péan holding ancient obsidian on Easter Island, 2016. Courtesy of Monique Péan and Michael Morrison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8c2eba1e-5e23-4472-9ba5-37ce5fe8e190/0303.jpg</image:loc>
      <image:title>Obsidian Collection - Holding time - Make it stand out</image:title>
      <image:caption>Monique Péan holding ancient obsidian on Easter Island, 2016. Courtesy of Monique Péan and Michael Morrison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57d6e965-1b48-4115-8839-9d1fec156376/MUY301MPFJN02P_MUY102MPFJN01P_VSX8N211DM04P_02.jpg</image:loc>
      <image:title>Obsidian Collection - Holding time - Make it stand out</image:title>
      <image:caption>Necklace; carved cosmic obsidian, Widmanstätten pattern meteorite slice, and 18 carat recycled white gold. Courtesy of Monique Péan and Brittany Meyer</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/palm-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-17</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/palm-collection/introduction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2b9747b5-7e2d-498d-b93f-1d489f9ccbda/A1AN7K.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>A Talipot Palm Corypha umbraculifera with large gold blossoms in Rio De Janeiro Brazil, 2006. South america / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d64a237b-f1dd-4e9b-a1e3-288920694075/p1168b.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>by Zakarīyā’ ibn Muḥammad al-Qazwīnī, ‘Ajā’ib al-makhlūqāt wa-gharā’ib al-mawjūdāt (Marvels of Things Created and Miraculous Aspects of Things Existing), [Two types of palm trees], 1283/682; copy was made in 1537/944. MS P 1, fol. 168b. Islamic Medical Medical Manuscripts at the National Library of Medicine, Courtesy of the National Library of Medicine, Bethesda, MD.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/58c6fdb8-813b-4a1e-a337-23fcef0ccb21/ycba_9bef8cf2-67c4-499a-b669-e4a049d32111.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>Bernard Lens II, 1659–1725, The Holy Family, undated, Mezzotint on medium, moderately textured, cream laid paper, Yale Center for British Art, Paul Mellon Fund, B1970.3.1002.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/73f6d183-4942-407a-83a2-5ca1e2f966fe/DXKH5G.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>Gilligan’s Island, 1964. TV show. Jim Backus, Nathalie Schaffer, Dawn Wells, Tina Louise, Bob Denver, Alan Hale, Jr., and Russell Johnson. RGR Collection / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5d92bfbc-aeb5-4c7e-8a7d-d7ba1e669b85/T96CPP.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>Interior roof of the Palm House, Kew Gardens, London, UK, 2019. Nathaniel Noir / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4633fb85-00f4-40d3-9386-afae819274b1/CRE0GC.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>Edith Saysay, 35, pours palm oil into a pot as she cooks in the village of Jenneh, Bomi county, Liberia, 2012. Olivier Asselin / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/15728e13-6448-4056-8758-9cab9adffe1c/Wellcome-Collection_Toddy-Tappers_default.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>Attributed to a painter from Tanjore (Thanjavur), Toddy tappers at work: two men and a woman by a palm tree, 18--. Gouache drawing. Wellcome Collection. Source: Wellcome Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f67b117e-bb13-4892-8cb8-5e1860061135/A6EX57.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>Toddy tapper in Kerala, S. India, 1994. Neil Cooper / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/410c35fd-3a2d-4674-a252-16438c51fc6a/22209001.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>Marshall Islanders, Navigation chart ('rebbelib'), Palm leaf, bast, and shell. The British Museum, Donated by: Irene Marguerite Beasley, Oc1944,02.931. © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8c76327b-1597-47b0-a036-762d27cbd117/E2575CR-d1.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>English, Cane great chair, about 1700–10. Walnut and cane. 53 x 23 x 17 3/8 in. The Museum of Fine Arts, Boston, Museum purchase with funds donated anonymously.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/173ad30e-8bd7-47a9-b0cf-dec7f03cd1af/2Y3B91X.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>Loewe lion tote bag beach bag raffia shopping bag Düsseldorf North Rhine Westphalia Germany, 2024. IMAGO / Michael Gstettenbauer / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/890c229a-cd48-4f37-ba89-73e10bf63300/APWB19.jpg</image:loc>
      <image:title>Palm Collection - Introduction - Make it stand out</image:title>
      <image:caption>Coco de mer palm seed Lodoicea maldivica Seed washed up on beach Worlds heaviest seed Vulnerable Seychelles, 2004. Martin Harvey / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/palm-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/41aa03c3-e6a5-4fea-85aa-b382fc497a57/iStock-504366241.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>Tropical forest inside Atocha Station, Madrid. David_Evora / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/01c68aaa-d04c-49a4-84ff-c82757368623/3ANB17B.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>Detail of the underside of a traditional Filipino house showing layered anahaw fronds used in the roof, reflecting native craftsmanship and design, 2014. Stanley Cabigas / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5d2d0098-7fc2-47c9-8bf8-38d06b9a7880/MP2CKX.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>Aerial view of Palm Jumeirah man made island and Dubai Marina and JBR district on a sunny day. Dubai, UAE, 2018. Kertu Saarits / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2729f50e-0031-4e7b-b087-51f15f5b8ff3/nmnh-2018-01015.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>Lucia RM Martino, James Di Loreto, and Fred Cochard, Fossil Palm Leaf (Sabalites sp.) Media Photo/Video, May 16, 2019. Smithsonian Institution.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d57beaff-da28-4fbd-bf0e-da11d58cb032/two_palm_trees_1969.15.589.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>Jacques Callot, Two Palm Trees, 1628. Etching on laid paper. National Gallery of Art, R.L. Baumfeld Collection, 1969.15.589.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a6d8ac17-7cee-4218-8216-565c1058ab15/ycba_d7f1c796-435b-4278-9302-e613e6b44ea5.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>Print made by Agostino Brunias, 1728–1796, Free Natives of Dominica, 1780, Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige laid paper, Yale Center for British Art, Paul Mellon Collection, B1981.25.1955.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/39a1799f-f8a8-487e-8c8c-a3ed0b3f753c/EAKA2H.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>Fabian von Poser, Fisherman smoking his boat with burning palm fronds, to harden the surface and to remove vermin, Dongwe Beach, Dongwe, Zanzibar, 2013. imageBROKER / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4715f401-4da0-4d9c-98ed-640f6d22b052/A-date-palm-tree_Wellcome_default.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>A date palm tree (Phoenix dactylifera) and segments of the fruit bordered by six scenes illustrating its use by man. Coloured lithograph, c. 1840. Wellcome Collection. Source: Wellcome Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/08306edf-cab7-4ba5-a697-ec7c4932a518/MariaMaea1.jpeg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>Portal #1 VARIATION, 2022, Amina Agueznay. Natural spun undyed wool, cotton and palm husk (talefdamt) Flat and knotted weave. Courtesy of the artist ad Loft Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/62f59c36-6ef2-4715-a959-b8e5e7ac7cce/JWWXJW.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>Native fan made from palm leaves at street market in Manila, Philippines, 2017. Duy Phuong Nguyen / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7abef137-c0c5-466e-9297-638ec9db3e41/DT7973.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>French, Top Hat, ca. 1820. Raffia and silk. The Metropolitan Museum of Art, New York. Gift of Michael E. Lane, 1984, 1984.580.2.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a72cb151-5d2b-4809-b60b-8485d3b966eb/2NTDB8W.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>A Priest reading Palm Leaf Manuscript, Kerala, South India, India, Asia, 2017. imageBROKER / Muthuraman V / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ef0b2e94-b404-4324-aea1-66fd3d958fa8/2H5BCWW.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>The popular Don The Beachcomber restaurant and bar, Huntington Beach CA, 2016. Stars and Stripes / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2c58a230-96df-4ce7-b5ef-905b698fa262/MariaMaea1+%284%29.jpg</image:loc>
      <image:title>Palm Collection - Gallery - Make it stand out</image:title>
      <image:caption>Ming herbal (painting): Gomuti sugar palm. Wellcome Collection. Source: Wellcome Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/palm-collection/tree-of-life-tree-of-faith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8677f467-680d-4ede-8779-d43e6cfa4339/DP228706.jpg</image:loc>
      <image:title>Palm Collection - Tree of life, tree of faith - Make it stand out</image:title>
      <image:caption>Jean-Georges Vibert (French, Paris 1840–1902 Paris), Palm Sunday in Spain, 1873. Watercolor. 20 1/4 x 13 3/4 in. (51.4 x 34.9 cm). The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887, 87.15.11. www.metmuseum.org.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fff34079-a5b5-41d3-b6f0-0c0b01460dee/DP144072.jpg</image:loc>
      <image:title>Palm Collection - Tree of life, tree of faith - Make it stand out</image:title>
      <image:caption>Made in Spain, The Miracle of the Palm Tree on the Flight to Egypt, ca. 1490–1510. Walnut, gesso, paint, and gilding, 49 3/4 × 36 1/2 × 10 1/2 in., 110 lb. (126.4 × 92.7 × 26.7 cm, 49.9 kg). The Metropolitan Museum of Art, New York. Rogers Fund, 1938, 38.184. www.metmuseum.org</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f554bfe8-67b0-4fa8-8f13-1614a9a9ddd0/1920.2758_Coin-Depicting-a-Palm-Tree.jpg</image:loc>
      <image:title>Palm Collection - Tree of life, tree of faith - Make it stand out</image:title>
      <image:caption>Ancient Roman, Coin Depicting a Palm Tree, 133 CE–135 CE. Bronze. 1 inch (diam.). The Art Institute of Chicago, Gift of William F. Dunham, 1920.2758.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9e4f16e4-a389-448d-a868-3997b37c086a/10.175.137_EGDP011910.jpg</image:loc>
      <image:title>Palm Collection - Tree of life, tree of faith - Make it stand out</image:title>
      <image:caption>Old Kingdom, Dynasty 5, Palm Column of Sahure (From Egypt, Memphite Region, Abusir, Pyramid temple of Sahure), ca. 2458–2446 B.C. Granite, Total H. at arrival: 665.4 cm (21 ft. 9 15/16 in.); total H. now: 630 cm (20 ft. 8 in.); Diam. at foot: 86.4 cm (34 in.); Diam. above ring bands: 80 cm (31 1/2 in.); capital: H. 168 cm (66 1/8 in.); abacus: W. 87 cm (34 1/4 in.). The Metropolitan Museum of Art, New York. Rogers Fund, 1910, 10.175.137. www.metmuseum.org.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cdf1ad9a-58ff-48f7-9c2c-3bac84c3d3e6/55.150_at_PS11.jpg</image:loc>
      <image:title>Palm Collection - Tree of life, tree of faith - Make it stand out</image:title>
      <image:caption>Assyrian; Ancient Near Eastern. Sacred Tree, ca. 883–859 B.C.E.. Gypsum stone, 89 7/8 x 53 9/16 in. (228.3 x 136 cm). Approximate weight: 2450 lb. (1111.31kg). Brooklyn Museum, Purchased with funds given by Hagop Kevorkian and the Kevorkian Foundation, 55.150. (Photo: Brooklyn Museum)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8dd8726b-378e-4983-9215-4567e46a159f/Parmureli%C2%A9ErmannoD_Andrea+%281%29.jpg</image:loc>
      <image:title>Palm Collection - Tree of life, tree of faith - Make it stand out</image:title>
      <image:caption>Parmureli. ©Ermanno D’Andrea</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9c1bb16a-34de-4502-8693-82871eccde07/Parmureli%C2%A9ErmannoD_Andrea+%2813%29.JPG</image:loc>
      <image:title>Palm Collection - Tree of life, tree of faith - Make it stand out</image:title>
      <image:caption>Parmureli. ©Ermanno D’Andrea</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6cd0338f-81b1-43af-8548-73f90874c509/Parmureli%C2%A9ErmannoD_Andrea+%2814%29.JPG</image:loc>
      <image:title>Palm Collection - Tree of life, tree of faith - Make it stand out</image:title>
      <image:caption>Parmureli. ©Ermanno D’Andrea</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/palm-collection/the-ecuadorian-hat</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/97bdb7ee-dc94-41b4-83f5-54dd2bfde0e6/JR3R0H.jpg</image:loc>
      <image:title>Palm Collection - The Ecuadorian hat - Make it stand out</image:title>
      <image:caption>Un sombrero de paja toquilla superfino. A superfine paja toquilla hat, 2017. Martha Barreno / VWPics / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a65f5c82-5349-4798-9116-efa4090b66bf/AKFY52.jpg</image:loc>
      <image:title>Palm Collection - The Ecuadorian hat - Make it stand out</image:title>
      <image:caption>Paja toquilla or “toquilla straw.”, blickwinkel / Koenig / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/160b4e84-b657-425b-a84f-4212bf36fea2/NYPL_Ecuador-hatmaker_default_001.jpg</image:loc>
      <image:title>Palm Collection - The Ecuadorian hat - Make it stand out</image:title>
      <image:caption>Carmen Columbia Delgado, hatmaker, at the Pavilion of Ecuador, New York World's Fair, 1939–1940, ca. 1940. Photograph. Manuscripts and Archives Division, The New York Public Library Digital Collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/44ba0ec5-7237-4d66-9775-a089a808866f/JR3R0G.jpg</image:loc>
      <image:title>Palm Collection - The Ecuadorian hat - Make it stand out</image:title>
      <image:caption>A woman weaves a sombrero de paja toquilla in Montecristi, Manabí, Ecuador, 2017. Martha Barreno / VWPics / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/16007c14-50cf-4aad-ae6d-7f342f272306/JR3R14+%281%29.jpg</image:loc>
      <image:title>Palm Collection - The Ecuadorian hat - Make it stand out</image:title>
      <image:caption>A woman weaves a sombrero de paja toquilla in Montecristi, Manabí, Ecuador, 2017. Martha Barreno / VWPics / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f29d1f32-53ae-446e-a8fb-e668727de20e/2F32GPE+%281%29.jpg</image:loc>
      <image:title>Palm Collection - The Ecuadorian hat - Make it stand out</image:title>
      <image:caption>Semi-finished sombreros de paja toquilla, 2017. Darya Ufimtseva / Alamy</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/palm-collection/a-tropical-toolkit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7f68e51c-bcf5-4daa-b1cb-8b040221c00e/WFP-Burton_Untitled_ND_From-Sketchbook-2_Wits-Art-Museum_Photographed-by-the-author.jpg</image:loc>
      <image:title>Palm Collection - A tropical toolkit - Make it stand out</image:title>
      <image:caption>W.F.P. Burton. Untitled. N.d. From Sketchbook 2. Wits Art Museum. Photographed by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9a49a16f-9f0c-483e-a6f0-f309e2a25936/default_004.jpg</image:loc>
      <image:title>Palm Collection - A tropical toolkit - Make it stand out</image:title>
      <image:caption>Buildings screened by palm trees, Congo, ca. 1920-1940. Photographic postcard. Yale Divinity Library Special Collections. Divinity School. Day Missions Library, OID 11455645.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57d0a507-8026-4d67-86ac-07b42a6893fd/default+%281%29.jpg</image:loc>
      <image:title>Palm Collection - A tropical toolkit - Make it stand out</image:title>
      <image:caption>People standing on a walk between palm trees, Congo, ca. 1920-1940. Photographic postcard. Yale Divinity Library Special Collections. Divinity School. Day Missions Library, OID 11455633.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a7241b76-4b87-424e-829f-782c5cda97d6/default_002+%281%29.jpg</image:loc>
      <image:title>Palm Collection - A tropical toolkit - Make it stand out</image:title>
      <image:caption>Palm trees, Kangu, Congo, ca. 1920-1940. Photographic postcard. Yale Divinity Library Special Collections. Divinity School. Day Missions Library, OID 11454962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6aff1e49-a2ee-4b87-b64c-1b45fc63c82c/default_003+%281%29.jpg</image:loc>
      <image:title>Palm Collection - A tropical toolkit - Make it stand out</image:title>
      <image:caption>Large palm trees, Congo, ca. 1920-1940. Photographic postcard. Yale Divinity Library Special Collections. Divinity School. Day Missions Library, OID 11455901.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/deae3e6e-383b-4b32-bc8f-797220e84fcd/Screenshot+2026-02-28+at+3.30.25%E2%80%AFPM.png</image:loc>
      <image:title>Palm Collection - A tropical toolkit - Make it stand out</image:title>
      <image:caption>Man tapping a palm tree for palm wine, Congo, ca. 1920-1940. Photographic postcard. Yale Divinity Library Special Collections. Divinity School. Day Missions Library, OID 11478505.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b0bfc1e4-78cd-4f8c-802c-5a2af6747afa/592765001+Large.jpg</image:loc>
      <image:title>Palm Collection - A tropical toolkit - Make it stand out</image:title>
      <image:caption>Norman Hardy, [Kuba woman embroidering raffia cloth], late 19th C. Watercolor and ink. (image): 10 7/16 x 14 3/8 in.© The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/88a44924-1c11-4d09-8dcb-d520c7c1fbf1/CUR.22.1349_top_PS5.jpg</image:loc>
      <image:title>Palm Collection - A tropical toolkit - Make it stand out</image:title>
      <image:caption>Kuba (Bushoong subgroup). Raffia Cloth, 19th century. raffia, 25 5/8 x 13 1/2 in. (65.0 x 34.2 cm). Brooklyn Museum, Museum Expedition 1922, Robert B. Woodward Memorial Fund, 22.1349. (Photo: Brooklyn Museum)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/palm-collection/cuckoo-for-coconuts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a13fa7bc-f162-4c35-84b0-6061016d5914/Kennedy+1.jpg</image:loc>
      <image:title>Palm Collection - Cuckoo for coconuts - Make it stand out</image:title>
      <image:caption>Petrus Christus, A Goldsmith in his Shop, 1449. Oil on oak panel. (overall): 39 3/8 x 33 3/4 inches. The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975, 1975.1.110. www.metmuseum.org.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fb928647-ab0a-4cd4-9a3c-8b5f57782dbd/Kennedy+2.jpg</image:loc>
      <image:title>Palm Collection - Cuckoo for coconuts - Make it stand out</image:title>
      <image:caption>Samuel Kassborer, Cup, ca. 1600. Cast, raised and chased partially gilded silver (parcel-gilt), carved coconut shell and carved semiprecious stones. LOAN:GILBERT.61:1, 2-2008. © Victoria and Albert Museum, London/ © the Rosalinde &amp; Arthur Gilbert Collection, on loan to the Victoria and Albert Museum, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/63e0dcc9-6638-4784-86c2-4cb96b25e208/Kennedy+3.png</image:loc>
      <image:title>Palm Collection - Cuckoo for coconuts - Make it stand out</image:title>
      <image:caption>Flanders, Coconut cup and cover, ca. 1510–1600. Coconut, silver, and glass. Ashmolean Museum, University of Oxford, Bequeathed by Michael Wellby, 2012, WA2013.1.49. © Ashmolean Museum, University of Oxford.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e15da9f7-af85-4a42-a6d2-9b74ea0cf276/Kennedy+4.jpg</image:loc>
      <image:title>Palm Collection - Cuckoo for coconuts - Make it stand out</image:title>
      <image:caption>Josiah Wedgwood and Sons, Cup and cover, ca. 1785. Coconut, mounted in silver gilt; cover, stem and base of wood, mounted with silver gilt; the medallions of Jasper ware. 815:1, 2-1891. © Victoria and Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/672e8cc4-d5a9-49fd-ae43-817f42eef373/Kennedy+5.png</image:loc>
      <image:title>Palm Collection - Cuckoo for coconuts - Make it stand out</image:title>
      <image:caption>Switzerland, Cup and cover, after 1571. Coconut shell, silver, parcel-gilt, and enamel. 2118:1, 2-1855. © Victoria and Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/751d8bae-1dee-4a1f-8bb9-aeb525af4460/Kennedy+6.jpg</image:loc>
      <image:title>Palm Collection - Cuckoo for coconuts - Make it stand out</image:title>
      <image:caption>John Paul Cooper, Cup, 1915–1916. London. Silver mount; coconut and mother-of-pearl in two colors. Formerly in the collection of Charles and Lavinia Handley-Read, M.33-1972. © Victoria and Albert Museum, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/palm-collection/a-new-oasis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d8eb92d1-013d-4bbf-bcf6-c35506f82590/IMG_0507.jpg</image:loc>
      <image:title>Palm Collection - A new oasis - Make it stand out</image:title>
      <image:caption>Scenes from the Gabes Oasis, date unknown. Image courtesy Noura Al Sayeh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1a6f16c5-f8e7-48a0-8cc6-7652ef793a1f/END6HD.jpg</image:loc>
      <image:title>Palm Collection - A new oasis - Make it stand out</image:title>
      <image:caption>Mobile/Cell Tower disguised as a palm tree, Jumeirah, Dubai, 2015. ba8389 / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1b9faf54-108c-44e4-9ab8-e22d5acf5324/IMG_0371.jpeg</image:loc>
      <image:title>Palm Collection - A new oasis - Make it stand out</image:title>
      <image:caption>Some of the techniques used in the workshop of Mohamed Amine Hamouda to prepare their fibers according to their type and specific, 2025. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1ddfd3a6-ef1e-4162-a94a-2ae0845faaac/IMG_6350.jpeg</image:loc>
      <image:title>Palm Collection - A new oasis - Make it stand out</image:title>
      <image:caption>Some of the techniques used in the workshop of Mohamed Amine Hamouda to prepare their fibers according to their type and specific, 2025. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/50c78fa7-20b2-47ad-801b-098c839f30c6/IMG_9063.jpeg</image:loc>
      <image:title>Palm Collection - A new oasis - Make it stand out</image:title>
      <image:caption>Some of the techniques used in the workshop of Mohamed Amine Hamouda to prepare their fibers according to their type and specific, 2025. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e3cd9d43-00ba-4a69-94b6-a0412334197b/Lobna+Sana_.jpg</image:loc>
      <image:title>Palm Collection - A new oasis - Make it stand out</image:title>
      <image:caption>Field of Palms and Chairs, building process and methodology with palm trees in the laboratory of Darat al-Funun, Amman. Photo by Lobna Sana, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/763ee631-4b8e-4994-9acb-3fd7bbb49396/Alfaraj+1.jpeg</image:loc>
      <image:title>Palm Collection - A new oasis - Make it stand out</image:title>
      <image:caption>Mohammad Alfaraj, A Palm tree doesn’t die, but bows to life forever, 2018. Film photograph, inkjet print on rice paper. Part of “Seas are sweet, Fish tears are salty” solo exhibition at Art Jameel center in Dubai, curated by Rotana Shaker. Represented by Mennour and Athr galleries. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bb1f0bbb-c700-4563-ab13-697297cefa25/Alfaraj+2.jpeg</image:loc>
      <image:title>Palm Collection - A new oasis - Make it stand out</image:title>
      <image:caption>Mohammad Alfaraj, Fossils of knowledge, installation in the artists farm in Al Hasa, Saudi Arabia. 2019. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2989f986-9d7b-4c72-a4a5-94e05500c779/Alfaraj+3.jpeg</image:loc>
      <image:title>Palm Collection - A new oasis - Make it stand out</image:title>
      <image:caption>Mohammad Alfaraj, Crawling sands and charcoal dreams, installation as part of Riyadh Art week, 2025. Palm wood and trunks, ladder, drawings with palm charcoal and palm frames. Courtesy of the artist, athr gallery and Mennour.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/palm-collection/whos-afraid-of-wicker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/af533a99-7c7b-479a-aa3f-893ba7072bf1/ag-obj-133033-0001-bar+Large.jpg</image:loc>
      <image:title>Palm Collection - Who’s afraid of wicker furniture? - Make it stand out</image:title>
      <image:caption>Walker Evans, Untitled [Wicker Chair and Brick Ruin in Field, Rhode Island?], June 29, 1974. SX-70 Polaroid print. (image): 3 1/8 × 3 1/16 in.; (sheet): 4 1/4 × 3 7/16 in. Yale University Art Gallery, Gift of Eliza Mabry and Jonathan Gibson, 2015.23.239. © Walker Evans Archive, The Metropolitan Museum of Art, New York. Image from Yale University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/489e96b9-5e1b-460b-845b-5fe99f1b7b6b/Picture1+Large.jpeg</image:loc>
      <image:title>Palm Collection - Who’s afraid of wicker furniture? - Make it stand out</image:title>
      <image:caption>Detail of side chair, Wakefield Rattan Company, late nineteenth century, painted rattan and bamboo?, The Elms, Preservation Society of Newport County, photo by author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b526fc89-2a47-43d4-b758-a14b4448583c/A7KMDJ.jpg</image:loc>
      <image:title>Palm Collection - Who’s afraid of wicker furniture? - Make it stand out</image:title>
      <image:caption>Detail, P. Maguire, (photograph of rattan furniture), 2007. P. Maguire / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1d1b1a4f-862f-40a5-81bf-ec9c9f4f0643/20002_199703171+Large.jpg</image:loc>
      <image:title>Palm Collection - Who’s afraid of wicker furniture? - Make it stand out</image:title>
      <image:caption>Blanche M. Osborne, Conservatory, Branford House, 1917. Photograph. University of Connecticut Photograph Collection, UC3-0637 IMG0072-1573.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0e3dee59-95fe-44f7-8557-10c213e844d2/ag-obj-23855-0001-pub.jpg</image:loc>
      <image:title>Palm Collection - Who’s afraid of wicker furniture? - Make it stand out</image:title>
      <image:caption>Manufacturer: A. H. Ordway and Company (American), Rocking chair, 1893. Beechwood, iron and rattan. 47 × 27 1/2 × 18 1/2 in. Yale University Art Gallery, Gift of Mr. and Mrs. Samuel Schwartz, Gift of Mr. and Mrs. Samuel Schwartz, 1976.110. Image from Yale University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c99d56c4-9d36-47ff-8227-98a515ce887a/Sargent.jpg</image:loc>
      <image:title>Palm Collection - Who’s afraid of wicker furniture? - Make it stand out</image:title>
      <image:caption>John Singer Sargent (American, 1856–1925), Robert Louis Stevenson, 1887, oil on canvas. Taft Museum of Art, Cincinnati, Ohio. Bequest of Charles Phelps Taft and Anna Sinton Taft, 1931.472. Courtesy of the Taft Museum of Art, Cincinnati, Ohio. Tony Walsh Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1dbbed47-b898-4497-a4f7-cacc5488c851/A_Convalescent_-_James_Tissot.jpg</image:loc>
      <image:title>Palm Collection - Who’s afraid of wicker furniture? - Make it stand out</image:title>
      <image:caption>James Jacques Joseph Tissot, The Convalescent, ca. 1876. Oil on canvas. 30 x 39 in. Sheffield Galleries and Museums Trust, UK. Purchased, 1949, SHEFM: VIS.2213.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/paper-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/paper-collection/introduction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/da956e78-1089-4a1f-b29a-8d02fcc836a6/Screenshot+2026-03-02+at+4.22.03%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Introduction - Make it stand out</image:title>
      <image:caption>Harold E. Edgerton (American, 1903-1990), Paper Mill Worker, 1937, printed 1986, gelatin silver print, sheet: 15.9 x 19.9 in. (40.3 x 50.5 cm.), Smithsonian American Art Museum, 1991.89.15 © Harold Edgerton/mit, courtesy of Palm Press, Inc.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bee51e1d-0523-4a2e-a9f0-93f634814099/Return+to+the+one.jpg</image:loc>
      <image:title>Paper Collection - Introduction - Make it stand out</image:title>
      <image:caption>Charles Ray (American, 1953– ), Return to the one, 2020, handmade paper, 59.5 x 63 x 55.5 inches (151 x 160 x 141 cm) © Charles Ray, courtesy Matthew Marks Gallery, Photo by Ron Amstutz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9a85e04c-0bb8-4eeb-966b-4f8da48f51dd/Recycling.jpg</image:loc>
      <image:title>Paper Collection - Introduction - Make it stand out</image:title>
      <image:caption>Juanma Aparicio / Alamy Stock Photo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/paper-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0ba0c430-78b0-4aa4-90c9-40a9c0dd938d/Screenshot+2026-03-02+at+4.20.00%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>The City of Chicago welcomes the three Apollo 11 astronauts, Neil A. Armstrong, Michael Collins, and Buzz Aldrin, Jr., with a ticker tape parade, 1969, NASA, 69-H-1426.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4045ee2d-6245-4a26-a8a8-24f2408f73d5/Screenshot+2026-03-02+at+4.23.51%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Lantern makers, Japan, Theodor Eismann (Publisher), ca. 1910, Halftone photomechanical print, 3.5 x 5.5 in. (9 x 14 cm) New York Public Library Digital Collections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7390c5f5-9387-4c37-b6a7-ff93f7ac8005/325023.051+v1+alt+rs2+Large.jpeg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Isamu Noguchi (American, 1904–1988), Ozeki &amp; Co., Ltd., Akari lamps, ca. 1960, Japan, Washi paper and bamboo, Largest: 20 x 21 in. (51 x 53 cm), Smallest: 11 x 11 in. (28 x 28 cm), Photo courtesy of Rago/Wright.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5e6d7d52-ad33-4a9a-aba4-0b02aeb169af/Manager+Miyakoza.jpg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Portrait of the Manager Miyakoza Making an Announcement, Pictures Now / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/64178a9a-2fcf-429f-af83-ebabda33948d/Hand-held+Subway+Large.jpeg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Nina Katchadourian (American, 1968– ), Hand-held Subway, 1996, Cibachrome, 20 x 13.25 in. (50.8 x 33.6 cm).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/dc3815c9-46fc-4830-aa37-a54e6e61260e/Blueprint+Example.jpg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Blueprint for the University Bridge, Seattle, Washington, United States, 1915, Seattle Municipal Archives, Engineering Department Maps and Drawings, Record Series 2613-01.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7eaf9442-605e-45b2-9ba4-9fceec8a0a87/Scrapbook.jpeg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Scrapbook with Textile Patterns on Transfer Paper, France, 19th century, Pen and ink, graphite, and gouache over transfer paper, 13.75 × 9.1 × 0.6 in. (35 × 23 × 1.5 cm) Metropolitan Museum of Art, 67.746.2.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fdaf5ad9-89c1-407b-9c84-8c9fb277931d/TFR+Untitled%28Seascape1%29+01+Large.jpg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Tom Friedman (American, 1965– ), Untitled (Seascape), 2012, Paper, 8.5 x 11 inches (21.6 x 27.9 cm) © Tom Friedman; Courtesy the artist, Lehmann Maupin, New York, Seoul, and London and Stephen Friedman Gallery, London. Photography by Justin Kemp.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c92af2a7-cb2a-4b42-9062-6c355340ab0c/Woman+and+Paper+Pattern.jpg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>A woman cuts out sections of material from a large piece of curtain or other such fabric, using a paper pattern as a guide, Ministry of Information Photo Division Photographer, Britain, 1942, Imperial War Museum, D 11594.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b99f4500-a6a9-40ef-ad43-5de44c867a97/Cut-paper+flower+arrangements+Large.jpeg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Cut-paper flower arrangements, London, England, ca. 1780, Hand-cut paper, 10.2 x 7.9 x 2.4 in. (26 x 20 x 6 cm) Yale Center for British Art, qk98.2 .p35 Flat A.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c2c2171a-dc93-4ca1-b15d-dcf53d08e202/Collar+Christmas+Card+Large.jpeg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>May nothing cloud your Xmas day, or interrupt its glee, but may its joys con-neck-tie-dly be collared all by thee!, England, ca. 1875, Christmas card die-cut and printed to resemble a 19th century men’s collar and bow tie, 2.4 x 3.9 in. (6 x 10 cm) Yale Center for British Art, NC1866.C5. M39 1875 Box.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/36499bc7-275d-4757-9a98-50ea56e8554f/Wasp+nest.jpg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Andrew Newman Nature Pictures / Alamy Stock Photo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ad6a86fc-30e0-4d2d-ab3b-0b006237a4bf/Auguste+Edouart+Silhouette+Large.jpg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Auguste Edouart (French, 1789–1861), William Buckland and his wife Mary and son Frank, Examining Buckland’s Natural History Collection, ca. 1828, Silhouette, cut black paper pasted down on cream paper ground with elaborations in black pen and wash, 12.5 x 17 in. (31.8 x 43.2 cm) Museum of Fine Arts Boston, 66.964.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5e020f5a-81e3-47d7-a740-6ef2904ec61e/Dollar+Bill.jpg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Grafisphos / Alamy Stock Photo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/69af49fd-bc4f-463c-8af4-45265ae8d5b6/Forklift.jpg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>PhotoAlto / Alamy Stock Photo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/39d47f55-8fdc-4d29-9878-30728fc3124e/Screenshot+2026-03-02+at+4.58.04%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>lee hacker / Alamy Stock Photo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/55fe0044-bb5a-4250-8c06-14de8955d17e/325023.019+d3+Large.jpeg</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Isamu Noguchi (American, 1904–1988), Ozeki &amp; Co., Ltd., Akari light sculpture, model 30N, 1968, Japan, Washi paper, bamboo, 65 x 14.5 in. (165 x 37 cm), Photo courtesy of Rago/Wright.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/43a62f20-c065-4338-b85d-82309b8542dc/Screenshot+2026-03-02+at+4.59.11%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Gallery - Make it stand out</image:title>
      <image:caption>Lotte Reiniger animating two cut-out figures, spd-2161524, courtesy of the bfi National Archive.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/paper-collection/recreations-of-the-mind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fe205dd0-6873-4d7d-9611-a8ccfe69d795/Low+Resolution_Manuscript.png</image:loc>
      <image:title>Paper Collection - Recreations of the mind - Make it stand out</image:title>
      <image:caption>Abū ʿUbayd al-Qāsim Ibn Sallām (late 867 AD), Gharīb al-Ḥadīth (incomplete), Manuscript Or. 298, Legatum Warnerianum, Leiden University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fc63c9e2-103a-4e39-85d1-403b471a9319/Maqamat_hariri.jpg</image:loc>
      <image:title>Paper Collection - Recreations of the mind - Make it stand out</image:title>
      <image:caption>Illustration by Yaḥyā ibn Maḥmd al-Wāsiṭī in a manuscript of the Maqāmāt of al-Ḥarīrī (13th century AD), Bibliotheque Nationale de France, MS Arabe 5847.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/60528e65-8252-4c25-afe7-937c690bd60b/Book+Market.jpeg</image:loc>
      <image:title>Paper Collection - Recreations of the mind - Make it stand out</image:title>
      <image:caption>A typical scene of books on display at bookshops on Al-Mutanabbī Street in Baghdad, 2015.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/paper-collection/papier-mch-the-chameleon-material</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/71af5f7c-4579-441d-ba7e-5583e57ca5f9/Long+gallery%2C+Strawberry+Hill+House.jpg</image:loc>
      <image:title>Paper Collection - Papier mâché, the chameleon material - Make it stand out</image:title>
      <image:caption>Papier mâché and gold leaf fan-vaulted ceiling, Gallery, Strawberry Hill House, ca. 1760, Twickenham, Britain, Kilian O’Sullivan-view / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2250c51b-a860-4414-a98c-275b66e4437c/E%CC%81tage%CC%80re.jpeg</image:loc>
      <image:title>Paper Collection - Papier mâché, the chameleon material - Make it stand out</image:title>
      <image:caption>Étagère or display stand, Britain, Mid-19th century, Black lacquered, painted, and gilded wood and papier mâché, and mother-of-pearl, 53.5 × 25 × 16 in. (135.9 × 63.5 × 40.6 cm) Metropolitan Museum of Art, 1999.50.2.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4486e3e1-cadd-42f1-8eb3-7f522f7a9473/Screenshot+2026-03-02+at+3.54.26%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Papier mâché, the chameleon material - Make it stand out</image:title>
      <image:caption>Joseph Nash (English, 1809–1878), “Hardware,” Hand-colored lithograph, 18.1 × 25.7 in. (46 × 65.2 cm) in Dickinsons’ Comprehensive Pictures of the Great Exhibition of 1851 (London: Dickinson Brothers, 1852).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/07357b02-8786-4e02-a388-be7b8b1a217c/Game+Box.jpg</image:loc>
      <image:title>Paper Collection - Papier mâché, the chameleon material - Make it stand out</image:title>
      <image:caption>“Dignity and Impudence” Game Box, After Sir Edwin Henry Landseer (English, 1802–1873), Probably Britain, ca. 1840, Wood, papier mâché, lacquer, gilding, and oil paints with silvered brass hinges and lock, 2.9 x 12 x 11.25 in. (7.3 x 30.5 x 28.6 cm).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/paper-collection/the-fibers-of-this-place</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1595cac3-3b64-4b53-9070-049783cdc2b5/Paper+Factory.jpg</image:loc>
      <image:title>Paper Collection - The fibers of this place - Make it stand out</image:title>
      <image:caption>John Harlow (American, 1989– ), Drone Photo of SAPPI Mill, October 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/17162203-6d73-4f7a-a1ec-d0873b9561b0/Spring+pulpwood+drive_Dennison+Bog+Brook+Large.jpg</image:loc>
      <image:title>Paper Collection - The fibers of this place - Make it stand out</image:title>
      <image:caption>John Collier Jr. (American, 1913–1992), Spring pulpwood drive on the Brown Company timber holdings in Maine. A small “head” at the mouth of Dennison Bog Brook, Nitrate negative, May 1943, Library of Congress, lc-usw3- 030056-e [p&amp;p] lot 761.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e5d29d83-5bad-4d29-908c-1cb839d782c6/Spring+Pulpwood+Drive_Pikemen+Keep+the+Logs+Moving+Large.jpg</image:loc>
      <image:title>Paper Collection - The fibers of this place - Make it stand out</image:title>
      <image:caption>John Collier Jr. (American, 1913–1992), Spring pulpwood drive on the Brown Company timber holdings in Maine. Pikemen keep the logs moving down toward the sluiceway of the power dam, Nitrate negative, May 1943, Library of Congress, LC-USW3- 030115-E [P&amp;P] LOT 761.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/paper-collection/when-our-fingers-walked-on-paper</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/65711a0a-e350-486f-aaa6-3a1ee947aa2f/Screenshot+2026-03-02+at+3.08.57%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - When our fingers walked on paper - Make it stand out</image:title>
      <image:caption>Illustrative image of the Yellow Pages, Medicimage Education / Alamy Stock Photo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4652d0ef-96af-423a-a4da-750297c63371/Screenshot+2026-03-02+at+4.30.05%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - When our fingers walked on paper - Make it stand out</image:title>
      <image:caption>Yellow Pages advertisement, Good Housekeeping, April 1953, Patti McConville / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/95e75b2e-e31d-4224-b25e-cbef45a2e6b4/1990+code+change+Large.jpeg</image:loc>
      <image:title>Paper Collection - When our fingers walked on paper - Make it stand out</image:title>
      <image:caption>Warehouse of Ben Johnson’s printing factory in Gateshead, with the new London business directory featuring the 1990 code change, Photographic transparency, February 1990, BT Digital Archives, TCC 474/HF 33V.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/paper-collection/paper-dresses</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/28e91e03-05f9-4be7-b178-5f0534c50f72/Screenshot+2026-03-02+at+2.42.46%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Paper dresses - Make it stand out</image:title>
      <image:caption>James Sterling Paper Fashions, Dress, c. 1966, Collection of Phoenix Art Museum, Image © Phoenix Art Museum, Photo by Airi Katsuta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f493865f-9649-494a-ba1d-ba892d5b3b50/Screenshot+2026-03-02+at+2.42.04%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Paper dresses - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/eaa76b8f-5ea7-4fd7-b7d5-a1f760f42ae7/Screenshot+2026-03-02+at+2.42.21%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Paper dresses - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/306007b7-5cf6-4bb1-81b5-025ca8ac182b/Screenshot+2026-03-02+at+2.41.48%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Paper dresses - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2f60f455-a37d-43be-b282-94ff49210251/Screenshot+2026-03-02+at+2.41.28%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Paper dresses - Make it stand out</image:title>
      <image:caption>Hallmark, “Flower Fantasy” Dresses, ca. 1967, Collection of Phoenix Art Museum, Image © Phoenix Art Museum, Photo by Airi Katsuta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2dc5ba0f-4d51-4e62-a6e3-ada11558d86e/Screenshot+2026-03-02+at+2.41.13%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - Paper dresses - Make it stand out</image:title>
      <image:caption>Mars of Asheville, “Waste Basket Boutique” Keyhole Neck Paper Dress, 1966, N.C. Printed paper, Collection of Phoenix Art Museum, Image © Phoenix Art Museum, Photo by Airi Katsuta.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/paper-collection/the-materiality-of-math</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b82e55d6-5ca8-461c-8e97-d1db236fe12f/Renwick+1.jpeg</image:loc>
      <image:title>Paper Collection - The materiality of math - Make it stand out</image:title>
      <image:caption>Erik Demaine (American, born Canada 1981– ), Martin Demaine (American, 1942– ), Natural Cycles, 2009, Zanders Elefantenhaut paper (elephant hide paper), 9 x 9 x 9 in. (22.9 x 22.9 x 22.9 cm), Smithsonian American Art Museum, 2011.54.1 © 2009, Erik and Martin Demaine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d203f2db-e293-4340-ae23-92319aaca06b/Braille_2.jpeg</image:loc>
      <image:title>Paper Collection - The materiality of math - Make it stand out</image:title>
      <image:caption>Erik Demaine (American, born Canada 1981– ), Martin Demaine (American, 1942– ), Aphid Spirals / ⠁⠏⠓⠊⠙⠀⠎⠏⠊⠗⠁⠇⠎ , 2023, Mi-Teintes paper, 12 × 15 × 15 in. (30.5 x 30.5 x 38.1 cm) © 2023, Erik and Martin Demaine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9c0ed0f9-f040-4346-a319-bf33eb248251/Renwick+3.jpeg</image:loc>
      <image:title>Paper Collection - The materiality of math - Make it stand out</image:title>
      <image:caption>Erik Demaine (American, born Canada 1981– ), Martin Demaine (American, 1942– ), Green Balance, 2011, Mi-Teintes watercolor paper, 15 x 10 x 16 in. (38.1 x 25.4 x 40.6 cm), Smithsonian American Art Museum, 2011.54.3 © 2011, Erik and Martin Demaine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a45b3b62-ab4e-4cff-9513-2215085c94f3/Beethoven_1.jpeg</image:loc>
      <image:title>Paper Collection - The materiality of math - Make it stand out</image:title>
      <image:caption>Erik Demaine (American, born Canada 1981– ), Martin Demaine (American, 1942– ), Grosse Fugal Form, 2021, Mi-Teintes paper, 12 × 12 × 17 in. (30.5 x 30.5 x 43.2 cm) © 2021, Erik and Martin Demaine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a7d515fa-f75a-43e6-ae0e-f762e47e246d/Beethoven_2.jpeg</image:loc>
      <image:title>Paper Collection - The materiality of math - Make it stand out</image:title>
      <image:caption>Erik Demaine (American, born Canada 1981– ), Martin Demaine (American, 1942– ), Grosse Fugal Form (Detail), 2021, Mi-Teintes paper, 12 × 12 × 17 in. (30.5 x 30.5 x 43.2 cm) © 2021, Erik and Martin Demaine.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/paper-collection/a-missive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fb5ee8fe-e314-48dc-a959-a0aa3a23bd1b/Screenshot+2026-03-02+at+2.22.24%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - A missive - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/63e56850-7265-47d1-811c-bd7f084381ff/Screenshot+2026-03-02+at+2.22.41%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - A missive - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b2c09871-745b-4960-b1ee-4d8ae03da28b/Screenshot+2026-03-02+at+2.22.58%E2%80%AFPM.png</image:loc>
      <image:title>Paper Collection - A missive - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/rubber-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/rubber-collection/introduction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1772575438535-OJEMBQL9E4XM98WBQC0V/unsplash-image-wQ7OUETaYIg.jpg</image:loc>
      <image:title>Rubber Collection - Introduction - Make it stand out</image:title>
      <image:caption>A Group of Yellow Pencils with a Pink Eraser, 2023. Photo by Tracey Parish on Unsplash.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1772575620459-QKL5MGT62ANQDLEA4S5B/unsplash-image-3JdlP4prtjg.jpg</image:loc>
      <image:title>Rubber Collection - Introduction - Make it stand out</image:title>
      <image:caption>A Tree with a Bucket Hanging from its Trunk, 2023. Photo by Isuru Ranasinha on Unsplash.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7a37afca-f47c-4c79-91b2-90fdacfe27cd/2014.12.01_Chipstone+Foundation+%281%29+Large.jpeg</image:loc>
      <image:title>Rubber Collection - Introduction - Make it stand out</image:title>
      <image:caption>Chakaia Booker (American, born 1953), El Gato, 2001, Rubber tires, and wood, 48 x 42 x 42 in. Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri, Bebe and Crosby Kemper Collection, Museum purchase, Enid and Crosby Kemper and William T Kemper Acquisition Fund, 2004.12.01 © Chakaia Booker. Photo: E. G. Schempf, 2017.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/rubber-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/aaeaf01c-793b-4c11-bc2e-acb68bfa79e6/v3100118.jpg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Camille Jenatzy’s electric car, 1900. Image, cci Archives / Science Photo Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/60fe96ee-12c6-4480-ab7c-30df07a55666/War+Balloon%2C+Tire+and+Rubber+Co%2C+1919+%281%29.jpg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Balloon for War Service, 1919,  Firestone Tire and Rubber Co. Plant, Akron, Ohio. Image, The U.S. National Archives, 20808426</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7dd435f3-8e78-4d91-8404-21868502effd/BDA+Museum+08-2006++39+W+high+res+Large.jpeg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Vulcanite Denture, Collection of British Dental Association Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f7968cf0-d77b-492c-9612-01b314024490/volunteers-empty-boxes-of-rubber-duckies-into-the-ala-c77b00+%281%29.jpg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Volunteers Empty Boxes of Rubber Duckies into the Ala Wai Canal for the Annual Great Hawaiian Rubber Duckier Race, 2014, Photo Lance Cpl. Matthew Bragg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0f07e189-2c28-4a26-bc82-d631e81da2a8/2EJBPAT+%281%29.jpg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Pneu Vélo Michelin, Image copyright Album / Alamy Stock Photo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8333c2a1-a285-4cce-bcf8-a4d657492881/IS-4117-0169+Large.jpeg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Mourning Brooch, 1850–1870, moulded rubber, metal, Made in England. © Museum of Applied Arts &amp; Sciences, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c3b0a9cd-7d71-4789-b829-316df058dc71/2019mb2839.jpg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Wild rubber bodice, nylon tulle skirt. Worn by Lily Cole at the Met Gala, 2013. Designed by Vivienne Westwood and Andreas Kronthaler. Rubber harvest and process training by Flavia Amadeu. Given by Lily Cole, Victoria and Albert Museum, London, prov.489-2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8fdc606c-79b3-438c-8076-4722e2595f72/2007.58+Large.jpg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Wood-Milne by François Kollar, Gelatin silver print, montage, 14 3/4 x 11 1/16 in., John L. Severance Fund, Cleveland Museum of Art, 2007.58. © Ministère de la Culture / Médiathèque du Patrimoine, Dist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/575d6756-3409-4920-97d8-0082a3627597/Silverwing+Shoes_Philips_Bata+Shoe+Museum.jpeg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Silver Wing Bathing Shoes, ca. 1925-1930. Manufactured by Phillips, made in England, rubber, paint, casein-formaldehyde. Collection of the Bata Shoe Museum. Copyright © 2021 Bata Shoe Museum, Toronto, Canada.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/937d3f57-83fd-48fc-9d51-48fffd9abb0c/NMSK1963_ny.jpg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Robert Rauschenberg, Monogram, 1955–59 © Estate of Robert Rauschenberg. Image, Maderna Museet, Stockholm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2e138db2-d575-4051-a475-44eee47f4074/ART337295.jpg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Hair Comb, ca. 1851, India Rubber Comb Company, Vulcanite, Purchase, Susan and Jon Rotenstreich Gift, 2000, The Metropolitan Museum of Art, 2000.561. Image copyright © The Metropolitan Museum of Art. Image source: Art Resource, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/05d9cf50-27a6-46d7-8ded-5fb3ebcd9a07/AAC145257.jpg</image:loc>
      <image:title>Rubber Collection - Gallery - Make it stand out</image:title>
      <image:caption>Joe / Rubberman, 1978 © Robert Mapplethorpe Foundation. Used by permission.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/rubber-collection/amazons-rubber-saga</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4b6ecff1-63e6-4e7d-8271-5e97c2bd2378/EBC_44029_060712AM002.jpeg</image:loc>
      <image:title>Rubber Collection - Amazon’s rubber saga - Make it stand out</image:title>
      <image:caption>Hevea brasiliensis, germinating seeds, donated by Wickham HA in 1876. Royal Botanic Gardens, Kew.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fad235d8-c403-4f2a-ad28-d1a5116a1bb5/RE3K0E+%281%29.jpg</image:loc>
      <image:title>Rubber Collection - Amazon’s rubber saga - Make it stand out</image:title>
      <image:caption>Removing the Ball of Rubber After it has been smoked from Brazil the Land of Rubber, 1912. Image copyright The Book Worm / Alamy Stock Photo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ccb00360-4bd7-433f-bb39-0dae7fb54796/RE3K0K+%281%29.jpg</image:loc>
      <image:title>Rubber Collection - Amazon’s rubber saga - Make it stand out</image:title>
      <image:caption>Rubber from Jacy Parana of Fidel Baca &amp; Co. Ready to Be Put in Boats to Be Taken to a Station, Image copyright The Book Worm / Alamy Stock Photo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/rubber-collection/a-confederates-finger-ring</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b0c0c0f2-4c49-4adc-815a-8e55624a0e8b/Copy+of+HRRing_300.png</image:loc>
      <image:title>Rubber Collection - A confederate’s finger ring - Make it stand out</image:title>
      <image:caption>Hard Rubber Ring, specimen fs0034, Courtesy of Friends and Descendants of Johnson’s Island Civil War Prison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0daca992-6569-4357-9fc2-f9e34aeef618/Copy+of+ButtonHardRubber_FS1031.png</image:loc>
      <image:title>Rubber Collection - A confederate’s finger ring - Make it stand out</image:title>
      <image:caption>Hard Rubber Goodyear’s Patent Button, specimen fs1031, Courtesy of Friends and Descendants of Johnson’s Island Civil War Prison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b2fa6683-7cb9-4327-8cb6-ceef6269208c/Copy+of+Brooch_Ella.png</image:loc>
      <image:title>Rubber Collection - A confederate’s finger ring - Make it stand out</image:title>
      <image:caption>Hard Rubber Brooch, specimen fs2365. Courtesy of Friends and Descendants of Johnson’s Island Civil War Prison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/72743a4b-504f-4dfe-841e-bca43e6b7291/Copy+of+FishHR_300.png</image:loc>
      <image:title>Rubber Collection - A confederate’s finger ring - Make it stand out</image:title>
      <image:caption>Hard Rubber Fish, specimen. Courtesy of Friends and Descendants of Johnson’s Island Civil War Prison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4a4cc91c-6e52-47ac-9f2e-053e909a28f8/Copy+of+HRCross.png</image:loc>
      <image:title>Rubber Collection - A confederate’s finger ring - Make it stand out</image:title>
      <image:caption>Hard Rubber Cross, specimen fs5580, Courtesy of Friends and Descendants of Johnson’s Island Civil War Prison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/74262536-ebbc-4f87-9733-c248c1f64515/Copy+of+Gould+1864+Color+Map+Cropped_tif+Large.jpg</image:loc>
      <image:title>Rubber Collection - A confederate’s finger ring - Make it stand out</image:title>
      <image:caption>Depot Prisoners of War on Johnsons Island, 1864, Edward Gould, Strobridge &amp; Co., Courtesy of Friends and Descendants of Johnson’s Island Civil War Prison.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/rubber-collection/extremely-clever-and-ingenious</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9c65244b-b91b-41f1-af84-2b81bdea7677/L0212-002.jpg</image:loc>
      <image:title>Rubber Collection - “Extremely clever and ingenious” - Make it stand out</image:title>
      <image:caption>The Boat-cloak or cloak boat invented by Peter Halkett, 1848. ©National Maritime Museum, Greenwich, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/46eb092b-b776-4cd6-b8f0-b5ebc9f5f0f4/L0519-002.jpg</image:loc>
      <image:title>Rubber Collection - “Extremely clever and ingenious” - Make it stand out</image:title>
      <image:caption>The Boat-cloak or cloak boat invented by Peter Halkett, 1848. ©National Maritime Museum, Greenwich, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/284eb3fd-4cba-4522-9275-1167daf00b33/L0519-001.jpg</image:loc>
      <image:title>Rubber Collection - “Extremely clever and ingenious” - Make it stand out</image:title>
      <image:caption>The Boat-cloak or cloak boat invented by Peter Halkett, 1848. ©National Maritime Museum, Greenwich, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/992c6bb0-77ba-42d1-bf13-21874ed8d325/L0519-004.jpg</image:loc>
      <image:title>Rubber Collection - “Extremely clever and ingenious” - Make it stand out</image:title>
      <image:caption>The Boat-cloak or cloak boat invented by Peter Halkett, 1848. ©National Maritime Museum, Greenwich, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/rubber-collection/neuleather</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/931e9802-251c-46e2-b3e2-585afdcb2ab9/IMG_3397_2+%281%29.jpg</image:loc>
      <image:title>Rubber Collection - NEULEATHER - Make it stand out</image:title>
      <image:caption>The Gum Chair, 2009, icff’09 highlight. The Future Perfect. New York. Photo, Joe Escobar, El Salvador.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/47a9ef05-69ae-45a9-9a64-909c83ec769f/IMG_3424_2+%281%29.jpg</image:loc>
      <image:title>Rubber Collection - NEULEATHER - Make it stand out</image:title>
      <image:caption>Chaise Lounge, 2009, New York. Photo, Joe Escobar, El Salvador.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/rubber-collection/the-ulama-ballgame-past-present-and-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/066ed733-7365-4d5a-b018-47fd75ea949d/Figure+6.8+Jose+Lizarraga+hitting+a+high+ball.++Photo+Manuel+Aguilar-Mor....jpg</image:loc>
      <image:title>Rubber Collection - The Ulama ballgame: past, present, and future - Make it stand out</image:title>
      <image:caption>Jose Lizarraga Hitting a High Ball. Photo, Manuel Aguilar-Moreno.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e0fa51e3-904b-4913-b992-c12120ff6349/Figure+6.30+Lichi+Lizarraga+playing+as+cerrador.++Photo+David+Mallin..jpg</image:loc>
      <image:title>Rubber Collection - The Ulama ballgame: past, present, and future - Make it stand out</image:title>
      <image:caption>Lichi Lizarraga Playing as Cerrador. Photo, David Mallin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4b8b5b1c-a2a1-4f10-b5f6-0779ff1dc0e3/Figure+6.22+Veedor+Lorenzo+Covarrubias+rolling+the+ball+to+start+the+gam....jpg</image:loc>
      <image:title>Rubber Collection - The Ulama ballgame: past, present, and future - Make it stand out</image:title>
      <image:caption>Veedor Lorenzo Covarrubias Rolling the Ball to Start the Game. Photo, Manuel Aguilar-Moreno.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/80317b3b-dc32-4ed4-8cae-34a77b12dc83/Figure+6.37+Team+of+La+Sabila+in+Ulama+outfit.+Photo-+Manuel+Aguilar-Mor....jpg</image:loc>
      <image:title>Rubber Collection - The Ulama ballgame: past, present, and future - Make it stand out</image:title>
      <image:caption>Team of La Sabila in Ulama Outfit. Photo, Manuel Aguilar-Moreno.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/rubber-collection/chakaia-booker-art-has-no-season</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7a37afca-f47c-4c79-91b2-90fdacfe27cd/2014.12.01_Chipstone+Foundation+%281%29+Large.jpeg</image:loc>
      <image:title>Rubber Collection - Chakaia Booker: “Art has no season” - Make it stand out</image:title>
      <image:caption>Chakaia Booker (American, born 1953), El Gato, 2001, Rubber tires, and wood, 48 x 42 x 42 in. Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri, Bebe and Crosby Kemper Collection, Museum purchase, Enid and Crosby Kemper and William T Kemper Acquisition Fund, 2004.12.01 © Chakaia Booker. Photo: E. G. Schempf, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/59e3b0c8-0506-4d0f-8aa4-c8934b649c53/Screenshot+2026-03-03+at+1.57.18%E2%80%AFPM.png</image:loc>
      <image:title>Rubber Collection - Chakaia Booker: “Art has no season” - Make it stand out</image:title>
      <image:caption>Courtesy, Chakaia Booker.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1ae78972-1a33-43af-b359-89344e95ec8d/Screenshot+2026-03-03+at+1.56.43%E2%80%AFPM.png</image:loc>
      <image:title>Rubber Collection - Chakaia Booker: “Art has no season” - Make it stand out</image:title>
      <image:caption>Déjà Vu by Chakaia Booker, 2016, Rubber tires and stainless steel, 21 x 26 x 17 ft. Photographed at Pyramid Hill Sculpture Park, Hamilton, OH. Exhibited in Millennium Park, Chicago, IL. Courtesy of Chakaia Booker.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/rubber-collection/ficus-elastica-beyond-the-plantation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4e13ed39-ae30-450e-bc53-ce45a4b9e15f/rubber+tree.jpg</image:loc>
      <image:title>Rubber Collection - Ficus elastica beyond the plantation - Make it stand out</image:title>
      <image:caption>A wild Ficus elastica tree about of 120 feet high. Photo, Ficus Elastica: Its Natural Growth and Artificial Propagation, 1906, E. M. Coventry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8bfeac89-66b6-4894-9b2b-cf3daf2fc3b5/tapping.jpg</image:loc>
      <image:title>Rubber Collection - Ficus elastica beyond the plantation - Make it stand out</image:title>
      <image:caption>An indigenous rubber tapper collecting latex from a wild Ficus elastica in colonial Assam. Photo, Ficus Elastica: Its Natural Growth and Artificial Propagation, 1906, E. M. Coventry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/16369d83-5267-469a-b23e-f3b8e43e668b/Pic+3300+%281%29.jpg</image:loc>
      <image:title>Rubber Collection - Ficus elastica beyond the plantation - Make it stand out</image:title>
      <image:caption>A several centuries-old living root bridge located in the East Khasi Hills District, Meghalaya, Northeast India. Photo, Aparajita Majumdar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/36208c83-4152-4356-8788-9fbf801617b4/Pic2+300dpi.jpg</image:loc>
      <image:title>Rubber Collection - Ficus elastica beyond the plantation - Make it stand out</image:title>
      <image:caption>Morningstar Khongthaw (in the middle) with his friends, standing in the backdrop of a 200 to 300-year-old Jri Bamon, to campaign for the ‘preservation,’ ‘protection’ and ‘multiplication’ of living root bridges. Photo, Morningstar Khongthaw.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/sand-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/sand-collection/introduction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5457bb00-4fd0-434a-abb9-60b0cc5ca8dd/Abandoned+Building_Namibia+Large.jpg</image:loc>
      <image:title>Sand Collection - Introduction - Make it stand out</image:title>
      <image:caption>James Kerwin, Abandoned building, Kolmannskuppe, Namibia, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1772651209798-NBAK66VD5S6LVK66K3BY/unsplash-image-5Hl5reICevY.jpg</image:loc>
      <image:title>Sand Collection - Introduction - Make it stand out</image:title>
      <image:caption>Hourglass. Photo by Nathan Dumlao.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1772651441386-U1GT1QMRJP05OZO5XNA2/unsplash-image-zybYFsqSbUI.jpg</image:loc>
      <image:title>Sand Collection - Introduction - Make it stand out</image:title>
      <image:caption>Tatooine/Tunisia. Photo by Albina Andreeva.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/sand-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f7652940-b912-418a-8f6b-fe1cc4c87fdc/As+Is_detail-red+mound+%282000%29.jpg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/31a936bc-a3ac-49dc-bc14-de7b717c63ca/As+Is_full+installation+%282000%29+24_x16_x2_.jpg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Connie Zehr (American, 1938– ), AS IS, 2000. Natural colored sands (with detail). 192 x 288 x 30 in. (487.68 x 731.52 x 76.2 cm). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/54e68696-8e37-4273-83be-286bfb7b4e30/AAA_zehrconn_70616+Large.jpg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Connie Zehr (American, 1938– ) and assistants constructing Zehr’s installation Fallen Sand at Mount San Antonio College, Walnut, California, 1970. Contact sheet. Photographer unknown. Connie Zehr papers, 1960–2020, Archives of American Art, Smithsonian Institution.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/42f7a414-6b9d-4d4f-840c-f469390de644/Papua+New+Guinea+Sand+Painting.jpg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Joseph Kuri (Enga Tribe, Papua New Guinea), Untitled (Sand Painting). Sand adhered to board, 1984.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f2ac93ec-9764-422e-94ac-4b1f00639717/Solar+Sinter.jpg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Markus Kayser (German, 1983– ), Solar-sintered Bowl, 2011. Fused sand. 3.5 x 6 in. (8.9 x 15.2 cm). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4b72d85d-dc9d-429e-9eae-e0089aa986d0/OldTomMorris.jpeg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Unknown photographer, View of Tom Morris at the Old Course in St Andrews, c. 1897–1908. © Courtesy of HES (Edenwood Album).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/76c206c9-7991-4e1d-8e08-89f1c917350f/Ulman+Large.jpg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Micha Ullman (Israeli, 1939- ), Sand Books, 2001. Iron and red sand. 1.57 x 15.75 x 9.84 in. (4 x 40 x 25 cm). Tel Aviv Museum of Art © Micha Ullman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/14e8ea99-fd97-42a9-b773-21a4755de043/Bonaparte_ante_la_Esfinge%2C_por_J.jpeg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Jean-Léon Gérôme (French, 1824–1904), Bonaparte Devant le Sphinx (Bonaparte Before the Sphinx), 1886. Oil on canvas. 24.2 x 40.1 in. (61.6 x 101.9 cm). Hearst Castle, 529–9–5092.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/575b7ff8-a685-4011-be75-9da149bd7d1a/The+Sand+Mines+of+Tetelpa.jpg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Juan O’Gorman (Mexican, 1905–1982), The Sand Mines of Tetelpa, 1942. Tempera on composition board. 22.25 x 18 in. (56.5 x 45.7 cm).Museum of Modern Art, 751.1942. Gift of Edgar Kaufmann, Jr., Digital Image © The Museum of Modern Art/Licensed by scala / Art Resource, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/aa5aca07-5f71-4658-9d6a-50e1b3222c96/Oil+Sand+Large.jpg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>America’s petroleum industries pour out fuel and lubricants for the United Nations. A geology expert of one of the large oil companies U.S. displays two varieties of sand from an oil drilling district, ca. 1944. Film negative. Library of Congress.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e39fccf4-7d51-48fb-93bb-c20b2e4134b1/Sand+Microscope+Large.jpeg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Alexander Klepnev, Sand grains of yellow building sand, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6eb09d1b-c534-4002-83c9-4dc0ff09d562/Sand+Picture.jpg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Unknown artist (British), The “Young Cottager’s” Cottage, Brading, 1851. Sand picture. 2.25 x 3.25 in. (5.72 x 8.26 cm). Victoria and Albert Museum, E.858–1939.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/794581b1-5e7f-4ec5-9209-5bc6716b031e/Sand+Painting_Benjamin+Zobel.jpeg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Benjamin Zobel (German, 1762–1830), The Hermit, Late 18th-early 19th century. Sand painting on board. 23.23 x 17.32 in. (59 x 44 cm). From the collection of Brian Pike.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c3c16604-64e6-429c-aaed-db37e7c5e4d1/Women_s+Activities+of+the+Tokugawa+Era+Large.jpeg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Toyohara (Yōshū) Chikanobu (Japanese, 1838–1912), Women’s Activities of the Tokugawa Era: Creating Bonkei Tray Landscapes, 1896. Woodblock print. 14.75 x 29.06 in. (37.0 x 73.8 cm). Los Angeles County Museum of Art, ac1998.235.1.1-.3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d03feae2-c645-4804-9357-8727cb7cdb1d/The+Sand+Man+%281%29+Large.jpg</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>Detroit Publishing Co., A sand man, Atlantic City, ca. 1906. Dry plate negative. Library of Congress.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/6921d608-6f57-4a96-b806-b58c2d10ff5f/Screenshot+2026-03-04+at+1.13.31%E2%80%AFPM.png</image:loc>
      <image:title>Sand Collection - Gallery - Make it stand out</image:title>
      <image:caption>“Abrasive papers and cloths for the student and home craftsman,” 1937. Manual. 3.5 × 6.125 in. (8.9 × 15.6 cm), Harvard Art Museums/ Straus Center for Conservation and Technical Studies, arch.2007.9.83. Photo © President and Fellows of Harvard College.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/sand-collection/catching-the-waves</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/33085170-9820-4a7b-a7e2-14bf9ea9d854/Prown+copy+Large.jpg</image:loc>
      <image:title>Sand Collection - Catching the waves - Make it stand out</image:title>
      <image:caption>“Vibrations of a Plate,” in W. H. Stone, Elementary Lessons on Sound (London: Macmillan and Co., 1879), 25.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/55feec38-f321-4740-974b-ab5db5452b72/PrownPlatesfromBookWPscan+Large.jpg</image:loc>
      <image:title>Sand Collection - Catching the waves - Make it stand out</image:title>
      <image:caption>“Nodal lines of vibrating plates, according to chladni and Savart Stone,” in W. H. Stone, Elementary Lessons on Sound (London: Macmillan and Co., 1879), 26.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a15ca169-d383-45ef-b543-8d134f1b747b/Screenshot+2026-03-04+at+12.56.53%E2%80%AFPM.png</image:loc>
      <image:title>Sand Collection - Catching the waves - Make it stand out</image:title>
      <image:caption>Image by Chris Smith.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4a3c3f76-e209-48a7-81c2-79a19d75280a/ChaladniCelloInside_large-BW.jpg</image:loc>
      <image:title>Sand Collection - Catching the waves - Make it stand out</image:title>
      <image:caption>Anne Cole (American, 1945– ), Chladni Violin, 1976. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/sand-collection/messages-in-bottles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5a633368-0115-4d86-9704-8342ca3fa6df/large_298262-1_1.jpg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/72861175-72ce-47ac-9122-05e7754dfad0/large_298262-1_2.jpg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7fc679e5-0c33-4c0b-ad00-938a8061fbe5/large_298262-1_3.jpg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7c81030c-1b55-4c11-a17f-8d8e20857f34/large_306624-1_1.jpg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/74ce3f96-bb88-4332-9dac-d0756459864f/large_306624-1_4.jpg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/00738c20-4063-4855-b44a-456b29cf4380/large_306624-1_3.jpg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/74f7948c-a46d-46f3-9e88-4986dbe6b001/Trade+Card+2.jpeg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Trade card, “E. Habenstein Public Caterer,” ca. 1890. Chromolithograph. 3.5 x 5.5 in. (8.89 x 13.97 cm).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4a93e482-9e89-41a1-8083-2a38ef72d6a3/John+and+Kittie+Large.jpeg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Andrew Clemens (American, 1857–1894), Sand Art - Sailing Ship, John and Kittie, July 23, 1889, 1889. Naturally colored rock sand in glass pharmacy bottle. 8.75 x 3.5 in. (22.23 x 8.89 cm). State Historical Museum of Iowa, Des Moines, 1401.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b6401ab3-44c6-4083-8acc-8089da4b7a64/Clemens+Bottle+American+Index+of+Design.jpg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Paul Poffinbarger (American, 1916–1982), Sand Picture, ca. 1941. Watercolor and graphite on paperboard. 15.06 x 10.06 in. (38.3 x 25.5 cm). National Gallery of Art, 1943.8.12843, Index of American Design.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a1318ef5-196e-464f-91b0-db3edc5db9b7/large_302757-1_1.jpg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ce7bc311-01e7-4185-9d30-b7b9f0aa8659/large_302757-1_9.jpg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bf847c21-fb22-4542-af44-2f9752ab0db2/SAAM-2021.69_8.jpg</image:loc>
      <image:title>Sand Collection - Messages in bottles - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/sand-collection/clean-dirt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/4b5d39a5-bf67-457f-aaa8-0e4ff00a769c/Blind+Boys+in+Sand+Box.jpg</image:loc>
      <image:title>Sand Collection - Clean dirt - Make it stand out</image:title>
      <image:caption>“Children in Sandbox,” ca. 1916. Postcard. Samuel P. Hayes Research Library, Perkins School for the Blind, Watertown, MA, 588–30.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/78cf9ef7-f361-4fcd-888c-5060f8732d5a/National+Trust+Silly+Walking+campaign.jpg</image:loc>
      <image:title>Sand Collection - Clean dirt - Make it stand out</image:title>
      <image:caption>Guy Harrop, The National Trust Silly Walking campaign launch, 2011.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/sand-collection/the-sands-of-war</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/08243776-14d9-48a8-9ef7-df826ab2497c/Kirschenbaum+Figure+1.jpg</image:loc>
      <image:title>Sand Collection - The sands of war - Make it stand out</image:title>
      <image:caption>Photo by Jeffrey Hubbard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/eb6ae19c-acfd-4474-a11a-469b63a3363a/Kirschenbaum+Figure+2.jpg</image:loc>
      <image:title>Sand Collection - The sands of war - Make it stand out</image:title>
      <image:caption>Image courtesy of Trey Brandt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/45632f88-4f02-42a2-abdf-38f4d2648bc4/Kirschenbaum+Figure+3.jpg</image:loc>
      <image:title>Sand Collection - The sands of war - Make it stand out</image:title>
      <image:caption>Photo © U.S. Army.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e244ec70-0238-4f7b-9b24-8af7c9764a95/Kirschenbaum+Figure+4.jpg</image:loc>
      <image:title>Sand Collection - The sands of war - Make it stand out</image:title>
      <image:caption>Photo © U.S. Army.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/sand-collection/land-marks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/37395b49-65ee-4b1f-9d38-0edf36fc1091/La+sombra+de+la+tierra.+Coro+Los+Murmullos+3.JPG</image:loc>
      <image:title>Sand Collection - Land marks - Make it stand out</image:title>
      <image:caption>Miguel Fernández de Castro (b. Sonora, 1986– ), Curro: Los Murmullos, 2023. Film stills. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d5e88aeb-8722-444c-bdf1-080a10b5c82b/La+sombra+de+la+tierra.+Coro+Los+Murmullos+1.JPG</image:loc>
      <image:title>Sand Collection - Land marks - Make it stand out</image:title>
      <image:caption>Miguel Fernández de Castro (b. Sonora, 1986– ), Curro: Los Murmullos, 2023. Film stills. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/33aac84e-18d4-4a0a-b989-15be9158f3fe/RAVE210002_INSTA_+Dia+Chelsea%2C+NY_Photo+Bill+Jacobson+Studio_001+%285%29.jpeg</image:loc>
      <image:title>Sand Collection - Land marks - Make it stand out</image:title>
      <image:caption>Lucy Raven (American, 1977– ), Ready Mix, 2021. Installation view. Dia Chelsea, New York, © Lucy Raven. Photo: Bill Jacobson Studio, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d0065eff-a6fb-4825-80f4-971cec9e4fca/RAVE210002_INSTA_+Dia+Chelsea%2C+NY_Photo+Bill+Jacobson+Studio_008+%287%29+%281%29.jpeg</image:loc>
      <image:title>Sand Collection - Land marks - Make it stand out</image:title>
      <image:caption>Lucy Raven (American, 1977– ), Ready Mix, 2021. Installation view. Dia Chelsea, New York, © Lucy Raven. Photo: Bill Jacobson Studio, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/25b37958-2d28-41a6-b181-073cabc03503/RAVE210002+Still_08.jpeg</image:loc>
      <image:title>Sand Collection - Land marks - Make it stand out</image:title>
      <image:caption>Lucy Raven (American, 1977– ), Ready Mix, 2021. Film still. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3fb33e6b-613c-4c34-851c-9ca0ed1c4184/RAVE210002+Still_018.jpeg</image:loc>
      <image:title>Sand Collection - Land marks - Make it stand out</image:title>
      <image:caption>Lucy Raven (American, 1977– ), Ready Mix, 2021. Film still. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/sand-collection/grit-and-gleam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e5f1b35b-7091-455e-8045-3ceb3fffe638/Sand+paper+vertical.jpg</image:loc>
      <image:title>Sand Collection - Grit and gleam - Make it stand out</image:title>
      <image:caption>Photo by Andrew Perris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bb23ff56-767d-4878-91cb-7f00ab77eee1/Screenshot+2026-03-03+at+8.00.33%E2%80%AFPM.png</image:loc>
      <image:title>Sand Collection - Grit and gleam - Make it stand out</image:title>
      <image:caption>Photo by Sturti.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bcff30a0-3162-42f8-8058-7997fe352b94/Screenshot+2026-03-03+at+8.01.31%E2%80%AFPM.png</image:loc>
      <image:title>Sand Collection - Grit and gleam - Make it stand out</image:title>
      <image:caption>Photo by Wynne Patterson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/steel-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-10</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/steel-collection/introduction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8a999ad2-239b-4308-9e5a-8db8460f8981/superman-B3N6AT.jpg</image:loc>
      <image:title>Steel Collection - Introduction - Make it stand out</image:title>
      <image:caption>Pictorial Press, Superman 1978 Warner/Walter Salkind film with Christopher Reeve. Pictorial Press Ltd / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1772659289478-BG94ZWXJ60NMSJD2HOU2/unsplash-image-VNlZmgQ5iVc.jpg</image:loc>
      <image:title>Steel Collection - Introduction - Make it stand out</image:title>
      <image:caption>Photo by Random Thinking.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b92dc892-4ec2-4d0d-a673-30d30174955f/shutterstock_editorial_12101003a.jpg</image:loc>
      <image:title>Steel Collection - Introduction - Make it stand out</image:title>
      <image:caption>LIFE magazine cover of a steel worker, published August 9, 1943. Photographer: Margaret Bourke-White. The LIFE Picture Collection/Shutterstock.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/steel-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/511d08de-a782-4ec9-bd94-0823e01d7196/113_pht_003_002+Large.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>David Grant Noble, Roger Horne, a Mohawk ironworker, grasping a cable in each hand and looking upward.1970-1971. Courtesy the artist and the National Museum of the American Indian, Smithsonian Institution (113_pht_003_002). Photo by nmai Photo Services.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2730c335-7603-45f5-83fa-50ebcfca0316/Yousuf-Karsh-Atlas-Steel-01+2+Large.jpeg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Yousuf Karsh. Atlas Steel, 1950. Gelatin silver print. (image): 19.5 x 15.625 inches. Courtesy of the Estate of Yousuf Karsh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2fcf2d0a-f2d7-4359-86eb-bce07fcfebe3/LAST+GD+ONE%21-iStock-890775192+%281%29+Large.jpeg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Heat treatment of iron in forge for further use. Shutterstock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f1f0bfbc-a813-4be8-ae85-de4dfffc4420/Screenshot+2026-03-02+at+5.44.22%E2%80%AFPM.png</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/927b0a2c-5e83-40b9-b556-1e195df522f0/Tuna+Knife+Marginalia-Alamy-2XH5XJE.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Man cutting tuna with magurokiri knife at Osaka fish market, July 9, 2024. Cavan Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7e60a21b-cb76-4c8a-952a-fc009443725c/japanese+print+MET+image+DP123637.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>The Swordsmith by the Japanese artist and printmaker, Katsushika Hokusai (c. 1760-1849), woodblock print (surimono), ink and color on paper, 1802. The Metropolitan Museum of Art, New York, The Howard Mansfield Collection, Purchase, Rogers Fund, 1936, JP2574.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/092ce46b-5f34-4676-8fb7-cc3f54d1184f/REC0124_01_100_04299+Large.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Eugene de Salignac. Brooklyn Bridge showing painters on suspenders, October 7, 1914, glass plate negative, from the Collection, Departments of Bridges and Plant and Structures photographs. Courtesy Municipal Archives, City of New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f4a46593-c3e1-4e69-8f62-7f9b35e59e14/106682+Large.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Adam Avila. Photograph of Maren Hassinger with work of art, 1973. Maren Hassinger papers, 1955-2018. Archives of American Art, Smithsonian Institution.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2d9f2f13-121f-4234-b17d-064f76e331d0/JM960.mori.sassoon_3_%28c%29+Sylvain+Deleu.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Detail. Junko Mori, Propagation Project: Textured Leaf Wave, 2023. Courtesty of the artist and Adrian Sassoon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/122d082c-f263-46b4-9836-7aa8dfd2b5f2/2013GR9059.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Guglielmo and Mola, Gasparo. The 'Medici' Casket. Casket, 1609-1621. Florence, Italy. Chiseled steel, with applied mounts and blued steel plaque. Metalwork Collection M.95 to B-1960. © Victoria and Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a092c1d3-ecc0-46a4-b5ca-32ccdade4137/Steel-Postcard+Large.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Postcard. “A Safe Place”. Safe deposit &amp; securities vault of the First National Bank, Lebanon, pa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e19516fc-80d2-4a35-a561-183dfe331b7b/Philadelphia+bicycle+maker+Simon+Frith%2C+2019.+%28c%29+Jessica+Kourkounis.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Simon Firth working on a bicycle. Photo Jessica Kourkounis. Philadelphia, pa, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d276800b-2620-489f-8b45-d0bd3c3cc82c/2015HL1817.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Russian Imperial Arms Factory. Fireplace, ca. 1800-1820. Tula, Russia. Forged, blued and cut steel with facetted steel and gilt brass ornaments. Given by Thomas Harris, Metalwork Collection, M.49-1953. © Victoria and Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c19410fb-8533-41f6-939e-c9cdbd3cf368/Screenshot+2026-03-04+at+4.47.42%E2%80%AFPM.png</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Imperial Armory, Tula (south of Moscow), Russia. Center table, ca. 1780–85. Steel, silver, gilt copper, gilt brass, basswood; replaced mirror glass. 27 1/2 × 22 × 15 in. The Metropolitan Museum of Art, New York. Purchase, The Annenberg Foundation Gift, 2002. 2002.115.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/afded70b-f9cd-439d-bd30-ce686a63cfd4/Steel+Buttons.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Satire 5454 Steel Buttons, published by W Humphrey 29 April 1777. © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CCBY-NC-SA 4.0) licence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/eb1c491c-6f2c-4cff-9759-4236d4b4dc51/USS-Arizona-1916-East-River-NYC.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>U.S.S. Arizona, East River, New York, New York, 1916.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0b26d8cf-ff4d-4d61-85ef-68b39963dee6/106683+%281%29.jpg</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>Perls Galleries. Alexander Calder standing by stabile The 100 yard dash, not before 1969. Dorothy C. Miller papers, 1853-2013. Archives of American Art, Smithsonian Institution.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/499f27c6-3bfc-4cea-b9a8-2676e8385fce/Screenshot+2026-03-04+at+4.42.36%E2%80%AFPM.png</image:loc>
      <image:title>Steel Collection - Gallery - Make it stand out</image:title>
      <image:caption>P. Grosjean. Bessemer converter in the Longwy steelworks, France. A process designed for the mass production of steel from molten pig iron, removing impurities by oxidation by blowing air through the molten iron, 1930. Chronicle / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/steel-collection/crucible-of-the-divine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d7e9f001-ff9e-4c04-adf5-8352b3a1e8e2/AlamyBlade-P35G7R.jpg</image:loc>
      <image:title>Steel Collection - Crucible of the divine - Make it stand out</image:title>
      <image:caption>R. Kawka, Indo-Persian Mughal Dagger Blade, May 26, 2018. R. Kawka / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/22c46553-720c-4ad3-8fa6-4539b8cbd059/2020MP6919.jpg</image:loc>
      <image:title>Steel Collection - Crucible of the divine - Make it stand out</image:title>
      <image:caption>Maker unknown. Dagger, 1850-1851. Bundi, India. Steel broad blade with foliated and chiseled ornament inlaid with gold inscriptions. Transferred from the India Museum in 1879, South &amp; Southeast Asia Collection, 3446(IS). © Victoria and Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/21c70c90-bb92-4100-a5c1-543df078b720/20698.jpeg</image:loc>
      <image:title>Steel Collection - Crucible of the divine - Make it stand out</image:title>
      <image:caption>Dagger (Khanjar), Mughal Period, Probably Late 17th century. © Royal Armouries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c9a795e4-c0f5-41b1-9be8-3e455930ecf9/Sharadamamayeeohoto.jpg</image:loc>
      <image:title>Steel Collection - Crucible of the divine - Make it stand out</image:title>
      <image:caption>Image courtesy of Professor Sharada Srinivasan, School of Humanities, National Institute of Advanced Studies, Bangalore, India. Permission to take this image of the Mammaye temple during the Ugadi festival was generously granted to Professor Srinivasan by the Vishwakarma community of Konasamudram, Tamil Nadu, India.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/steel-collection/speaking-in-steel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/153940f4-ce23-418b-a742-419a0dc57d77/SC267013+Large.jpg</image:loc>
      <image:title>Steel Collection - Speaking in steel - Make it stand out</image:title>
      <image:caption>Royal Bronze-casting Guild (Igun Eronmwon), Nigerian. Relief plaque showing a dignitary with drum and two attendants striking 75gongs. Edo, Benin kingdom, Nigeria, c. 1530-1570. Copper alloy. 17 x 11 in. Museum of Fine Arts, Boston. Robert Owen Lehman Collection. Photograph © September 2024 Museum of Fine Arts, Boston.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/steel-collection/flat-pack-empire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0347a73e-c208-4ae1-ace4-6ef9d684c3f7/2-BridgeSciAmer+Large.jpg</image:loc>
      <image:title>Steel Collection - Flat-pack empire - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2cae5834-409f-4576-88b5-e1715807f73f/Screenshot+2026-03-04+at+7.19.23%E2%80%AFPM.png</image:loc>
      <image:title>Steel Collection - Flat-pack empire - Make it stand out</image:title>
      <image:caption>Photograph of “Portal View of the Completed Bridge, The Atbara River Bridge,” Scientific American, Vol. lxxxvi, No. 11 (March 15, 1902): 184.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a9b9d85d-3a32-4405-b50c-2919ce437ee9/1986268_1_0570_left+Large.jpg</image:loc>
      <image:title>Steel Collection - Flat-pack empire - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/dd6b6eb6-bbc3-4f75-9d6f-82d0ef798d32/1986268_1_0571_right+Large.jpg</image:loc>
      <image:title>Steel Collection - Flat-pack empire - Make it stand out</image:title>
      <image:caption>Panorama of Pencoyd Iron Works (Pencoyd, Pa.), 1900, 1986268_1_0570. American Iron and Steel Institute, Public Relations Department. American Iron and Steel Institute photographs and audio-visual materials (Accession 1986.268), Audiovisual Collections and Digital Initiatives Department, Hagley Museum and Library, Wilmington, de.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/steel-collection/guns-bikes-and-steel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/59b168e3-1c8f-4c16-b8ac-940dff77fb71/Screenshot+2026-03-04+at+7.23.09%E2%80%AFPM.png</image:loc>
      <image:title>Steel Collection - Guns, bikes, and steel - Make it stand out</image:title>
      <image:caption>Transportation Library, Northwestern University Libraries. “Iver Johnson’s Arms and Cycle Works”, late 19th - early 20th century Bicycle and Bicycle Parts Catalogs. Courtesy of Northwestern University Libraries.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/659acb9d-e2bc-4185-b790-68b0cae30b75/2000_212_18_dt1+Large.jpg</image:loc>
      <image:title>Steel Collection - Guns, bikes, and steel - Make it stand out</image:title>
      <image:caption>Connecticut National Guardsmen with bicycles, Niantic, 18901899. Connecticut Museum of Culture and History, 2000.212.18.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9474215b-f154-4262-b807-d90e4cb42294/Screenshot+2026-03-04+at+7.24.26%E2%80%AFPM.png</image:loc>
      <image:title>Steel Collection - Guns, bikes, and steel - Make it stand out</image:title>
      <image:caption>Transportation Library, Northwestern University Libraries. “The Hartford Cycle Co., manufacturers of the Hartford safeties”, late 19th - early 20th century Bicycle and Bicycle Parts Catalogs. Courtesy of Northwestern University Libraries. Courtesy of Northwestern University Libraries.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/steel-collection/home-sweet-dome</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/32a4f77a-e14c-468e-ad83-ea6771b3dd1a/1.Civic+Arena-Exhibit+Hall.png</image:loc>
      <image:title>Steel Collection - Home sweet dome - Make it stand out</image:title>
      <image:caption>Allegheny Conference on Community Development Photographs, 1892-1981, MSP 285, Detre Library and Archives, Senator John Heinz History Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c9d2b08e-e5a3-48cd-b634-17546c10d2d5/Charles+Teenie+Harris_2001.35.9140.png</image:loc>
      <image:title>Steel Collection - Home sweet dome - Make it stand out</image:title>
      <image:caption>Charles “Teenie” Harris, Mayor David L. Lawrence, Sidney Swensrud, David W. Walker, John J. Kane, Howard B. Stewart, John M. Walker, A. H. Burchfield, and others at Civic Arena groundbreaking, Lower Hill District, Pittsburgh, April 25, 1958, Carnegie Museum of Art, Heinz Family Fund © Carnegie Museum of Art, Charles “Teenie” Harris Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5fec2d03-6d7c-4b11-b1c1-52d118a328cc/2.Civic+Arena+under+construction%2C+1960%2C+.png</image:loc>
      <image:title>Steel Collection - Home sweet dome - Make it stand out</image:title>
      <image:caption>The William V. Winans Jr. Photograph Collection, 1958-1961, pss 027, Detre Library &amp; Archives, Senator John Heinz History Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f8b80213-4c09-4dfa-a406-36a09dfb7c0e/7.The+Civic+Arena+during+opening+ceremonies+on+September+17%2C+1961+.jpg</image:loc>
      <image:title>Steel Collection - Home sweet dome - Make it stand out</image:title>
      <image:caption>Morris Berman Photographs, c1950-c1975, pss 0043, Rauh Jewish Archives, Detre Library and Archives, Senator John Heinz History Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3cc6b875-1c6d-4f2a-9aa3-387fa70f14c5/2001.35.6295_TeenieHarris.jpg</image:loc>
      <image:title>Steel Collection - Home sweet dome - Make it stand out</image:title>
      <image:caption>Charles “Teenie” Harris, Rev. Bill Powell and Rev. LeRoy Patrick, James McCoy, Mal Goode, Byrd Brown, and others protesting outside of the Civic Arena, Lower Hill District, Pittsburgh, October 1961, Carnegie Museum of Art, Heinz Family Fund © Carnegie Museum of Art, Charles “Teenie” Harris Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/27879b73-c544-457b-bae9-287888d3f418/6.Pittsburgh+Civic+Arena+Roof+Skyline+Ornament_front.png</image:loc>
      <image:title>Steel Collection - Home sweet dome - Make it stand out</image:title>
      <image:caption>Medallion made from the Pittsburgh Civic Arena steel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/steel-collection/the-bend-in-the-blade</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5fa1653f-a86a-43eb-8d90-c1e87f04e522/Screenshot+2026-03-04+at+8.07.13%E2%80%AFPM.png</image:loc>
      <image:title>Steel Collection - The bend in the blade - Make it stand out</image:title>
      <image:caption>Milena Boneiek, Fencer, portrait, November 24, 2011. Photo, Alto / Alamy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3fb43c83-923d-424d-bcab-b1714f6966dc/Screenshot+2026-03-04+at+8.07.35%E2%80%AFPM.png</image:loc>
      <image:title>Steel Collection - The bend in the blade - Make it stand out</image:title>
      <image:caption>“Fencing Trophee” by Marie-Lan Nguyen, is licensed under cc by-sa 4.0. Wikimedia Commons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/879c7efe-9b00-4fe0-81ee-4b937a7ccb36/Fencing.png</image:loc>
      <image:title>Steel Collection - The bend in the blade - Make it stand out</image:title>
      <image:caption>Marcel Marcilloux (fra) [left] v Husayn Rosowsky(gbr) [right] during the men’s foil competition at the London Prepares Olympic Test Event, ExCel Centre, London, England, November 27, 2011.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/terra-cotta-collection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/terra-cotta-collection/introduction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/70ce5d15-77c1-4749-a23c-a131c9840c38/Deep+Vessel+with+Handles.jpeg</image:loc>
      <image:title>Terra cotta Collection - Introduction - Make it stand out</image:title>
      <image:caption>Deep Vessel with Handles, 3500–2500 BCE, Japan, Terra cotta with carved and incised decoration, The Metropolitan Museum of Art, 1975.268.183.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2a738b11-6d9a-4548-9713-b364a3b06fc0/Michelangelo_s+Hand.jpg</image:loc>
      <image:title>Terra cotta Collection - Introduction - Make it stand out</image:title>
      <image:caption>Michelangelo's Hand (Model), Italy, ca. 1580, Terra cotta, The Victoria and Albert Museum, 4104-1854, © Victoria and Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/3378edbf-a435-4116-a373-9cf55da7e212/Female+Figure+with+Bold%2C+Geometric+Face+and+Body.jpg</image:loc>
      <image:title>Terra cotta Collection - Introduction - Make it stand out</image:title>
      <image:caption>Chupícuaro, Female Figure with Geometric Face and Body Paint, 200–100 BCE. Frederick W. Renshaw Acquisition Fund; purchased with funds provided by Cynthia and Terry E. Perucca, Jamee and Marshall Field, and Helen and Sam Zell; Edward Johnson, Grant J. Pick Purchase, and Henry Horner Straus Memorial funds; purchased with funds provided by Lynn and Allen Turner; African and Amerindian Curator’s Discretionary Fund, The Art Institute of Chicago, 2007.348.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/terra-cotta-collection/gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8b7048c1-74aa-4521-8c00-694c15d41400/Kneeling+Angel+2.jpeg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Gian Lorenzo Bernini (Italian, 1598–1680), Kneeling Angel, 1672, Terra cotta, Harvard Art Museums/Fogg Museum, 1937.64.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fc9d199a-113d-4e33-9c6d-2b1d517c7b79/Kneeling+Angel+1.jpeg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Gian Lorenzo Bernini (Italian, 1598–1680), Kneeling Angel, 1672, Terra cotta, Harvard Art Museums/Fogg Museum, 1937.63.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1a91977e-8704-4f2f-9e06-7b73d846182f/Terracotta+army.jpg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Emperor Qin Shi Huang’s terra cotta army pit 2 in Xian, Shaanxi province, China, 2014, Sergio Azenha / Alamy Stock Photo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2bbbccb5-2ba8-4f38-be25-1059fe3d75cb/Screenshot+2026-03-05+at+9.34.31%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Architectural Brick with Ogre Mask, 750–799 ce, China, Molded terra cotta with traces of slip pigment, The Art Institute of Chicago, 1984.1340.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/21629353-0ae2-48a1-b92a-b4d806ab5ae9/Bomb.jpeg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Bomb, Federal Seaboard Terra Cotta Corporation, New Jersey, United States, ca. 1918, Terra cotta, The Chipstone Foundation, 2014.18, Photo by Gavin Ashworth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/8a4fb38f-2f42-4b3f-8829-526b30e065d2/Statuette+of+a+Serving+Girl+Large.jpeg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Statuette of a Serving Girl, Egypt, New Kingdom (1540–1069 bce), Dynasties 18–19, Terra cotta (originally painted), The Cleveland Museum of Art, 1991.107.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/deba25a8-998c-4092-a40c-fbc9c41bd3c1/Screenshot+2026-03-05+at+9.34.11%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Horse, 600–550 bce, Archaic Period, Greece, possibly Boeotia region, Terra cotta, 7 5/8 × 5 × 2 1/8 in. (19.4 × 12.7 × 5.4 cm), The Menil Collection, Houston, Photo by Paul Hester.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0e6bf9a5-31b8-4fac-be37-3a87a57ae67a/Giuliano+de_+Medici.jpg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Andrea del Verrocchio (Florentine, ca. 1435–1488), Giuliano de’ Medici, ca. 1475, Terra cotta, National Gallery of Art, 1937.1.127.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/89150745-7a3a-463a-be0e-bf25a74b0a26/Architectural+Relief+Depicting+the+Gigantomachy....jpg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Etruria, Architectural Relief Depicting the Gigantomachy (Battle Between Gods and Giants), 300-101BCE. Katherine K. Adler Memorial Fund, The Art Institute of Chicago, 1984.2.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/add2923a-8561-4985-8676-415d63d4ed89/Piggy+Bank+Large.jpeg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Piggy Bank, Java, Majapahit Dynasty, 1300–1400, Terra cotta, The Cleveland Museum of Art, 1980.16.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0ea339e6-0606-4b26-a5f9-c7fc3570010a/John+Michael+Rysbrack+Modelling+His+Terra-Cotta+Statue+of+Hercules+Large.jpeg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Andrea Soldi (Italian, 1703–1771), John Michael Rysbrack Modelling His Terra-Cotta Statue of Hercules, 1753, Oil on canvas, Yale Center for British Art, b1976.7.75.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9b75e8c6-c028-4492-a86f-1e703046228f/My+Hands+Are+My+Heart.jpg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Gabriel Orozco (Mexican, 1962–), My Hands Are My Heart (Mis manos son mi corazon), 1991, Silver dye bleach print (Cibachrome, 2 parts), Marian Goodman Gallery, 3894.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d39c4326-ccf0-466a-a56d-e3b53b96347b/Screenshot+2026-03-02+at+6.01.03%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Abin Design Studio, Gallery House, 2020, Bansberia, West Begal, India, Photo by Edmund Sumner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/218b5f9e-2b5d-4f10-8e72-8b2a365b9167/Altar+1.jpg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Altar, 19th Century, Benin City, Terra cotta, The British Museum, Af1954,23.282, © The Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1c5808e0-9c49-4964-8a4b-0f3e0a2f9579/Screenshot+2026-03-05+at+3.45.20%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Elizabeth Catlett (Mexican (born United States), 1915–2012), Mother and Child, ca. 1956, Terra cotta, Philadelphia Museum of Art: 125th Anniversary Acquisition. Purchased with funds contributed by Willabell Clayton, Dr. Constance E. Clayton, and Mr. and Mrs. James B. Straw in honor of the 125th Anniversary of the Museum and in celebration of African American art, 2000, 2000-36-1 © Catlett Mora Family Trust / Licensed by vaga at Artists Rights Society (ars), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2cdb969f-aefe-431e-bb62-d840b41714f9/Met+Della+Robbia-DP-25143-001.jpg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Andrea della Robbia (Italian, 1435–1525), Virgin and Child, ca. 1470, Glazed terra cotta, The Metropolitan Museum of Art, 69.113.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d773cd0a-9db8-410b-b5c9-37cd48f6755b/Self-portrait+of+John+Flaxman.jpg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>John Flaxman (British, 1755–1826), Self-portrait, 1778, Terra cotta in high-relief and gold painted wood, The Victoria and Albert Museum, 294:1, 2-1864, © Victoria and Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c5994f1d-1cc3-4548-a5fb-16d19391f5e4/WP-AnimalPrints.jpg</image:loc>
      <image:title>Terra cotta Collection - Gallery - Make it stand out</image:title>
      <image:caption>Paw prints on terra cotta. Photo, staff.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/terra-cotta-collection/bcaros-de-indias</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/ae58456f-4e89-4fd6-a8d1-0afef640fcbf/Metropolitan+2015.45.2a%2C+b.jpeg</image:loc>
      <image:title>Terra cotta Collection - Búcaros de Indias - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f2f97cb1-82f6-4220-8233-9359119dd38e/Screenshot+2026-03-05+at+3.26.10%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Búcaros de Indias - Make it stand out</image:title>
      <image:caption>Altar lamps, Monasterio de las Clarisas, Santiago, Chile, ca. 1675, red-slipped earthenware with glass, courtesy of the Hispanic Society Museum &amp; Library, le2221.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b4cba75b-0e50-4aa1-afbc-120f30b60aec/Screenshot+2026-03-05+at+3.26.20%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Búcaros de Indias - Make it stand out</image:title>
      <image:caption>Cups with double handles, ca. 1700, Tonalá (Mexico), slipped earthenware with polychrome, courtesy of the Hispanic Society Museum &amp; Library, le1972-le1973.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/219642ed-e963-4ee3-ac75-108e42b8fd57/Screenshot+2026-03-05+at+3.26.31%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Búcaros de Indias - Make it stand out</image:title>
      <image:caption>Beaker, ca. 1620, Tonalá (Mexico), red-slipped earthenware, courtesy of the Hispanic Society Museum &amp; Library, le1975.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/76bd7c90-58a4-4edd-9c1c-47cc72aa69cd/Screenshot+2026-03-05+at+3.26.40%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Búcaros de Indias - Make it stand out</image:title>
      <image:caption>Vase with Ormolu mounts, ca. 1650, Tonalá (Mexico), red-slipped earthenware with 18th century ormolu mounts, courtesy of the Hispanic Society Museum &amp; Library, le2270.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/terra-cotta-collection/peripheral-gods-and-magical-horses</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/efd1bcc2-004a-439e-9315-57e2e6562cc4/Screenshot+2026-03-05+at+3.14.20%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Peripheral gods and magical horses - Make it stand out</image:title>
      <image:caption>Terra cotta horses with Ayyanar and Karuppan and other deities. All from Urpetti. Photo by Ashwini Bhat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7d7211e4-a19b-4e14-a5c7-93309f7f644d/Screenshot+2026-03-05+at+3.14.38%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Peripheral gods and magical horses - Make it stand out</image:title>
      <image:caption>Terra cotta horses with Ayyanar and Karuppan and other deities. All from Urpetti. Photo by Ashwini Bhat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c5d6f35d-74c4-4ea7-81c2-a70ab7b82b06/Screenshot+2026-03-05+at+3.14.52%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Peripheral gods and magical horses - Make it stand out</image:title>
      <image:caption>Horseshoe kiln (outer and inner views) in Pudukottai on Pazhanisamy’s property. Photo by Ashwini Bhat.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5f38cae4-f7f5-4b98-8d8b-8d0a5680eed4/Screenshot+2026-03-05+at+3.15.02%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Peripheral gods and magical horses - Make it stand out</image:title>
      <image:caption>Terra cotta horses in Urpetti, Ashwini Bhat (author) for scale. Photo by Jane Perryman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/terra-cotta-collection/on-native-clays</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/a8d2d981-ea1d-443a-95c3-43729b2c0053/Matthew+Andrew+Daly+at+his+decorating+bench+Large.jpg</image:loc>
      <image:title>Terra cotta Collection - On native clays - Make it stand out</image:title>
      <image:caption>Matthew Andrew Daly, Rookwood Pottery; sc# 148 Rookwood Pottery Collection (Box1-Folder5-6p); Provided Courtesy of Cincinnati Museum Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0e9c37c8-f5fc-422c-9d0e-c18e9eb9c556/Photographic+Print.jpg</image:loc>
      <image:title>Terra cotta Collection - On native clays - Make it stand out</image:title>
      <image:caption>William Henry Jackson (American, 1843–1942), Photographic print, 1868, Albumen print on paper, British Museum, Am,a37.5 © The Trustees of the British Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f829c18b-21bd-49a0-8c86-f4b5bedb6422/Vase+Large.jpeg</image:loc>
      <image:title>Terra cotta Collection - On native clays - Make it stand out</image:title>
      <image:caption>Rookwood Pottery (American, 1880–1960), Decorator: Artus Van Briggle (American, 1869–1904), After: William Henry Jackson (American, 1843–1942), Vase, 1900, Buff-colored earthenware with standard glaze; shape 786d, Yale University Art Gallery, 2005.67.1.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/terra-cotta-collection/of-earth-and-sky</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/40020d43-2eb1-4a95-9f0f-f0d364047386/man+on+top+of+Woolworth.jpg</image:loc>
      <image:title>Terra cotta Collection - Of earth and sky - Make it stand out</image:title>
      <image:caption>Atop the Woolworth Building, New York, New York. Courtesy of the Friends of Terra Cotta Collection.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e1cb214c-8d93-4f57-95d6-2ae1c48c50a8/R.+Weisman%2C+modeling+rm.+Atlantic.jpg</image:loc>
      <image:title>Terra cotta Collection - Of earth and sky - Make it stand out</image:title>
      <image:caption>Worker in the Modeling Room of the Atlantic Terra Cotta Company, New Jersey. Courtesy of the Friends of Terra Cotta Collection.</image:caption>
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      <image:title>Terra cotta Collection - Of earth and sky - Make it stand out</image:title>
      <image:caption>Stereo view of the O. W. Ketcham Terra Cotta Company, Pennsylvania. Courtesy of the Friends of Terra Cotta Collection.</image:caption>
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      <image:title>Terra cotta Collection - Of earth and sky - Make it stand out</image:title>
      <image:caption>Trifold postcard of the Woolworth Building, New York, New York. Courtesy of the Friends of Terra Cotta Collection.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/36a36873-c382-4669-80ef-986d7641717a/wagons+with+terra+cotta.jpg</image:loc>
      <image:title>Terra cotta Collection - Of earth and sky - Make it stand out</image:title>
      <image:caption>A terra cotta delivery to the site of the Woolworth Building, prior to 1913. Courtesy of the Friends of Terra Cotta Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/terra-cotta-collection/in-touch-with-the-land</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9d4f0e10-db7a-4fdd-8035-8991ac332335/Villaggio-Formicaio+27.jpg</image:loc>
      <image:title>Terra cotta Collection - In touch with the land - Make it stand out</image:title>
      <image:caption>Andrea Caretto and Raffaella Spagna, “Anthill Village,” 2005. Participants of a raw clay workshop collectively dig out and process the clay. Photo courtesy of Andrea Caretto and Raffaella Spagna.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f76b47c4-334e-4526-b9b8-b788fa9b5579/eventi+culturali+al+Munlab+%285%29+%281%29.png</image:loc>
      <image:title>Terra cotta Collection - In touch with the land - Make it stand out</image:title>
      <image:caption>Munlab’s Clay Festival, 2008. An event organized with the participation of 40 residents (youth, families, seniors, teachers, etc.) from the town of Cambiano, where Munlab is located, to provide hands-on clay experiences through games and explorations in the quarry. Each station was designed, created, and managed by volunteers. Photo courtesy of Archivio Munlab.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2ecfad12-4dfa-41c3-bbdb-3a1c89d13be9/Monument+to+Earthworms.jpg</image:loc>
      <image:title>Terra cotta Collection - In touch with the land - Make it stand out</image:title>
      <image:caption>Andrea Caretto and Raffaella Spagna, “Monument to the Earthworms” or “Homage to Charles Darwin,” 2023, Terra cotta, Earthworm castings fired in the ceramic kiln.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/95a24b2c-ff93-4b6a-ade4-d0e8fa67a35c/Campo+Cotto+01.JPG</image:loc>
      <image:title>Terra cotta Collection - In touch with the land - Make it stand out</image:title>
      <image:caption>Cesario Carena, “Campo cotto a quota -4.80 m” (Baked Field at altitude -4.80 m), 1986. In October, in the countryside, farmers prepare their fields for planting by cutting into the soil with ploughs. The work is remarkable. But how can this ephemeral landscape be fixed in time? By baking it. But baking is diffcult: the clay of the field is rich in humus and the soil clods lose their cohesion as they dry. The kiln quarry, where the clods are buried deep in the ground, comes to the rescue: the excavator ploughs the surface of the quarry just as the plough would the field, but the sod, dug to a depth of -4.80m, is humus-free and compact. Campo cotto is made from quarry sod that is dried, baked and exposed at the same excavation depth of -4.80 m. Photo courtesy of Andrea Caretto and Raffaella Spagna.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7b2532a4-006d-4fa5-85b5-ba5fd427bd9b/CARENA_43.jpg</image:loc>
      <image:title>Terra cotta Collection - In touch with the land - Make it stand out</image:title>
      <image:caption>Cesario Carena, “Capillarità” (Capillarity), 2018. Simple shapes needle forms, pistils and spheres­ —are submerged in water, which slowly rises until it activates the germination of the sown humus. The result is a range of aesthetic ideas that take advantage of the natural properties of terra cotta. Photo courtesy of Paolo Robino.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/terra-cotta-collection/clay-bodies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/19408006-eb01-4d24-803a-2cba551fcc0c/Screenshot+2026-03-05+at+2.26.05%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Clay bodies - Make it stand out</image:title>
      <image:caption>Ebitenyefa Baralaye, Portrait I, 2020, Terra cotta, soda-glaze.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/2dd81bed-41f1-4921-b09c-2a5fe7c419fa/Labyrinth.jpg</image:loc>
      <image:title>Terra cotta Collection - Clay bodies - Make it stand out</image:title>
      <image:caption>Ebitenyefa Baralaye, Labyrinth I, 2019, Terra cotta.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fce9f6ee-60bb-4956-990f-245033c6c529/Screenshot+2026-03-05+at+2.26.20%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Clay bodies - Make it stand out</image:title>
      <image:caption>Ebitenyefa Baralaye, Anna, 2022, Terra cotta, glaze.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/36efc426-574d-491e-859f-f7d8af712f6e/Screenshot+2026-03-05+at+2.26.38%E2%80%AFPM.png</image:loc>
      <image:title>Terra cotta Collection - Clay bodies - Make it stand out</image:title>
      <image:caption>Ebitenyefa Baralaye, Invisible Man I, 2022, Terra cotta, glaze.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-13</lastmod>
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  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-03-16</lastmod>
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  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-marginalia</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-29</lastmod>
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      <image:title>Acrylic Marginalia</image:title>
      <image:caption>General Motors, the transparent Pontiac Ghost Car was unveiled at the 1939 World’s Fair in New York as part of General Motors’ Futurama exhibit, 1939. General Motors Archive.</image:caption>
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      <image:title>Acrylic Marginalia</image:title>
      <image:caption>General Motors, the transparent Pontiac Ghost Car was unveiled at the 1939 World’s Fair in New York as part of General Motors’ Futurama exhibit, 1939. General Motors Archive.</image:caption>
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      <image:title>Acrylic Marginalia</image:title>
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      <image:title>Acrylic Marginalia</image:title>
      <image:caption>The Yurikamome Elevated Train passes behind a Plexiglas map of the Shiodome Sio-Site business complex, located in Minato Ward in central Tokyo, Japan, April 14, 2008. J. Lumiere / Alamy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764260689603-021OFFFQX5445J73XNX5/_2_Acrylic-Screenshot+2025-11-26+at+8.19.27%E2%80%AFPM.png</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>The Yurikamome Elevated Train passes behind a Plexiglas map of the Shiodome Sio-Site business complex, located in Minato Ward in central Tokyo, Japan, April 14, 2008. J. Lumiere / Alamy.</image:caption>
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      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Grosfeld House Plexiglas bedroom, 1942. From Decorative Art 1942 – The Studio Year Book, edited by C. G. Holme. [The Studio Ltd., London, 1942]. The Print Collector / Heritage Images / Alamy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5e49d758-40c8-42ff-8366-5e626677e35d/_3_Acrylic-Bedroom-PKCWAF.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Grosfeld House Plexiglas bedroom, 1942. From Decorative Art 1942 – The Studio Year Book, edited by C. G. Holme. [The Studio Ltd., London, 1942]. The Print Collector / Heritage Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764262252589-6O2OFKTGVEMER1NXJSNF/_4_Acrylic-Screenshot%2B2025-11-26%2Bat%2B8.22.03%25E2%2580%25AFPM.png</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Telephone acrylic dome in the Palace Hotel, Stockholm, Sweden, 1950s. Photo Kristoffersson ref cb23-2 / Classic Picture Library / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764262252589-6O2OFKTGVEMER1NXJSNF/_4_Acrylic-Screenshot%2B2025-11-26%2Bat%2B8.22.03%25E2%2580%25AFPM.png</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Telephone acrylic dome in the Palace Hotel, Stockholm, Sweden, 1950s. Photo Kristoffersson ref cb23-2 / Classic Picture Library / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cb34ba04-2e1b-44fa-963c-cb229de40b31/_5_Acrylic-Boeing_XB-17_%28Model_299%29_nose_turret_with_gun.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cb34ba04-2e1b-44fa-963c-cb229de40b31/_5_Acrylic-Boeing_XB-17_%28Model_299%29_nose_turret_with_gun.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764262280953-D820EK3K203DUVLQF596/Woman_polishing_Plexiglas_at_Rohm_and_Haas_facility_-_DPLA_-_4a8078850f37faa567345fd858258d65.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Rohm and Haas Company. “Woman Polishing Plexiglas at Rohm and Haas Facility,” 1940–1949. Rohm &amp; Haas Company Archives, Box 18 (Photographs), Folder 12. Science History Institute. Philadelphia. https://digital.sciencehistory.org/works/rf55z867q.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764262280953-D820EK3K203DUVLQF596/Woman_polishing_Plexiglas_at_Rohm_and_Haas_facility_-_DPLA_-_4a8078850f37faa567345fd858258d65.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Rohm and Haas Company. “Woman Polishing Plexiglas at Rohm and Haas Facility,” 1940–1949. Rohm &amp; Haas Company Archives, Box 18 (Photographs), Folder 12. Science History Institute. Philadelphia. https://digital.sciencehistory.org/works/rf55z867q.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f5eb191e-6542-46ed-9e07-16e1599934a0/_7_Acrylic-NMAH-AHB2019q016685-2.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f5eb191e-6542-46ed-9e07-16e1599934a0/_7_Acrylic-NMAH-AHB2019q016685-2.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f3744848-97d3-4874-9e7c-3ea12474d2f9/_8_Acrylic-large_1980_0183__0002_.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f3744848-97d3-4874-9e7c-3ea12474d2f9/_8_Acrylic-large_1980_0183__0002_.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d13799f1-4020-47d1-88e5-da35a037b1a9/_9_Acrylic-Greenhouse-E0R05W.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Jane Rieger of Golders Green seen with the first all-plastic greenhouse at the First International British Plastics Exhibition, July 7, 1957. Keystone Pictures usa / zumapress / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d13799f1-4020-47d1-88e5-da35a037b1a9/_9_Acrylic-Greenhouse-E0R05W.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Jane Rieger of Golders Green seen with the first all-plastic greenhouse at the First International British Plastics Exhibition, July 7, 1957. Keystone Pictures usa / zumapress / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57f2afdf-1bb3-44da-9146-250e6eb2aabc/_10_Acrylic-TV-2CR4MGX.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>A Farnsworth table model television receiver installed in a Lucite cabinet to show the operation of the components, 1949. rbm Vintage Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57f2afdf-1bb3-44da-9146-250e6eb2aabc/_10_Acrylic-TV-2CR4MGX.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>A Farnsworth table model television receiver installed in a Lucite cabinet to show the operation of the components, 1949. rbm Vintage Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e5794265-5cc0-4240-b1eb-93ffe372478f/_11_Acrylic-2018_INTERVENTION_color+correct.jpeg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Barbara Kasten, Intervention, 2018, Steel and fluorescent acrylic. Courtesy Bortolami Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e5794265-5cc0-4240-b1eb-93ffe372478f/_11_Acrylic-2018_INTERVENTION_color+correct.jpeg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Barbara Kasten, Intervention, 2018, Steel and fluorescent acrylic. Courtesy Bortolami Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1f467d36-a325-4448-bfac-8cb166603300/_12_Acrylic-McDonalds-2PJ80T6.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>A McDonald’s in Chicago, 2008. James Kirkikis / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1f467d36-a325-4448-bfac-8cb166603300/_12_Acrylic-McDonalds-2PJ80T6.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>A McDonald’s in Chicago, 2008. James Kirkikis / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7843b61b-e6f9-4143-b352-8ea38b4bcd65/_13_Acrylic-iStock-629275716-WP.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Ocular prosthesis. Evil Kahn / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7843b61b-e6f9-4143-b352-8ea38b4bcd65/_13_Acrylic-iStock-629275716-WP.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Ocular prosthesis. Evil Kahn / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/953f50f5-6b9b-489d-93c4-4170b0744b03/_14_Acrylic-DH5093.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Climate measuring devices, Mt Zugspitze summit station, Garmisch-Partenkirchen, Bavaria, Germany, Europe, November 10, 2011. uwl / imagebroker.com / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/953f50f5-6b9b-489d-93c4-4170b0744b03/_14_Acrylic-DH5093.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Climate measuring devices, Mt Zugspitze summit station, Garmisch-Partenkirchen, Bavaria, Germany, Europe, November 10, 2011. uwl / imagebroker.com / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57c07640-6311-4b5c-92dc-d5087d1515af/_15_Acrylic-Plexi+Pattern+2NANJ4R.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Color plastic acrylic shapes, Plexiglas, April 2, 2020. Opreanu Roberto Sorin / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57c07640-6311-4b5c-92dc-d5087d1515af/_15_Acrylic-Plexi+Pattern+2NANJ4R.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Color plastic acrylic shapes, Plexiglas, April 2, 2020. Opreanu Roberto Sorin / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/85cf6437-d63f-454e-b606-5e9a1a0a0476/_16_Acrylic-Crochet-2R9W3NR.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Red, green, blue, beige, aqua, brown, yellow and navy rows of a horizontal multi-colored crochet lines pattern, June 11, 2023. Dorin Puha / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/85cf6437-d63f-454e-b606-5e9a1a0a0476/_16_Acrylic-Crochet-2R9W3NR.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Red, green, blue, beige, aqua, brown, yellow and navy rows of a horizontal multi-colored crochet lines pattern, June 11, 2023. Dorin Puha / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9dac5062-d2ad-4b5e-a14d-2cdfb4c3470e/_17_Acrylic-Just+for+Kicks-2XCK8GK.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Orlon acrylic by DuPont, “Just for Kicks,” 1960. adsR / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9dac5062-d2ad-4b5e-a14d-2cdfb4c3470e/_17_Acrylic-Just+for+Kicks-2XCK8GK.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Orlon acrylic by DuPont, “Just for Kicks,” 1960. adsR / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7b047f59-7b73-4496-8289-c3dc22e88bac/_18_Acrylic-iStock-2218605510.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Heart-shaped sunglasses. William Dondyk / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7b047f59-7b73-4496-8289-c3dc22e88bac/_18_Acrylic-iStock-2218605510.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Heart-shaped sunglasses. William Dondyk / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764260487324-M7966GY7H7781DINE2JZ/_19_Acrylic-Hockey-Edit.png</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Blurred view through protective glass. Hockey player on the ice surface of the stadium, February 13, 2023. Edophoto / Panther Media Global / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764260487324-M7966GY7H7781DINE2JZ/_19_Acrylic-Hockey-Edit.png</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Blurred view through protective glass. Hockey player on the ice surface of the stadium, February 13, 2023. Edophoto / Panther Media Global / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764261043506-LQG7CUZ7I4MHC5I1LK5O/Screenshot+2025-11-27+at+11.29.18%E2%80%AFAM.png</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764261043506-LQG7CUZ7I4MHC5I1LK5O/Screenshot+2025-11-27+at+11.29.18%E2%80%AFAM.png</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b45af5e1-4b05-4f30-9e37-1865ae95a8d3/_20_Acrylic-aeft_002.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Haruka Kojin, Contact Lens, 2011. Museum of Contemporary Art, Tokyo. Photo: daici ano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b45af5e1-4b05-4f30-9e37-1865ae95a8d3/_20_Acrylic-aeft_002.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Haruka Kojin, Contact Lens, 2011. Museum of Contemporary Art, Tokyo. Photo: daici ano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/83d9707f-1788-4c3e-951b-1caabe503b74/_21_Acrylic-Lucite+handbag+V%26A+2017KE3721.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Unknown. Handbag, early 1950s. Engraved perspex. Given by Peggy Marchant, © Victoria and Albert Museum, London, 1996/2203.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/83d9707f-1788-4c3e-951b-1caabe503b74/_21_Acrylic-Lucite+handbag+V%26A+2017KE3721.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Unknown. Handbag, early 1950s. Engraved perspex. Given by Peggy Marchant, © Victoria and Albert Museum, London, 1996/2203.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f4dc7640-0c76-4c49-9c84-af54467107ff/_22_Acrylic-Safety+Glasses-M6TJP1-WP.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Pigeonholes full of safety glasses high school workshop in Western Australia, March 5, 2018. Chris de Blank / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f4dc7640-0c76-4c49-9c84-af54467107ff/_22_Acrylic-Safety+Glasses-M6TJP1-WP.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Pigeonholes full of safety glasses high school workshop in Western Australia, March 5, 2018. Chris de Blank / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/15cc9a16-0e9f-45f7-81a1-7cf33f9857f8/_23_Acrylic-Milling+Machine+CDC-2A9AME0.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Plexiglas milling on a CNC machine at a furniture factory, October 22, 2019. Marina Demkina / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/15cc9a16-0e9f-45f7-81a1-7cf33f9857f8/_23_Acrylic-Milling+Machine+CDC-2A9AME0.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Plexiglas milling on a CNC machine at a furniture factory, October 22, 2019. Marina Demkina / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0fffd1e2-51ef-46de-a983-e8e1526620ea/_24_Acrylic-2RE11W7.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Outdoor basketball backboard and hoop rim with chain net in urban residential district, Serbia, 2023. Igor Stevanovic / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0fffd1e2-51ef-46de-a983-e8e1526620ea/_24_Acrylic-2RE11W7.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Outdoor basketball backboard and hoop rim with chain net in urban residential district, Serbia, 2023. Igor Stevanovic / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fcc1994b-d9c1-430a-8d41-d437fc71c91a/_25_Acrylic-F05BCN.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Walkway, Centre Pompidou, Paris, France. Kate Hockenhull / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fcc1994b-d9c1-430a-8d41-d437fc71c91a/_25_Acrylic-F05BCN.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Walkway, Centre Pompidou, Paris, France. Kate Hockenhull / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e85d83fe-f5aa-4d0f-b993-7e90eaec7f40/_26_Acrylic-Tables-2CH48A3.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Plexiglass screens on metal stands for social distancing in Trastevere, Rome, Italy, September 12, 2020. Daniele Cossu / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e85d83fe-f5aa-4d0f-b993-7e90eaec7f40/_26_Acrylic-Tables-2CH48A3.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Plexiglass screens on metal stands for social distancing in Trastevere, Rome, Italy, September 12, 2020. Daniele Cossu / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d301494b-6093-4a22-b188-664899a20b65/_27_Acrylic-Guardsmen-3BHXA20-compressed.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>National Guard members at the Metro Detention Center in Downtown Los Angeles on June 8th, 2025, amid protests against federal immigration raids, June 8, 2025. Jim Newberry / Alamy.</image:caption>
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      <image:title>Acrylic Marginalia</image:title>
      <image:caption>National Guard members at the Metro Detention Center in Downtown Los Angeles on June 8th, 2025, amid protests against federal immigration raids, June 8, 2025. Jim Newberry / Alamy.</image:caption>
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      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Glowing red exit sign, Plexiglas, July 11, 2019. MirrorImages / Alamy.</image:caption>
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      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Glowing red exit sign, Plexiglas, July 11, 2019. MirrorImages / Alamy.</image:caption>
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      <image:caption>General Motors, the transparent Pontiac Ghost Car was unveiled at the 1939 World’s Fair in New York as part of General Motors’ Futurama exhibit, 1939. General Motors Archive.</image:caption>
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      <image:caption>The Yurikamome Elevated Train passes behind a Plexiglas map of the Shiodome Sio-Site business complex, located in Minato Ward in central Tokyo, Japan, April 14, 2008. J. Lumiere / Alamy.</image:caption>
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      <image:caption>Grosfeld House Plexiglas bedroom, 1942. From Decorative Art 1942 – The Studio Year Book, edited by C. G. Holme. [The Studio Ltd., London, 1942]. The Print Collector / Heritage Images / Alamy.</image:caption>
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      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Telephone acrylic dome in the Palace Hotel, Stockholm, Sweden, 1950s. Photo Kristoffersson ref cb23-2 / Classic Picture Library / Alamy.</image:caption>
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      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Rohm and Haas Company. “Woman Polishing Plexiglas at Rohm and Haas Facility,” 1940–1949. Rohm &amp; Haas Company Archives, Box 18 (Photographs), Folder 12. Science History Institute. Philadelphia.  https://digital.sciencehistory.org/works/rf55z867q.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044877225-9GXPYXOXHFK6AH6VWN1T/Greenhouse-E0R05W.jpg</image:loc>
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      <image:caption>Jane Rieger of Golders Green seen with the first all-plastic greenhouse at the First International British Plastics Exhibition, July 7, 1957. Keystone Pictures usa / zumapress / Alamy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044868318-J7J3WTX24LDPJ37R0OXC/TV-2CR4MGX.jpg</image:loc>
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      <image:caption>A Farnsworth table model television receiver installed in a Lucite cabinet to show the operation of the components, 1949. rbm Vintage Images / Alamy.</image:caption>
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      <image:caption>Barbara Kasten, Intervention, 2018, Steel and fluorescent acrylic. Courtesy Bortolami Gallery.</image:caption>
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      <image:caption>A McDonald’s in Chicago, 2008. James Kirkikis / Alamy.</image:caption>
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      <image:caption>Ocular prosthesis. Evil Kahn / iStock.</image:caption>
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      <image:caption>Climate measuring devices, Mt Zugspitze summit station, Garmisch-Partenkirchen, Bavaria, Germany, Europe, November 10, 2011. uwl / imagebroker.com / Alamy.</image:caption>
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      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Color plastic acrylic shapes, Plexiglas, April 2, 2020. Opreanu Roberto Sorin / Alamy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044887810-5R3YBLVSAQXSOEPG4WXS/Crochet-2R9W3NR.jpg</image:loc>
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      <image:caption>Red, green, blue, beige, aqua, brown, yellow and navy rows of a horizontal multi-colored crochet lines pattern, June 11, 2023. Dorin Puha / Alamy.</image:caption>
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      <image:caption>Orlon acrylic by DuPont, “Just for Kicks,” 1960. adsR / Alamy.</image:caption>
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      <image:caption>Heart-shaped sunglasses. William Dondyk / iStock.</image:caption>
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      <image:title>Acrylic Marginalia</image:title>
      <image:caption>Blurred view through protective glass. Hockey player on the ice surface of the stadium, February 13, 2023. Edophoto / Panther Media Global / Alamy.</image:caption>
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      <image:caption>Haruka Kojin, Contact Lens, 2011. Museum of Contemporary Art, Tokyo. Photo: daici ano.</image:caption>
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      <image:caption>Unknown. Handbag, early 1950s. Engraved perspex. Given by Peggy Marchant, © Victoria and Albert Museum, London, 1996/2203.</image:caption>
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      <image:caption>Pigeonholes full of safety glasses high school workshop in Western Australia, March 5, 2018. Chris de Blank / Alamy.</image:caption>
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      <image:caption>Plexiglas milling on a CNC machine at a furniture factory, October 22, 2019. Marina Demkina / Alamy.</image:caption>
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      <image:caption>Outdoor basketball backboard and hoop rim with chain net in urban residential district, Serbia, 2023. Igor Stevanovic / Alamy.</image:caption>
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      <image:caption>Walkway, Centre Pompidou, Paris, France. Kate Hockenhull / Alamy.</image:caption>
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      <image:caption>Plexiglass screens on metal stands for social distancing in Trastevere, Rome, Italy, September 12, 2020. Daniele Cossu / Alamy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044857751-TD74V4MJHTCHIO73SIJI/Guardsmen-3BHXA20-compressed.jpg</image:loc>
      <image:title>Acrylic Marginalia</image:title>
      <image:caption>National Guard members at the Metro Detention Center in Downtown Los Angeles on June 8th, 2025, amid protests against federal immigration raids, June 8, 2025. Jim Newberry / Alamy.</image:caption>
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      <image:caption>Glowing red exit sign, Plexiglas, July 11, 2019. MirrorImages / Alamy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fcc1994b-d9c1-430a-8d41-d437fc71c91a/_25_Acrylic-F05BCN.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0cf42e25-512a-472c-9cda-2ed0adfc455b/Gallery-Background.png</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e85d83fe-f5aa-4d0f-b993-7e90eaec7f40/_26_Acrylic-Tables-2CH48A3.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d301494b-6093-4a22-b188-664899a20b65/_27_Acrylic-Guardsmen-3BHXA20-compressed.jpg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0cf42e25-512a-472c-9cda-2ed0adfc455b/Gallery-Background.png</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/897aaaee-6e72-4cb9-bc47-1cb682ba797e/_29_Acrylic-Exit-2A59J5R.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/marginalia-grid</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044884912-F3YE6PJ0HI8A72F7ZO2X/49109-0001.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>General Motors, the transparent Pontiac Ghost Car was unveiled at the 1939 World’s Fair in New York as part of General Motors’ Futurama exhibit, 1939. General Motors Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764261043371-1KSYSMPB7JTSKD6H0PLK/Screenshot+2025-11-27+at+11.28.21%E2%80%AFAM.png</image:loc>
      <image:title>Marginalia GRID</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764260689603-021OFFFQX5445J73XNX5/_2_Acrylic-Screenshot+2025-11-26+at+8.19.27%E2%80%AFPM.png</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>The Yurikamome Elevated Train passes behind a Plexiglas map of the Shiodome Sio-Site business complex, located in Minato Ward in central Tokyo, Japan, April 14, 2008. J. Lumiere / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044889996-RBK5TUQHBU3RG1EFXP4J/Bedroom-PKCWAF.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Grosfeld House Plexiglas bedroom, 1942. From Decorative Art 1942 – The Studio Year Book, edited by C. G. Holme. [The Studio Ltd., London, 1942]. The Print Collector / Heritage Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764262252589-6O2OFKTGVEMER1NXJSNF/_4_Acrylic-Screenshot%2B2025-11-26%2Bat%2B8.22.03%25E2%2580%25AFPM.png</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Telephone acrylic dome in the Palace Hotel, Stockholm, Sweden, 1950s. Photo Kristoffersson ref cb23-2 / Classic Picture Library / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044880703-6X5IF24UJ3NV52GDJ8M2/Boeing_XB-17_%28Model_299%29_nose_turret_with_gun.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764262280953-D820EK3K203DUVLQF596/Woman_polishing_Plexiglas_at_Rohm_and_Haas_facility_-_DPLA_-_4a8078850f37faa567345fd858258d65.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Rohm and Haas Company. “Woman Polishing Plexiglas at Rohm and Haas Facility,” 1940–1949. Rohm &amp; Haas Company Archives, Box 18 (Photographs), Folder 12. Science History Institute. Philadelphia.  https://digital.sciencehistory.org/works/rf55z867q.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044866074-LEPWJWO7CAP0FFI8717F/NMAH-AHB2019q016685-2.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044882294-2GBOVPFAVQ2NCS3JRJZL/large_1980_0183__0002_.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044877225-9GXPYXOXHFK6AH6VWN1T/Greenhouse-E0R05W.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Jane Rieger of Golders Green seen with the first all-plastic greenhouse at the First International British Plastics Exhibition, July 7, 1957. Keystone Pictures usa / zumapress / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044868318-J7J3WTX24LDPJ37R0OXC/TV-2CR4MGX.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>A Farnsworth table model television receiver installed in a Lucite cabinet to show the operation of the components, 1949. rbm Vintage Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764260599425-Z4JIFSJIP91B8LP3EW2X/_11_Acrylic-2018_INTERVENTION_color+correct.jpeg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Barbara Kasten, Intervention, 2018, Steel and fluorescent acrylic. Courtesy Bortolami Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044860949-NE1W5NNM3UZ4PNZ7HWZX/McDonalds-2PJ80T6.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>A McDonald’s in Chicago, 2008. James Kirkikis / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044860729-VTM7SPI1LHKH1JUBE7H0/iStock-629275716-WP.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Ocular prosthesis. Evil Kahn / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044873828-31UBRUI3TNUN5D13DWZZ/DH5093.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Climate measuring devices, Mt Zugspitze summit station, Garmisch-Partenkirchen, Bavaria, Germany, Europe, November 10, 2011. uwl / imagebroker.com / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044870774-FB12AHHW0G4FQHHQJUIE/Plexi+Pattern+2NANJ4R.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Color plastic acrylic shapes, Plexiglas, April 2, 2020. Opreanu Roberto Sorin / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044887810-5R3YBLVSAQXSOEPG4WXS/Crochet-2R9W3NR.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Red, green, blue, beige, aqua, brown, yellow and navy rows of a horizontal multi-colored crochet lines pattern, June 11, 2023. Dorin Puha / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044872949-ETSZ43TO3IBJWBCPO4S3/Just+for+Kicks-2XCK8GK.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Orlon acrylic by DuPont, “Just for Kicks,” 1960. adsR / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044882365-WLJU08GQOYUZDFWJNU72/iStock-2218605510.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Heart-shaped sunglasses. William Dondyk / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764260487324-M7966GY7H7781DINE2JZ/_19_Acrylic-Hockey-Edit.png</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Blurred view through protective glass. Hockey player on the ice surface of the stadium, February 13, 2023. Edophoto / Panther Media Global / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764261043506-LQG7CUZ7I4MHC5I1LK5O/Screenshot+2025-11-27+at+11.29.18%E2%80%AFAM.png</image:loc>
      <image:title>Marginalia GRID</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044858632-QCO729NVE3EW0SOV0MLO/aeft_002.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Haruka Kojin, Contact Lens, 2011. Museum of Contemporary Art, Tokyo. Photo: daici ano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044849144-S503OOXCVAS3L49R3PYI/Lucite+handbag+V%26A+2017KE3721.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Unknown. Handbag, early 1950s. Engraved perspex. Given by Peggy Marchant, © Victoria and Albert Museum, London, 1996/2203.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044868215-T4QCLXNPNAD4YOFFUFXX/Safety+Glasses-M6TJP1-WP.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Pigeonholes full of safety glasses high school workshop in Western Australia, March 5, 2018. Chris de Blank / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044890677-EYW8KER2KD7QXSORG8CK/Milling+Machine+CDC-2A9AME0.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Plexiglas milling on a CNC machine at a furniture factory, October 22, 2019. Marina Demkina / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044888918-XJIVATBF712GLWQVV350/2RE11W7.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Outdoor basketball backboard and hoop rim with chain net in urban residential district, Serbia, 2023. Igor Stevanovic / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044886884-IIUFI01FDUDBE6UF7P4G/F05BCN.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Walkway, Centre Pompidou, Paris, France. Kate Hockenhull / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044864237-80B6MIXJ2VAAM2P28Z41/Tables-2CH48A3.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Plexiglass screens on metal stands for social distancing in Trastevere, Rome, Italy, September 12, 2020. Daniele Cossu / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044857751-TD74V4MJHTCHIO73SIJI/Guardsmen-3BHXA20-compressed.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>National Guard members at the Metro Detention Center in Downtown Los Angeles on June 8th, 2025, amid protests against federal immigration raids, June 8, 2025. Jim Newberry / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764261044622-Z6FWWDV4QR6VHYL3CZU3/Screenshot+2025-11-27+at+11.29.51%E2%80%AFAM.png</image:loc>
      <image:title>Marginalia GRID</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764044889069-RRQ5IU93WX8EZRWJPS0M/Exit-2A59J5R.jpg</image:loc>
      <image:title>Marginalia GRID</image:title>
      <image:caption>Glowing red exit sign, Plexiglas, July 11, 2019. MirrorImages / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/marginalia-masonry</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/00302ac2-ed75-4013-ae3b-e64d3d1ffd3a/_1_Arylic-49109-0001.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>General Motors, the transparent Pontiac Ghost Car was unveiled at the 1939 World’s Fair in New York as part of General Motors’ Futurama exhibit, 1939. General Motors Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764261043371-1KSYSMPB7JTSKD6H0PLK/Screenshot+2025-11-27+at+11.28.21%E2%80%AFAM.png</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764260689603-021OFFFQX5445J73XNX5/_2_Acrylic-Screenshot+2025-11-26+at+8.19.27%E2%80%AFPM.png</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>The Yurikamome Elevated Train passes behind a Plexiglas map of the Shiodome Sio-Site business complex, located in Minato Ward in central Tokyo, Japan, April 14, 2008. J. Lumiere / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5e49d758-40c8-42ff-8366-5e626677e35d/_3_Acrylic-Bedroom-PKCWAF.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Grosfeld House Plexiglas bedroom, 1942. From Decorative Art 1942 – The Studio Year Book, edited by C. G. Holme. [The Studio Ltd., London, 1942]. The Print Collector / Heritage Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764262252589-6O2OFKTGVEMER1NXJSNF/_4_Acrylic-Screenshot%2B2025-11-26%2Bat%2B8.22.03%25E2%2580%25AFPM.png</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Telephone acrylic dome in the Palace Hotel, Stockholm, Sweden, 1950s. Photo Kristoffersson ref cb23-2 / Classic Picture Library / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cb34ba04-2e1b-44fa-963c-cb229de40b31/_5_Acrylic-Boeing_XB-17_%28Model_299%29_nose_turret_with_gun.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764262280953-D820EK3K203DUVLQF596/Woman_polishing_Plexiglas_at_Rohm_and_Haas_facility_-_DPLA_-_4a8078850f37faa567345fd858258d65.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Rohm and Haas Company. “Woman Polishing Plexiglas at Rohm and Haas Facility,” 1940–1949. Rohm &amp; Haas Company Archives, Box 18 (Photographs), Folder 12. Science History Institute. Philadelphia. https://digital.sciencehistory.org/works/rf55z867q.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f5eb191e-6542-46ed-9e07-16e1599934a0/_7_Acrylic-NMAH-AHB2019q016685-2.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f3744848-97d3-4874-9e7c-3ea12474d2f9/_8_Acrylic-large_1980_0183__0002_.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d13799f1-4020-47d1-88e5-da35a037b1a9/_9_Acrylic-Greenhouse-E0R05W.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Jane Rieger of Golders Green seen with the first all-plastic greenhouse at the First International British Plastics Exhibition, July 7, 1957. Keystone Pictures usa / zumapress / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57f2afdf-1bb3-44da-9146-250e6eb2aabc/_10_Acrylic-TV-2CR4MGX.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>A Farnsworth table model television receiver installed in a Lucite cabinet to show the operation of the components, 1949. rbm Vintage Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e5794265-5cc0-4240-b1eb-93ffe372478f/_11_Acrylic-2018_INTERVENTION_color+correct.jpeg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Barbara Kasten, Intervention, 2018, Steel and fluorescent acrylic. Courtesy Bortolami Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1f467d36-a325-4448-bfac-8cb166603300/_12_Acrylic-McDonalds-2PJ80T6.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>A McDonald’s in Chicago, 2008. James Kirkikis / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7843b61b-e6f9-4143-b352-8ea38b4bcd65/_13_Acrylic-iStock-629275716-WP.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Ocular prosthesis. Evil Kahn / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/953f50f5-6b9b-489d-93c4-4170b0744b03/_14_Acrylic-DH5093.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Climate measuring devices, Mt Zugspitze summit station, Garmisch-Partenkirchen, Bavaria, Germany, Europe, November 10, 2011. uwl / imagebroker.com / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57c07640-6311-4b5c-92dc-d5087d1515af/_15_Acrylic-Plexi+Pattern+2NANJ4R.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Color plastic acrylic shapes, Plexiglas, April 2, 2020. Opreanu Roberto Sorin / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/85cf6437-d63f-454e-b606-5e9a1a0a0476/_16_Acrylic-Crochet-2R9W3NR.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Red, green, blue, beige, aqua, brown, yellow and navy rows of a horizontal multi-colored crochet lines pattern, June 11, 2023. Dorin Puha / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9dac5062-d2ad-4b5e-a14d-2cdfb4c3470e/_17_Acrylic-Just+for+Kicks-2XCK8GK.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Orlon acrylic by DuPont, “Just for Kicks,” 1960. adsR / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7b047f59-7b73-4496-8289-c3dc22e88bac/_18_Acrylic-iStock-2218605510.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Heart-shaped sunglasses. William Dondyk / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764260487324-M7966GY7H7781DINE2JZ/_19_Acrylic-Hockey-Edit.png</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Blurred view through protective glass. Hockey player on the ice surface of the stadium, February 13, 2023. Edophoto / Panther Media Global / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764261043506-LQG7CUZ7I4MHC5I1LK5O/Screenshot+2025-11-27+at+11.29.18%E2%80%AFAM.png</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b45af5e1-4b05-4f30-9e37-1865ae95a8d3/_20_Acrylic-aeft_002.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Haruka Kojin, Contact Lens, 2011. Museum of Contemporary Art, Tokyo. Photo: daici ano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/83d9707f-1788-4c3e-951b-1caabe503b74/_21_Acrylic-Lucite+handbag+V%26A+2017KE3721.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Unknown. Handbag, early 1950s. Engraved perspex. Given by Peggy Marchant, © Victoria and Albert Museum, London, 1996/2203.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f4dc7640-0c76-4c49-9c84-af54467107ff/_22_Acrylic-Safety+Glasses-M6TJP1-WP.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Pigeonholes full of safety glasses high school workshop in Western Australia, March 5, 2018. Chris de Blank / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/15cc9a16-0e9f-45f7-81a1-7cf33f9857f8/_23_Acrylic-Milling+Machine+CDC-2A9AME0.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Plexiglas milling on a CNC machine at a furniture factory, October 22, 2019. Marina Demkina / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0fffd1e2-51ef-46de-a983-e8e1526620ea/_24_Acrylic-2RE11W7.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Outdoor basketball backboard and hoop rim with chain net in urban residential district, Serbia, 2023. Igor Stevanovic / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fcc1994b-d9c1-430a-8d41-d437fc71c91a/_25_Acrylic-F05BCN.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Walkway, Centre Pompidou, Paris, France. Kate Hockenhull / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e85d83fe-f5aa-4d0f-b993-7e90eaec7f40/_26_Acrylic-Tables-2CH48A3.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Plexiglass screens on metal stands for social distancing in Trastevere, Rome, Italy, September 12, 2020. Daniele Cossu / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d301494b-6093-4a22-b188-664899a20b65/_27_Acrylic-Guardsmen-3BHXA20-compressed.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>National Guard members at the Metro Detention Center in Downtown Los Angeles on June 8th, 2025, amid protests against federal immigration raids, June 8, 2025. Jim Newberry / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764261044622-Z6FWWDV4QR6VHYL3CZU3/Screenshot+2025-11-27+at+11.29.51%E2%80%AFAM.png</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/897aaaee-6e72-4cb9-bc47-1cb682ba797e/_29_Acrylic-Exit-2A59J5R.jpg</image:loc>
      <image:title>Marginalia MASONRY</image:title>
      <image:caption>Glowing red exit sign, Plexiglas, July 11, 2019. MirrorImages / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/marginalia-strips</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/bbb1f3c7-3ee4-4f91-b9d6-61aac78a6595/Screenshot+2025-12-15+at+4.03.10%E2%80%AFPM.png</image:loc>
      <image:title>Marginalia STRIPS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/00302ac2-ed75-4013-ae3b-e64d3d1ffd3a/_1_Arylic-49109-0001.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764260689603-021OFFFQX5445J73XNX5/_2_Acrylic-Screenshot+2025-11-26+at+8.19.27%E2%80%AFPM.png</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>The Yurikamome Elevated Train passes behind a Plexiglas map of the Shiodome Sio-Site business complex, located in Minato Ward in central Tokyo, Japan, April 14, 2008. J. Lumiere / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/5e49d758-40c8-42ff-8366-5e626677e35d/_3_Acrylic-Bedroom-PKCWAF.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Grosfeld House Plexiglas bedroom, 1942. From Decorative Art 1942 – The Studio Year Book, edited by C. G. Holme. [The Studio Ltd., London, 1942]. The Print Collector / Heritage Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764262252589-6O2OFKTGVEMER1NXJSNF/_4_Acrylic-Screenshot%2B2025-11-26%2Bat%2B8.22.03%25E2%2580%25AFPM.png</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Telephone acrylic dome in the Palace Hotel, Stockholm, Sweden, 1950s. Photo Kristoffersson ref cb23-2 / Classic Picture Library / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/cb34ba04-2e1b-44fa-963c-cb229de40b31/_5_Acrylic-Boeing_XB-17_%28Model_299%29_nose_turret_with_gun.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1764262280953-D820EK3K203DUVLQF596/Woman_polishing_Plexiglas_at_Rohm_and_Haas_facility_-_DPLA_-_4a8078850f37faa567345fd858258d65.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Rohm and Haas Company. “Woman Polishing Plexiglas at Rohm and Haas Facility,” 1940–1949. Rohm &amp; Haas Company Archives, Box 18 (Photographs), Folder 12. Science History Institute. Philadelphia. https://digital.sciencehistory.org/works/rf55z867q.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f5eb191e-6542-46ed-9e07-16e1599934a0/_7_Acrylic-NMAH-AHB2019q016685-2.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f3744848-97d3-4874-9e7c-3ea12474d2f9/_8_Acrylic-large_1980_0183__0002_.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d13799f1-4020-47d1-88e5-da35a037b1a9/_9_Acrylic-Greenhouse-E0R05W.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Jane Rieger of Golders Green seen with the first all-plastic greenhouse at the First International British Plastics Exhibition, July 7, 1957. Keystone Pictures usa / zumapress / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57f2afdf-1bb3-44da-9146-250e6eb2aabc/_10_Acrylic-TV-2CR4MGX.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>A Farnsworth table model television receiver installed in a Lucite cabinet to show the operation of the components, 1949. rbm Vintage Images / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e5794265-5cc0-4240-b1eb-93ffe372478f/_11_Acrylic-2018_INTERVENTION_color+correct.jpeg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Barbara Kasten, Intervention, 2018, Steel and fluorescent acrylic. Courtesy Bortolami Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1f467d36-a325-4448-bfac-8cb166603300/_12_Acrylic-McDonalds-2PJ80T6.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>A McDonald’s in Chicago, 2008. James Kirkikis / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7843b61b-e6f9-4143-b352-8ea38b4bcd65/_13_Acrylic-iStock-629275716-WP.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Ocular prosthesis. Evil Kahn / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/953f50f5-6b9b-489d-93c4-4170b0744b03/_14_Acrylic-DH5093.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Climate measuring devices, Mt Zugspitze summit station, Garmisch-Partenkirchen, Bavaria, Germany, Europe, November 10, 2011. uwl / imagebroker.com / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/57c07640-6311-4b5c-92dc-d5087d1515af/_15_Acrylic-Plexi+Pattern+2NANJ4R.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Color plastic acrylic shapes, Plexiglas, April 2, 2020. Opreanu Roberto Sorin / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/85cf6437-d63f-454e-b606-5e9a1a0a0476/_16_Acrylic-Crochet-2R9W3NR.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Red, green, blue, beige, aqua, brown, yellow and navy rows of a horizontal multi-colored crochet lines pattern, June 11, 2023. Dorin Puha / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/9dac5062-d2ad-4b5e-a14d-2cdfb4c3470e/_17_Acrylic-Just+for+Kicks-2XCK8GK.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Orlon acrylic by DuPont, “Just for Kicks,” 1960. adsR / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/7b047f59-7b73-4496-8289-c3dc22e88bac/_18_Acrylic-iStock-2218605510.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Heart-shaped sunglasses. William Dondyk / iStock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/71dfa9a0-20ac-4966-a234-e9941a232437/_19_Acrylic-Hockey-Edit.png</image:loc>
      <image:title>Marginalia STRIPS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f38f6334-fdac-44a1-97fa-2738d5d0f6e2/Screenshot+2025-12-15+at+4.03.40%E2%80%AFPM.png</image:loc>
      <image:title>Marginalia STRIPS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/b45af5e1-4b05-4f30-9e37-1865ae95a8d3/_20_Acrylic-aeft_002.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Haruka Kojin, Contact Lens, 2011. Museum of Contemporary Art, Tokyo. Photo: daici ano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/83d9707f-1788-4c3e-951b-1caabe503b74/_21_Acrylic-Lucite+handbag+V%26A+2017KE3721.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Unknown. Handbag, early 1950s. Engraved perspex. Given by Peggy Marchant, © Victoria and Albert Museum, London, 1996/2203.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/f4dc7640-0c76-4c49-9c84-af54467107ff/_22_Acrylic-Safety+Glasses-M6TJP1-WP.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Pigeonholes full of safety glasses high school workshop in Western Australia, March 5, 2018. Chris de Blank / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/15cc9a16-0e9f-45f7-81a1-7cf33f9857f8/_23_Acrylic-Milling+Machine+CDC-2A9AME0.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Plexiglas milling on a CNC machine at a furniture factory, October 22, 2019. Marina Demkina / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/0fffd1e2-51ef-46de-a983-e8e1526620ea/_24_Acrylic-2RE11W7.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Outdoor basketball backboard and hoop rim with chain net in urban residential district, Serbia, 2023. Igor Stevanovic / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/fcc1994b-d9c1-430a-8d41-d437fc71c91a/_25_Acrylic-F05BCN.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Walkway, Centre Pompidou, Paris, France. Kate Hockenhull / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/e85d83fe-f5aa-4d0f-b993-7e90eaec7f40/_26_Acrylic-Tables-2CH48A3.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Plexiglass screens on metal stands for social distancing in Trastevere, Rome, Italy, September 12, 2020. Daniele Cossu / Alamy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/912be9d8-6060-4fb6-8a60-740f3cde643c/Screenshot+2025-12-15+at+4.04.21%E2%80%AFPM.png</image:loc>
      <image:title>Marginalia STRIPS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/d301494b-6093-4a22-b188-664899a20b65/_27_Acrylic-Guardsmen-3BHXA20-compressed.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/897aaaee-6e72-4cb9-bc47-1cb682ba797e/_29_Acrylic-Exit-2A59J5R.jpg</image:loc>
      <image:title>Marginalia STRIPS</image:title>
      <image:caption>Glowing red exit sign, Plexiglas, July 11, 2019. MirrorImages / Alamy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal-introduction</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2026-01-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/1e13824a-556d-44d9-9fda-af26e8807632/Screenshot+2026-01-03+at+3.01.39%E2%80%AFPM.png</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/acrylic-v1</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2026-01-10</lastmod>
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    </image:image>
  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/charcoal</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2026-03-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/334f67ae-5e79-4cd3-b93c-ea7e0e5dc07b/5_38b19d65-7fdc-4b5e-bb1b-dd1a4c06ae2e_7404.jpg</image:loc>
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  </url>
  <url>
    <loc>https://www.materialintelligencemag.org/wax</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6924bdc71ccca22797caf93a/c4a1a57e-36e2-4375-834e-cfeca1a7dd6d/Yellow+Lava+Lamp+2RT7C71.jpg</image:loc>
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    <loc>https://www.materialintelligencemag.org/material-archive</loc>
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